well done, it builds and then has breakdown at end!

I like the mix on this song.  Good balance, Good stuff!

dope track bro love the Instrumental keep it up bro 💯 🔥

i really fuck with the guitar bro keep it up💜❤🖤

Nice song, I really like the sound from the drums

2021

Your Tree of Life - spec.

I can not thank you enough, dearest Yayoi Kusama

CITY       CODE       7       0         7

Just a Girl - Single

Just A Girl

Just a Girl

Come stai ora
che il cielo sembra piangere
tutte le tue lacrime,
che la cascata gelida
si tuffa folle senza pietà
e nulla può contro la fisica?

Il fiume si riempie
e scorre verso la libertà,
ma ancora il cuore questo non lo sa.
E intanto il fiume scorre
contro ogni avversità,
al cuor non si comanda, lo sai già!

Cosa fai ora
che dentro te il tuo spirito
come un vulcano vuole esplodere?
Ma una farfalla, guarda là,
si posa sopra ad un lillà,
fa come se non ci fosse la gravità.

Dove vai ora
che ogni soffio effimero
è un uragano atlantico,
che mille e mille fulmini
si abbattono e distruggono
il mondo che per te ha fascino?

Il vento fischia forte
e soffia verso la libertà,
ma ancora il cuore questo non lo sa.
E intanto il fiume scorre
contro ogni avversità,
al cuor non si comanda, lo sai già!

Il sole illumina
la roccia fredda e pallida,
ora è dorata e magica.

Le ombre si dissolvono,
la notte ormai è al culmine,
c’è solo l’assenza dell’assenza
e ciò che resta è l’essenza.

Senti cosa c’è.
Senti cosa c’è.
Brucia come il sole
la tua vera identità.
Cerca le parole
per salvare l’anima.

La luce si diffonde
e brilla verso la libertà,
ma ancora il cuore questo non lo sa.
E intanto il fiume scorre.
E intanto il fiume scorre.
E intanto il fiume scorre
contro ogni avversità,
al cuor non si comanda.

E intanto il fiume scorre

E intanto Il fiume scorre

Mood - Strange1 x Tschenis x Bambeat

Sonata No. 1 for Violin and Piano
Duration: 20'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1107
Online Perusal Score: https://issuu.com/robertpaterson/docs/sonata.i-vln.pno.-fs-bound-perusal
For More Information: https://robertpaterson.com/sonata-no-1-for-violin-and-piano

PROGRAM NOTE (SHORT VERSION FOR PROGRAMS)
The first movement, Adagio – allegro con uno trotto – adagio begins and ends in a somewhat Romantic style, but with a twist: the end of the movement sounds like a record scratch, as if what you just heard is a track from an old vinyl LP. I became fascinated with the sound of record scratches when I noticed them in many commercials, although this is somewhat ironic since no one really plays records anymore.

The imaginary title of the second movement, Schizando (derived from ‘schizophrenia’) is a word I came up with to describe a musical style centered on fast, abrupt changes. This movement also reveals an obsession with sequences: sequence-like chord patterns decay by gradually becoming more dissonant as they evolve. These sequential sections alternate with “siesta daydream” sections, akin to channel surfing with a remote control. I was recently on the road for two months with my wife Victoria while she was touring, so on a personal level, traveling on the road to a different hotel every week probably influenced how I wrote this movement. We were never in the same place for very long and many of the hotels looked the same. Our lives were not that dramatic. I started craving drama, particularly in the music I listened to, and this probably spilled over into how I wrote this movement.

The third movement, Largo is slow and broad and inspired by the phrase "the weight of the past." There are time markers that delineate certain sections, reminiscent of the ticking of a clock. There are a number of composers whose works influenced me in this movement, such as the later works of Arvo Pärt and the slow movements of some of Beethoven’s sonatas. I was also pre-occupied with wanting to write a movement that contained mostly “open” notes, i.e. half notes, whole notes and double whole notes.

My main influences for the last movement, Allegro con moto are the early formal ideas of Igor Stravinsky, folk-style fiddle playing and jazz. There are a few false starts when piano chords come crashing down and a few somewhat humorous sections. Many of the themes from the previous three movements reappear in this movement.

As with many of my earlier works, my goal was to create a four-movement work in which all of the movements are quite different from each other. In a sense, I view this multi-stylistic approach as the result of wanting to embrace a variety of tools. As a result, as I wrote this I did not have an allegiance to any one particular style, as each one hopefully elicits a certain, distinctive emotional response.

Joy: Music for Violin and Piano

Sonata No. 1 for Violin and Piano - IV. Allegro Con Moto

Sonata No. 1 for Violin and Piano - IV. Allegro con moto

Top Of My List

Chop Suey’ed! ($ampleGawd '$ystem Of A Down' Flip)

TRANSITION

Moment

Sunshine

what if the mountains fall? what if they just fell? what’s next. (Made this in my bedroom with my big brother) hope you enjoy 🖤

what if the world ends? (bedroom studio version)

Lyrics 

V1 

Escapes been found, the exits near 
air smells of a dark atmosphere 
Hunter turned to prey, tables turned around 
Time to head back underground 

V2 

dark outside , things don’t feel right 
Uncertainty prevailing, holding tight 
worry turns to panic, stars shining bright 
I didn’t think theyd find me tonight 

A slither of light, morning sunrise 
Clinging to a hope, burning inside 
Joy turned despair, blink of an eye 


Chorus 2 

Run........... 
Run get out of here go 

They’re coming for you now

Love

based in the north east of England indie rock ,acoustic rock , alt rock

She

82 ( Ian Willis )

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