Shri Bawa Lal Ji Maharaj's Aarti.
Shri Bawa Lal ji incarnated in this world in AD 1355 in Kasur, Punjab,India. He lived at Saharanpur for years and performed severe austerities for the welfare of the whole world.In A.D. 1495, Shri Bawa Lal ji arrived at a place he gave it the name ‘Dhianpur’ after the name of his disciple Dhiandas.In Dhianpur, when Shri Bawa lal ji completed his mission on earth, he revealed that he eternally manifest and resides in his enlightened disciples and will continue to be present on this planet through succession of his divine successors.

Shri Bawa Lal Ji Aarti

Om Namah Shivaya is one of the most powerful mantras. Chanting this mantra builds the energy in your system and also clears the environment. People have been chanting this mantra for thousands of years. Om Namah Shivaya helps us to master the five elements within us, leading the mind to silence. Silence leads to the experience of Shiva Tattva. In this way, everyone can access Shiva through this mantra. The chanting of this mantra unites the different koshas or ­layers of our being and elevates the qualities of Shiva within us. It has the effect of quieting the mind and so is also a good way to prepare for meditation.


Om Namah Shivay Mantra

The Om Namo Bhagavate Rudraya mantra is a powerful and ancient mantra from the Vedas, a collection of Hindu scriptures. It is a chant dedicated to Lord Shiva. This mantra is considered to be particularly potent for invoking the blessings and protection of Lord Shiva. This mantra prayer is for healing your soul. Spread the Love and share to someone who needs it.

Om Namo Bhagavate Rudraya Namah Shiva Prayer

"Binti Karat Hoon Paiya Padat Hoon,"- Capturing the essence of the original Thumri while signaling a fresh, danceable twist. It's a traditional Indian song with roots in the folk music of the region, particularly the North Indian state of Uttar Pradesh. It belongs to the Thumri genre, which is a semi-classical form of Indian music known for its romantic and devotional themes. Originating in the 18th century,thumri typically features melodic embellishments, intricate ornamentations, and expressive vocal delivery. The melody is often set to a specific raga, which adds depth and emotion to the composition. We mixed tradition with modern beats, offering a fresh interpretation of timeless classics.

Binti Karat Hoon Paiya Padat Hoon -Club Remix

Mangal Chandika Stotra is most sacred Hindu religious composition, which is said to be recited by none other than Lord Shiva himself in order to worship the Mother Goddess Chandika or Chandi Devi and seek her aid and blessings. Mangal Chandika Stotra is from Brahmavarta Purana. Mangal Chandika Stotra is written entirely in Sanskrit language.The person who chants Mangal Chandika Stotra regularly, she does not have problems with money, business, housing etc.

Lyrics : Sanskrit
देवीं षोड्शवष यां   शश्वत्सुस्थिरयौवनाम्।
सर्वरुपगुणाढ्यां च कोमलांगीं  मनोहराम्॥
श्वेतचम्पकवर्णाभा   चन्द्रकोटि-समप्रभाम्।
वह्निशुद्धांशुकाधानां    रत्नभूषणभूषिताम्॥
बिभ्रतीं कवरीभारं  मल्लिकामाल्यभूषितम्।
विम्बोष्ठीं सुदतीं शुद्धां शरत्पद्मनिभाननाम्॥
ईषद्धास्यप्रसन्नास्यां  सुनीलोत्पललोचनाम्।
जगद्धात्रीं च दात्रीं च सर्वेभ्यः सर्वसम्पदाम्॥
संसारसागरे घोरे पोतरुपां  वरां   भजे॥
देव्याश्च द्यानमित्येवं  स्तवनं श्रूयतां मुने।
प्रयतः संकटग्रस्तो येन   तुष्टाव शंकरः॥

रक्ष   रक्ष   जगन्मातर्देवि  मंगलचण्डिके।
हारिके    विपदां    राशेर्हर्ष-मंगल-कारिके॥
हर्ष  –मंगल –दक्षे   चहर्ष-मंगल-चण्डिके।
शुभे  मंगल-दक्षे   च  शुभ-मंगल-चण्डिके॥
मंगले मंगलार्हे चसर्व-मंगल-मंगले।
सतां मंगलदे   देवि  सर्वेषां मंगलालये॥
पूज्या मंगलवारे च  मंगलाभीष्ट-दैवते।
पूज्ये मंगल-भूपस्य  मनुवंशस्य  संततम्॥
मंगलाधिष्ठातृदेविमंगलानां च मंगले।
संसार-मंगलाधारे   मोक्ष –मंगल  -दायिनी॥
सारे च मंगलाधारे  पारे  च  सर्वकर्मणाम्।
प्रतिमंगलवारे च पूज्ये च   मंगलप्रदे॥
स्तोत्रेणानेनशम्भुश्चस्तुत्वा मंगलचण्डिकाम्।
प्रतिमंगलवारे च पूजां   कृत्वा गतः शिवः॥
देव्याश्च मंगल-स्तोत्रं यं श्रृणोति समाहितः।
तन्मंगलं भवेच्छश्वन्न  भवेत्तदमंगलम्॥

Lyrics : English
dēvīṁ ṣōḍaśavarṣīyāṁ ramyāṁ susthirayauvanām |
sarvarūpaguṇāḍhyāṁ ca kōmalāṅgīṁ manōharām || 1 ||
śvētacampakavarṇābhāṁ candrakōṭisamaprabhām |
vahniśuddhāṁśukādhānāṁ ratnabhūṣaṇabhūṣitām || 2 ||
bibhratīṁ kabarībhāraṁ mallikāmālyabhūṣitam |
bimbōṣṭhīṁ sudatīṁ śuddhāṁ śaratpadmanibhānanām || 3 ||
īṣaddhāsyaprasannāsyāṁ sunīlōtpalalōcanām |
jagaddhātrīṁ ca dātrīṁ ca sarvēbhyaḥ sarvasampadām || 4 ||
saṁsārasāgarē ghōrē pōtarupāṁ varāṁ bhajē || 5 ||
dēvyāśca dhyānamityēvaṁ stavanaṁ śrūyatāṁ munē |
prayataḥ saṅkaṭagrastō yēna tuṣṭāva śaṅkaraḥ || 6 ||
rakṣa rakṣa jaganmātardēvi maṅgalacaṇḍikē |
saṁhartri vipadāṁ rāśērharṣamaṅgalakārikē || 7 ||
harṣamaṅgaladakṣē ca harṣamaṅgalacaṇḍikē |
śubhē maṅgaladakṣē ca śubhamaṅgalacaṇḍikē || 8 ||
maṅgalē maṅgalārhē ca sarvamaṅgalamaṅgalē |
satāṁ maṅgaladē dēvi sarvēṣāṁ maṅgalālayē || 9 ||
pūjyā maṅgalavārē ca maṅgalābhīṣṭadaivatē |
pūjyē maṅgalabhūpasya manuvaṁśasya santatam || 10 ||
maṅgalādhiṣṭhātr̥dēvi maṅgalānāṁ ca maṅgalē |
saṁsāramaṅgalādhārē mōkṣamaṅgaladāyini || 11 ||
sārē ca maṅgalādhārē pārē tvaṁ sarvakarmaṇām |
pratimaṅgalavārē ca pūjyē tvaṁ maṅgalapradē || 12 ||
stōtrēṇānēna śambhuśca stutvā maṅgalacaṇḍikām |
pratimaṅgalavārē ca pūjāṁ kr̥tvā gataḥ śivaḥ || 13 ||
dēvyāśca maṅgalastōtraṁ yaḥ śr̥ṇōti samāhitaḥ |
tanmaṅgalaṁ bhavēcchaśvanna bhavēttadamaṅgalam || 14 ||
prathamē pūjitā dēvī śambhunā sarvamaṅgalā |
dvitīyē pūjitā dēvī maṅgalēna grahēṇa ca || 15 ||
tr̥tīyē pūjitā bhadrā maṅgalēna nr̥pēṇa ca |
caturthē maṅgalē vārē sundarībhiśca pūjitā |
pañcamē maṅgalākāṅkṣairnarairmaṅgalacaṇḍikā || 16 ||
pūjitā prativiśvēṣu viśvēśaiḥ pūjitā sadā |
tataḥ sarvatra sampūjya sā babhūva surēśvarī || 17 ||
dēvādibhiśca munibhirmanubhirmānavairmunē |
dēvyāśca maṅgalastōtraṁ yaḥ śr̥ṇōti samāhitaḥ || 18 ||
tanmaṅgalaṁ bhavēcchaśvanna bhavēttadamaṅgalam |
vardhantē tatputrapautrā maṅgalaṁ ca dinē dinē || 19 ||

Mangla Chandi Kavacham (Mantra)

This bhajan is often sung in a devotional setting, invoking a sense of peace, devotion, and connection with the divine. It emphasizes the presence of Lord Rama and Sita in the heart of the devotee, bringing solace and divine blessings.


"श्री राम जानकी: प्रेम और भक्ति का अनंत संगम"

Shri Ram Janaki - श्री राम जानकी

The "Bajrang Baan" is a powerful hymn dedicated to Lord Hanuman, a deity revered for his immense strength, unyielding devotion, and unwavering courage. The significance of the "Bajrang Baan" extends far beyond its poetic verses, offering spiritual, psychological, and emotional benefits to its chanters. It stands as a beacon of hope, protection, and divine intervention, especially in times of distress and challenges.


Lyrics English 
॥ Doha ॥
Nishchaya Prema Pratiti Te, Binaya Karai Sanamana।
Tehi Ke Karaja Sakala Shubha, Siddha Karai Hanuman॥
॥ Chaupai ॥
Jaya Hanumanta Santa Hitakari। Suni Lijai Prabhu Araja Hamari॥
Jan Ke Kaja Vilamba Na Kijai। Atura Dauri Maha Sukha Dijai॥
Jaise Kudi Sindhu Wahi Para। Surasa Badana Paithi Bistara॥
Age Jaya Lankini Roka। Marehu Lata Gai Sura Loka॥
Jaya Vibhishana Ko Sukha Dinha। Sita Nirakhi Parama Pada Linha॥
Baga Ujari Sindhu Maham Bora। Ati Atura Yama Katara Tora॥
Akshaya Kumara Mari Sanhara। Luma Lapeti Lanka Ko Jara॥
Laha Samana Lanka Jari Gai। Jaya Jaya Dhuni Sura Pura Maham Bhai॥
Aba Vilamba Kehi Karana Swami। Kripa Karahun Ura Antaryami॥
Jaya Jaya Lakshmana Prana Ke Data। Atura Hoi Dukha Karahun Nipata॥
Jai Giridhara Jai Jai Sukha Sagara। Sura Samuha Samaratha Bhatanagara॥
Om Hanu Hanu Hanu Hanu Hanumanta Hathile। Bairihin Maru Bajra Ki Kile॥
Gada Bajra Lai Bairihin Maro। Maharaja Prabhu Dasa Ubaro॥
Omkara Hunkara Mahaprabhu Dhavo। Bajra Gada Hanu Vilamba Na Lavo॥
Om Hrim Hrim Hrim Hanumanta Kapisa। Om Hum Hum Hum Hanu Ari Ura Shisha॥
Satya Hou Hari Shapatha Payake। Ramaduta Dharu Maru Dhaya Ke॥
Jaya Jaya Jaya Hanumanta Agadha। Dukha Pavata Jana Kehi Aparadha॥
Puja Japa Tapa Nema Achara। Nahin Janata Kachhu Dasa Tumhara॥
Vana Upavana Maga Giri Griha Mahin। Tumare Bala Hama Darapata Nahin॥
Paya Paraun Kara Jori Manavon। Yaha Avasara Aba Kehi Goharavon॥
Jaya Anjani Kumara Balavanta। Shankara Suvana Dhira Hanumanta॥
Badana Karala Kala Kula Ghalaka। Rama Sahaya Sada Pratipalaka॥
Bhuta Preta Pishacha Nishachara। Agni Baitala Kala Marimara॥
Inhen Maru Tohi Shapatha Rama Ki। Rakhu Natha Marajada Nama Ki॥
Janakasuta Hari Dasa Kahavo। Taki Shapatha Vilamba Na Lavo॥
Jai Jai Jai Dhuni Hota Akasha। Sumirata Hota Dusaha Dukha Nasha॥
Charana Sharana Kari Jori Manavon। Yahi Avasara Aba Kehi Goharavon॥
Uthu Uthu Chalu Tohin Rama Duhai। Panya Paraun Kara Jori Manai॥
Om Chan Chan Chan Chan Chapala Chalanta। Om Hanu Hanu Hanu Hanu Hanumanta॥
Om Han Han Hanka Deta Kapi Chanchala। Om San San Sahama Parane Khala Dala॥
Apane Jana Ko Turata Ubaro। Sumirata Hoya Ananda Hamaro॥
Yahi Bajrang Baan Jehi Maro। Tahi Kaho Phira Kauna Ubaro॥
Patha Karai Bajrang Baan Ki। Hanumata Raksha Karai Prana Ki॥
Yaha Bajrang Baan Jo Japai। Tehi Te Bhuta Preta Saba Kampe॥
Dhupa Deya Aru Japai Hamesha। Take Tana Nahin Rahe Kalesha॥
॥ Doha ॥
Prema Pratitin Kapi Bhajai, Sada Dharai Ura Dhyana।
Tehi Ke Karaja Sakala Shubha, Siddha Karai Hanuman

Bajrang Baan  -  बजरंग बाण मंत्र

Ka Karoon Sajni Aye Na Baalam is a classical song of Hindustani classical music. It is a Thumri sung in the raaga, Sindh Bhairavi Thumri. It was popularised by legendary Hindustani vocalist, Bade Ghulam Ali Khan, Barkat Ali Khan, Bismillah Khan on shehnai (instrument), Pandit Ajoy Chakrabarty etc , We have made a modern rendition of the same track , staying true to the lyrics while adapting modern beats.

Aaye Na Balam-  Chill Mix

Aarti Kunj Bihari Ki is one of the most famous Aartis of Lord Krishna. It is recited with much fanfare on most auspicious occasions related to Lord Krishna including Krishna Janmashtami or Srikrishna Jayanti day. It is so popular that it is recited regularly in homes and various Krishna temples.
Bihari is one of the thousand names of Lord Krishna and Kunj refers to lush green groves of Vrindavan. Kunj Bihari means, the one who roams in greenery of Vrindavan, the supreme Lord Krishna. Sung by Neel Mathew 



Lyrics 
गले में वैजंती माला
बजावै मुरली मधुर बाला
श्रवण में कुंडल झलकाला
नंद के आनंद नंदलाला
गगन सम अंधकांति काली
राधिका चमक रही याली
लतन में ठाढ़े वनमाली
भ्रमर सी अलग, कस्तूरी तिलक, चंद्र सी झलक
ललित छवि श्यामा प्यारी की
श्री गिरीघर कृष्ण मुरारी की
कनक मय-मोर-मुकुट दिल से
देवता दर्शन को तरसे
गगन सौं सुमन राशी बरसै
बजै मुरचंग, मधुर मृदंग, ग्वालिनी संग
अतुल रती गोप कुमैरी की
श्री गिरीघर कृष्ण मुरारी की
जहाँ ते प्रकट भयी गंगा
सकल मल्हारिनी श्री गंगा
स्मरण ते होत मोह भंगा
बसी शिव शीष, जटा के बीच
हरे अघ कीच, चरण छवि श्री बनवारी की
श्री गिरीघर कृष्ण मुरारी की
चमकती उज्ज्वल तट रेनु
बज रही वृंदावन बेनु
चहुँ दिशी गोपी-ग्वाल धेनु
हँसत मृदु-मंद, चाँदनी चंद्र
कटत भव-भंद, टेढ़ सुनु दीन दुःखारी की
श्री गिरीघर कृष्ण मुरारी की
आरती कुंज बिहारी की, श्री गिरीघर कृष्ण मुरारी की
(आरती कुंज बिहारी की, श्री गिरीघर कृष्ण मुरारी की)

Aarti Kunj Bihari Ki | आरती कुंज बिहारी की

The phrase "Ram ko dekh kar Janaki Nandini" translates to "Seeing Ram, Janaki Nandini" and captures a significant moment from the epic Ramayana. It describes the moment when Sita, also known as Janaki and Nandini, first saw Lord Ram and was captivated by his divine presence. This line highlights the instant connection and admiration Sita felt for Ram, symbolizing the profound love and bond that would come to define their relationship. This sentiment is the inspiration behind our song, which aims to bring this timeless and enchanting moment to life through music. 
Singer - Mridul
Lyrics - Traditional


राम को देख कर श्री जनक नंदिनी,
बाग में जा खड़ी की खड़ी रह गयी,
राम देखे सिया माँ सिया राम को,
चारो अँखिआ लड़ी की लड़ी रह गयी….

थे जनकपुर गये देखने के लिए,
सारी सखियाँ झरोकान से झाँकन लगी,
देखते ही नजर मिल गयी दोनों की,
जो जहाँ थी खड़ी की खड़ी रह गयी….

बोली है एक सखी राम को देखकर,
रच दिए है विधाता ने जोड़ी सुघर,
पर धनुष कैसे तोड़ेंगे वारे कुंवर,
सब में शंका बनी की बनी रह गयी….

बोली दूजी सखी छोटन देखन में है,
पर चमत्कार इनका नहीं जानती,
एक ही बाण में ताड़िका राक्षसी,
उठ सकी ना पड़ी की पड़ी रह गयी….

राम को देख कर श्री जनक नंदिनी,
बाग में जा खड़ी की खड़ी रह गयी,
राम देखे सिया माँ सिया राम को,
चारो अँखिआ लड़ी की लड़ी रह गयी….

Ram ko Dekh kar Shri Janak Nandini / राम को देख कर श्री जनक नंदिनी

As Mil Yaara- Poetry in a song form adapted from Bulle Shah's Work - 
Bulleh Shah was born and lived in Punjab, but his poems and songs have been adopted by people around the world. Lyrics of his poems, famous for their vivid style and open denunciation of religious differences, have long been held in affection by Hindus, Muslims and Sikhs. The poetry of Bulleh Shah is considered one of the jewels of pre-modern Punjabi literature, and is taught in schools and colleges on both sides of the Redcliff line.


Sung By: S.Sukhwinder
Lyrics with Translation- 
Aa mil yaar saarley, Meri jaan dikhaan ney gyheri
Come my love take care of me,
I am in great agony.


Ander khawab vchora hoya, Khabar na payndi teri
Soni ban wich luti saiyaan, Soor palang ney gheyri
Ever separated, my dreams are dreary,
Looking for you, my eyes are weary.
All alone I am robbed in a desert,
Waylaid by a bunch of way words.


Mullan Qazi rah batawaan, Deen dharam dey pherey
Aye taan thag jugat dey jhaar, lawaanjaal chufereey
The Mullah and Qazi show me the way,
Their maze of Dharma that is in sway.
They are the confirmed thieves of time,
they spread their net saintly crime.


Karam sharo dey dharam batawan, Sangal pawan pereen
Zaat mazhab yeh ishq na pochdaa, Ishq shara da weri
Their time-worn norms are seldom right,
With these they chain my feet so toght.
My love cares not for caste or creed,
To the rituals faith I pay no heed.


Nadioon paar aye mulk sajan da, lehar lobh ney gheri
Satgor beri perhi khalotey, ten kion lai aweri
My Master lives on yonder bank,
While I am caught in the gale of greed.
With boat of anchor, He stands in wait,
I must hasten, I can’t be late.


Bulleh Shah sho tenoon milsi. Dil noo dey dileyri
Pritam pass tey tolna kis noon? bhlioon shaker dopheri
Bulleh Shah must find his love,
He needn’t have the last fright.
His love is around, yet he looks for Him,
Misled in the broad daylight.


Aa mil yaar saarley, Meri jaan dikhaan ney gyheri
Come my love take care of me,
I am in great agony.

Aa Mil Yaara  - Bulle Shah - New Punjabi Song 2024

This track "ऐसी लगी लगन मीरा हो गई मगन" is attributed to Saint Mirabai herself. Mirabai was a 16th-century Hindu mystic poet and devotee of Lord Krishna, and many of her bhajans (devotional songs) have been passed down through generations.Sung by Mridul & Keerti Ahuja

Aise Lagi Lagan Meera Ho Gayi Magan - Bhajan

In this reimagined version of the timeless classic "Chupke Chupke Raat Din," I’ve blended the soulful essence of Maulana Hasrat Mohani’s poetry with contemporary sounds to create a unique fusion that resonates with both tradition and modernity. This rendition captures the deep emotions of love and longing, while introducing fresh elements that bring a new dimension to the ghazal.  I hope this track evokes the same depth of feeling that the original has inspired in listeners for generations, while also offering a new experience for today's audience.

Performed BY Neel Mathew 
Adapted by Inder Kochar
Lyrics
चुपके चुपके रात दिन आँसू बहाना याद है... 
हम को अब तक आशिकी का वो ज़माना याद है... 


हज़ारों बेचैनी और लाखों चाहते 
तुझसे वो पहली बार दिल लगाना याद है... 
बार-बार उठना उसी ओर चाहत भरी नज़र से... 
तेरा कमरे से वो आँखें मिलाना याद है.... 


तुझसे मिलते ही वो बेफिक्र हो जाना मेरा
और तेरा शर्मा के आंखे  झुकाना याद है.... 


खींच लेना वो मेरा कमीज़ का कोना अचानक
और दुपट्टे से तेरा वो मुँह छुपाना याद है.... 
जानकर, सोता तुझे वो तेरे हाथों को चूमने की कोशिश 
और तेरा ठुकरा कर वो मुस्कुराना याद है.... 


चुपके चुपके रात दिन आँसू बहाना याद है...
हम को अब तक आशिकी का वो ज़माना याद है?... 


तुझको जब अकेला पाना? तो झिझक के 
दिल की बातों को इशारों में बताना याद है..... 
जब सिवाय मेरे तुम्हारा कोई दीवाना न था?
सच कहो तुमको भी वो ज़माना याद है?..... 


दूसरों की नज़रों से बच कर सब की मर्जी के खिलाफ़
वो तेरा चोरी-छुपे रातों को आना, याद है.... 


प्यार की रात में भी अगर जिक्र जुदाई का आ जाए?
वो तेरा रो-रो कर मुझे भी रुलाना याद है.... 
दोपहर की धूप में? मेरे बुलाने पे 
वो तेरा तपती छत पर नंगे पाँव आना याद है..... 


चुपके चुपके रात दिन आँसू बहाना याद है..... 
हम को अब तक आशिकी का वो ज़माना याद है..... 


आज तक नज़रों में है वो प्यार भरी बातें...
मेरा आना याद है , तेरा बुलाना याद है.... 
हाथों को थाम  कर  इश्क की अनकही बातें
दुश्मनों का जिक्र लतीफों  में उड़ाना याद है.... 


मुझे नाराज़ देख कर सौ-सौ नाज़ों से मनाना
फिर खुद रूठ जाना याद है... 


चोरी-चोरी हमसे तुम आकर मिले थे जिस जगह
मुद्दतें गुज़रीं पर अब भी वो ठिकाना याद है..... 
मेहंदी के शौक में वो बेसब्र होना तेरा
और मेरा वो छेड़ना वो गुदगुदाना याद है.... 


वो  हसरतें..  मुझे आज तक
वो मोहबत्तों का किस्सा याद है..... 
चुपके चुपके रात दिन आँसू बहाना याद है..... 
हम को अब तक आशिकी का वो ज़माना याद है....

Chupke Chupke

"Kesariya Balam" is a timeless Rajasthani folk song that has captivated generations with its soulful melody and profound lyrics. Traditionally sung as a welcome ballad, the song embodies the spirit of Rajasthan's rich cultural heritage. This modern rendition, sung by [Singer's Name], breathes new life into this classic with a fresh and contemporary interpretation while honoring its deep-rooted essence.  Musical Style and Production: In this rendition, [Singer's Name] offers a unique blend of tradition and modernity. The arrangement marries the earthy tones of Rajasthani folk music with modern instruments and production techniques. The melody remains true to its origins, but with a twist that appeals to today’s audience, making it both nostalgic and new. The infusion of contemporary beats and ambient sounds enhances the song's emotional depth, creating a soundscape that resonates with listeners across generations.
 Sung By Mangal Rao , 
White Script Studios Production

Kesariya Balam - Remix (Feat Mangal Rao)

Another love track from White Script Music, beautifully sung by Neel Mathew, offers a refreshing take on indie pop. With soulful lyrics and a captivating new sound, this track is set to resonate deeply with Indian listeners and anyone who appreciates heartfelt music. Breaking through the clutter of mainstream tunes, White Script Music presents a fresh voice that connects with the emotions of love, making it a must-listen for those seeking something genuine and relatable.

Lyrics - 
Party lights dizzying nights , music's a thrumming beat 
Cigarette smoke swirls, faces I barely meet. 
But then my gaze falls on you, standing by the bar 
A vision in white dress , like a silent shooting star…….

देख के तुझे, दिल मेरा हो जाए कायल
चेहरा है चमकता, पर अन्दर है ये पागल..
हर नज़र तेरी तरफ, लेकिन खोई है तू कहीं और..
क्या ढूंढे ये आँखें तेरी, दिल में क्यों है इतना शोर....?

Maybe you're waiting for someone’s call 
Or a love story that won't crumble and fall 
The crowd here's all noise, all chasing a moment’s high
But in your silence, a different kind of light catches my eye. 

देख के तुझे, दिल मेरा हो जाए कायल
चेहरा है चमकता, पर अन्दर है ये पागल..
हर नज़र तेरी तरफ, लेकिन खोई है तू कहीं और..
क्या ढूंढे ये आँखें तेरी, दिल में क्यों है इतना शोर....?

Maybe I can be the one, someone you can hold 
make a true love story, a kind which is yet untold 
This risk I must face , a leap of faith I take.
beauty like yours deserves, love for goodness sake ......

खुदा सुन ले मेरी फ़रियाद, इस रात प्यार मिल जाए
ना रहूँ मैं तन्हा, तेरी मेरी बात बन जाए.....
Ah-Ahh
Ahhhhhhhh
बात बन जाए.....
Ah-Ahh
Ahhhhhhhh
Ah-Ahh
बात बन जाए.....
Ahhhhhhhh
Ah-Ahh
Ahhhhhhhh...........
बात बन जाए.....

Dil Main Shor - Single

"Keejio Kesari Ke Laal" is a traditional bhajan honoring Lord Hanuman, the son of Kesari. This devotional song expresses a heartfelt plea to Hanuman ji for his divine blessings and protection. Through its melodic simplicity and devotional essence, this rendition aims to create a sacred connection between the listener and the beloved deity known for his strength, courage, and unwavering devotion to Lord Rama.

White Script Music

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