travel (karan x Joseph) RAW

Eeda Peeda is RaaKshas Sound's 3 track Dubstep EP (INTRO + 2 tracks)

This EP is a DISS to all the Fake Godmen and godwomen who brainwash people with their pseudo spiritual and religious bullshit and to every superstitious and religious belief that has absolutely no Logic. 

BUY the EP here :
 https://raakshassound.bandcamp.com/album/eeda-peeda-ep-2

Black Magic. Wack Magic. (INTRO)

Ananthu - Untitled Jan 19, 2023, 953 AM.m4a

Single

Crow Magnon

Produced by Pakarcha Vyadhi.
From the OST of Nithin Balu's "Aama Thinna Samayangalil Chelath".

Aama Thinna Samayangalil Chelath

GET THIS ALBUM @ BANDCAMP:
1.LORD 135 07:24
2.Evil is Coming 163 07:09
3.Avadakedavra 172 07:36
4.BanG BanG 178 08:12
5.Ghost In Space 181 07:42  << On
6.Arya 185 09:55
7.The beginning of the story 202 07:19
8.Fuck it VS DRACO 207 09:20
9.Pink Panther 240 10:03

https://696696.bandcamp.com/album/fuck-it

Ghost In Space 181 Bpm (Fuck it)

'WE AIN'T SCARED' is a track by swadesi which aims on the social issues revolving around the country .we every one in the country is scared of some one .cops ,Government ,gangsters , terrorists, .
we represent a new generation of thinkers . who want to see a change in the society ,so that u stand up 4 what u want . 

TITLE ;- WE A'INT SCARED 
artist;- swadesi ( mc mawali-tod fod -shakahari  )
produced by DJ aragze 
https://www.facebook.com/shantanu.kurhade?fref=ts&ref=br_tf
mixed by joshua fernandes
https://www.facebook.com/joshuafrnnds?fref=ts

join us swadesi on :-
https://www.facebook.com/swadesination?ref=hl
follow us on :-
https://twitter.com/swadesimovement
mail us at
swadesination@gmail.com

We Aint Scared

Track#4 from the album "Words to Epilogues"

Slaves and the System

This world is too young 
To die drowning in tears of pain
In their silent cries 
Blood stained thousand truths
Buried under shadow of the olive
As they drive you through the maze
You’re already sold to the system
So there you stand

Slaves and the System…

You’ve seen the three sides of the square ensnare
Can they still remember our names? 
“STALKER X03”

You never knew that did you,
System Failure, odium activated

They never pull your strings 
They just want you to play along
They never pull your strings
They just want you to play
 “Follow the Leader”

Slaves and the System…

Pay-cheque for one more blasphemy 
Why does life pivot on weakness?
Pay-cheque for every blasphemy,
Life  pivots on weakness…

What you want is not always what you need
Its a bait for the greed 
Lured into “civilized zoo”
Curtains up, your part of the show…

So there you stand…
Slaves and the System…

Heretic - Slaves and the System

Kaali Duniya - VOID

Agar humare desh ke log bekhabar rahe, toh har koi shaitaan aake humari soch ko galat disha main bhadka sakta hai. Chetavni, our debut album, drops on February 7th. Inquilab ka waqt aa gaya hai doston, insani haivaano se raho khabardaar aur awaaz uthao.

Its been five years after the release of the seminal Laaj Watte Kai, the multi-lingual hip-hop group that has come to represent the socio-political conscience of the city’s youth and nurtured the kind of brotherhood and creative energy previously seen in pioneering collectives such as Boy Better Know (UK), Wu-Tang Clan (US), Odd Future (US) and Brockhampton (US) . Chetavni arrives at a pivotal moment in Indian history, with class-inequality and sectarian violence seemingly being seeped into the legal and social fabric of Indian society. MC Mawali, Tod Fod, 100RBH, Maharya and BamBoy pull no punches in their critique of the Indian state, delivering scathing indictments of the ruling elite that come packaged in witty, blink and you might miss them, punchlines. In 2019, they released The Warli Revolt, a collaborative piece with Prakash Bhoir that became an anthem for the Save Aarey movement. Album highlights such as Aatank, Bhoiye, Kranti Havi and Khabardaar are poised to become the same.

Featuring production by BamBoy, NaaR and Raakshas, Chetavni explores a glacial, minimalistic soundscape, relying on guttural basslines and scattered Indian samples to drive the songs forward and paying homage to the crew’s inspirations from the UK’s grime and dub scenes.

travel (karan x Joseph) RAW

electronic kili.

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