Name: Triggered - ElVicente by ElVicente
Duration: 3 min 30 s
Description: All sounds made from scratch with Socalabs Wavetable Synth for OSC#176

Generally I am a fan of your composing style and this is no exception. Solid atmospheric stuff once more. Lovely sound design, menacing atmosphere. It’s Christmas already (in an abandoned spaceship in the Vega quadrant with various monstrosities lurking in the dark driven mad by the ship’s AI)!

holy sh*t these sounds! mesmerizing. well done ElVicente

everything, even here, makes sense, great job

nice - pretty "out there".  Good track for the penultimate moment of a psychological drama!

It's hard to figure out how to end something like this.... big buildup and stop... or fade out... or ????   Very evocative and nicely done piece!

Honestly dont know how you can give this track a 1 or 2...

Entry for One Synth Challenge 173 - 2nd Position on the classification
Created with Bucket Pops (x8) and Bucket One (x9) by Full Bucket Music

https://www.kvraudio.com/forum/viewtopic.php?t=598764

Lost Technologies (OSC 173)

All sounds made with 2RulesSynth for KVR's OneSynthChallenge #175

Taksim

My entry for OSC175.

All sounds made with 2RuleSynth VST instrument.

Enjoy!

Session Details

Reaper

x19 instances for 2RuleSynth V3

x1 FerricTDSmkII
x1 Basslane
x1 JS RCInflator 2
x3 LoudMax

x2 ValhallaSupermassive
x2 Solaris
x3 TesslaSEmkII
x6 MJUCjr
x1 FilterForce
x7 FRANK
x1 Baby Comeback
x2 epicPLATE
x4 NastDLAmkIII
x2 A1TriggetGate
x3 BlueARP
x1 PanCake2
x2 Wider
x4 FluxMini 2
x1 FirComp
x1 Dimension Expander
x1 OTT
x1 bx_cleansweep
x1 TLs-1295-LEA
x1 IVGI2

Cosmic Resonance (by phankiejankie303)

KVR One Synth Challenge submission
https://sites.google.com/site/kvrosc/2023/osc-176-wavetable

Tractor Overdrive

Track made for the OSC #176. All sound from the synth Wavetable by SocaLabs. Only DAW and free 3rd party non-modulating FX used.

DAW: Reaper

Track Details
13 * Wavetable
14 * ReaEQ
3 * JS Convolution amp/cab modeller
7 * OTT
2 * Oril River
2 * ThrillseekerLAmkII

Master
TDRVOS SlickEQ
MSED
Loudmax 64-bit

Meter:
SPAN
Youlean Loudness Meter 2

Stats
LUFS: -14.4
DR: 12

The Screaming Telecaster - OSC #176 Wavetable (Socalabs)

All sounds made from scratch with Socalabs Wavetable Synth for OSC#176

Triggered - ElVicente

OSC KVR submission
https://sites.google.com/site/kvrosc/2023/osc-177-synful-vsco2

Sunrise

Red Rondo A La Nerd

An entry for the KVR One Synth Challenge #177 - Synful Orchestra & VSCO Percussion.

As the sun sets on the horizon, casting long shadows across the alien landscape, a lone figure sits cross-legged, silhouetted against the fiery sky. In his hands he holds his trusty bass guitar, its strings gleaming in the fading light.

Lieutenant Spaceman D. Bassman had been stranded on this planet for 7 months, his crashed spaceship was damaged beyond repair, but he hadn't given up hope of being rescued. Every day he would refill his oxygen tank and walk into the poppy fields at sunset to jam on some dubby grooves, his music echoing across the vast expanse.

As he plays, he feels a sense of peace wash over him. The sounds emanating from his instruments are an ethereal mix of orchestral timbres and heavy dub, infused not only with the smells, sights and sounds of the alien planet and his hopes for the future, but also mixed with the melancholy of longing for his home-world. Music is his last connection to humanity, his way of staying sane in the face of loneliness.

One day, as Bassman was jamming on a particularly bad-assed groove, he heard a faint sound inside his helmet. His heart beat faster with excitement; At last, the Corp had located his damaged ship and had come to rescue him! Then, almost imperceptibly at first, he started to make out a strange melody, not entirely inharmonic to his tasty bass licks.

Bassman was stung violently on the forehead. He flinched and almost dropped his guitar. "Feck!", he howled. Out of the corner of his eye, he spotted a bee crawling on the inside of his visor, it's wings implausibly buzzing in a near perfect B Major. Desperate not to be stung again, he flailed his head around inside the helmet, attempting to squash the musical intruder against the side. After many attempts and with great effort, he struck one blow, then another, and with each strike the bee's buzzing became more and more erratic and atonal. Sensing victory, and with a final yank of his head, Bassman dealt a fatal blow, and the bee was silenced. 

As the sun continued it's slow descent below the horizon, Bassman composed himself, picked up his bass and continued jamming. Tomorrow he would seek out more of these alien musical bees, not only in the hope that one day they could forgive him for killing one of their own kind, but also that they might continue the collaboration between their two species on some more of those sweet-assed tunes.

Fin.

Reaper 7
Synful Orchestra (8)
VSCO Percussion (7)

A special guest appearance from an alien bee. RIP.

TrackFx : BC Chorus, CHOWTapeModel, db_Glitch1, IVGI2, MComb, MFlanger, MFreqShifter, MPhaser, Pro-C2 (7), Pro-Q3 (13), Ripple Phaser (Geraint Luff), Tape MELLO-FI, TEOTE, Kotelnikov GE.

MasterFx : Satin, TEOTE, Pro-Q3, Pro-L2, Loudness Meter (Cockos)

SendFx : Pro-R2, ValhallaDelay, ValhallaVintageVerb (2), Echobode, Ripple Phaser

OSC177 - Synful Orchestra

Dub Synfony

This track made for the One Synth Challenge #177 using only the VSTi Synful Orchestra and VSCO2 percussion Vsti.

DAW: Reaper

Track Details:
30 * Synful Orchestra
21 * VSCO2 Percussion
30 * Waves VEQ4 (for instrument tracks)
21 * ReaEQ (for Percussion tracks)
1 * Oril River
9 * OTT (to help the mix/pinpointing)
4 * Twin Delay (for bell trees and clarinets)

Master Track:
SSLEQ
MSED
Ozone 8 Elements

Meter:
Youlean Loudness Meter
SPAN

Stats:
LUFS-I: -16.5
DR: 12

Image c/o Adobe Firefly

Winter Footsteps - OSC #177 Synful Orchestra + VSCO2 Percussion

Final Placement: 5/32 (Top 5)
Made for KVR Audio's "One Synth Challenge" #177

This month, it was "SynfulOrchestra" by Synful; and "VSCO2 Percussion," recorded by Versilian Studios/Sam Gossner. These two plugins, as well as some raw approved samples used in the latter, were the only plugins(/samples) used across multiple instances. This month, in addition to the use of stock-effects and perpetually-free effects, free plugins could be used to break the normal rules, while commercial plugins were allowed and could be used to follow them.

Because of this rule-forgiveness, it was also requested that the use of these plugins be explained. Instead of wasting the space required to do so in this description, I have instead done so in this Google Doc: https://docs.google.com/document/d/1X0a-u-xW2ewqLFM5_s7vW8pk0zEhk5rLwspcwQKPEQ4

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Thanks for all your support!!

Triggered - ElVicente

ElVicente

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