@curiousaboutmusic

Curious Music crosses boarders with this Coastal Guide through unpredictable landscapes. 

I had the pleasure of meeting the Pembrokeshire native at this year's @westivalrecords and am fortunate to present his guide through uneven paths of Synth, AOR, Folk & More!

Coastal Cruising - Curious Music (#10)

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

SWAYMIX 001 - Telephones

Long time mate of PT and top qual Deej ~> Daniel Pisano running up 90 mins plus of cuts we all wish were onto. Chefs kiss approach spanning from covers for lovers to dancehall & ragga UFOS, rnb and house.

ID Requests @daniel_pisano

1800 triiip - Daniel Pisano - Mix 054

Loveshadow from San Francisco <3
"Hello from San Francisco :) this mix is made up of some of our favorite things we've been playing out over the last year or so, plus a few oddballs we've always wanted to share. when we're in the studio i tend to use our dj favs as a sort of production mood board, and these tunes have proven really helpful to help us design sounds for our new music. enjoy!"

H.A.N.D. MIX 035 - Loveshadow

Hopping in with magic mix is Hallooo Music - @hallooomusic

Good pals Auri and Denis are longtime dig enthusiasts who share a wide variety of their finds under 'Everything you love. Nothing you expect'

Here is no different where they dive into a outsider DIY synth-pop direction. Enjoy :)

Links:
https://www.youtube.com/@hallooomusic9203

M a g i c a s t - 0 6 8 🎇 - Hallooo Music

Ultimativo

B.P.T. Radio 065: No Frills

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-2nd-may-2023

Pender Street Steppers w/ Automaticamore 020523

Collector John Gómez brightens up Mondays with some music from different times and different places.

https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-22nd-may-2023

Soup To Nuts w/ John Gómez 220523

San Francisco's 45 king Mr. Big Happy jetted in on the first leg of his European tour packing a giant bag of small records and brought longtime sparring partner Ill Logic along to join us in the Brilliant Corners booth.

Buckle up for three hundred and twenty three minutes of transatlantic soul selections, recorded live in high-definition at Brilliant Corners on 27/5/2023.

https://soundcloud.com/bighappy
https://soundcloud.com/illlogicofficial

What’s Good? w/ Customs, Mr. Big Happy & Ill Logic

@fragmentsinwax @kiernandj 

https://undertheapricottree.net/kiernan-abbott/

“Right now feels like the tides are changing in all kinds of different ways and this mix was a pause in the chaos. In the past year I’ve often felt a little lost in this little venture, so the tracks selected here are the ones that slipped between the cracks. I took a peaceful moment to record this after a week of friendship back home in Wales - I hope listeners take a moment to enjoy this too.”

📸: Kiernan Abbott

Apricot 50: Kiernan Abbott (Fragments in Wax)

NTS is a global radio platform broadcasting music from over 50 cities around the globe, live 24/7.

Soup To Nuts w/ John Gómez 220523

NTS Monday

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