love those windy pitch lfo subtle airy effects, like caming out from your voice,,,,

love the sonic textures and vocals, very primal!

Calm & Steady series

- short tracks of dance music

All tracks were uploaded between 06/2021 and 04/2021, with the following older exceptions:
. . - Jerry Rockwell "Baidin Fheilimi"(#19): 5 years,
. . - Beraccah Kisia "Special Day"(#7): 3 years,
. . - Marzena Majcher Trio "TransMission 6"(#13): 12 - 23 months,
. . - BLKCODE "DECODED"(#5): 11 months.

The other series (short tracks) so far are:
- "Hard-Fast-or-Nasty" (more intense/abrasive)
- "MiddleLane", and "Superdance" (the middle, or ambivalence)
- "Funky-Dub-Trap", and Funky (terminology conundrum)
- "Fantaisies" (for professional dancers only)
- "Minimal"
- "Dark"
- "BreakB-Jungle-DnB"

There is little overlap between them, mostly between: *
. . A) MiddleLane, Superdance
and
. . B) all other series

* Increasingly there is some overlap between "Calm & Steady" and "Funky-Dub-Trap", and between a bunch of others (Dark, Minimal, ...). I'm trying to keep it to the minimum, the overlap, tracks finding themselves in more than one playlist.  I don't think I'm very good at it.

HK_Calm-&-Steady_tracks_98

TRIIB - Seclusion Rite

minimal ambient downtempo sound world crafted live on the elektron model:samples from the mainframe entertainment system

Sunaïra ~*~ Oxygen

Radius

davst.com

échec

Presenting a new entry for the myth-wave catalog.

Hope you enjoy!

file v2.2

video: https://youtu.be/zc6GFrI11tw

❤️ @Bandcamp

Arachne

Hey Everybody!

During the long Covid months I lost my creativity and connection to music somehow. Rarely played and listened. I guess it was a result of missing new impressions. Maybe some of you had similar experiences? However, I have started writing and recording again. First of all I would like to share this little acoustic instrumental. Hope you enjoy it!

Written and performed by Thorsten Schnüttgen.

All rights reserved.

Awaking

Crimson (Claustraphobia Remix)

SixFour

A bit of positivity and optimism in a brutal and cruel world.

when our world turns mad
hitted by fanatics' delusions
when life plays its bad tricks , the bad days
i remain always positive
a genuine optimistic
an incurable optimistic

we all become blind and  deaf 
by dint of living as selfish
when they ask me if i'm "for or against"
i try to remain positive
a dreadful optimistic
an unreasonable optimistic
an incomparable optimistic
an unforgivable optimistic

Optimiste (Translated in English in description)

2nd track from Grundomma 
Grundomma is myself and my brother Glenn Ward. It's been a few years since we actively made music together...but now seems like a good a time as any. We live a few 1000 kms apart across Australia so this a file swapping exercise. Bongo features Glenn on rhythm programming, synths and sampling, bass and yours truly on Piano/keys. The track features samples from the 1970s/80s cult Australian Tv show Prisoner  (released in the UK and USA as Prisoner: Cell Block H)  that ended up playing in repeat on late night Tv for decades afterwards. My brother even owns the DVD box set Thanks as always for stopping by. Grundomma salutes you : )

Bongo!

This is a piece about contrasts in nature - dark and light, yin and yang, good and bad. I wanted to convey that we are emotionally complex beings and never only one side of the pole. We have the potential for opposites in all things. I feel like this message can get lost in our culture. If we learn to embrace our shadow I believe it will give us power and insight.

Written, performed, produced and mixed by David Mackenzie

Mastering by Alex @debutmastering

Bliss And Shadow

i love u. — wiv (ultra slowed + reverb)

Made this edit for a little festival performance, added my own vocals after
Listen while gazing at a cold sunset
Thank you for listening

Sampled: Wish You Were Mine by Philip George

the sun is setting so early these days...

Recorded live at Senso220 / CSW Solvay / Kraków 
Marzena Majcher / vocal, interactive exformer, synthesizers
Andrzej Wojciechowski / live electronics, sampler
Irwin Wojciechowski / bass guitar

TransMission 6

Decoded extract track from Decoded EP 2020

Decoded EP

decoded

BLKCODE - DECODED

Windin N Grindin Regfant Refizz

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Marzena Majcher / vocal, interactive exformer, synthesizers
Andrzej Wojciechowski / live electronics, sampler
Irwin Wojciechowski / bass guitar

TransMission 6

Marzena Majcher Trio

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