Name: Ikr. Imprint 160322 by NTS Wednesday
Duration: 58 min 20 s
Description: https://www.nts.live/shows/ikura-imprint/episodes/ikura-imprint-16th-march-2022

Living Room n°12 ~ @yeye-music

q. pls introduce yourself

a: I’m James Hearne, I live in Bristol UK - I’ve held residencies on 1020, Noods and Unmade Radio and with the club night PTS.

q. is there a story behind the mix? how did it come together?

a: The mix I guess is my way of recoding reality for a second or two, an opportunity to live out that sci-fi adventure that I was born just short of experiencing first hand.


q. in your opinion, what would be the ideal circumstances to enjoy your mix?

a: I think in the day to day - it’s an opportunity to separate from the pleasant/unpleasant goings on in our existences during a working week.


q. describe a favourite object in your living room...

a: It has to be a really great bit of artwork that my partner painted - a man in thought that has been texturised by long brushstrokes downwards throughout the piece. My interpretation is a disruption of the way we code our memories.


q. are you working on any projects right now (music or not music)?

a: I’m currently trying to tie up a few EP\s that centre around ‘bass’ music but are slightly more ambient/ ‘sound designy’ in nature, Watch this space.

~~~

Tracklist:

Ye Ye - Smoothin Cats (Stroking Cats)
Otik - Neuron Blossom
Kareem Lotfy - Asmar
Actress - Remembrance
Tim Hecker & Oneohtrix Point Never - Grey Geisha
Ye Ye - Entropy (Forthcoming ANE July 16th)
Sontag Shogun - Clstrs
Gigi Masin - Still
Ye Ye - Nt Uzzn (Forthcoming ANE July 16th)
Milan W - Ostinato
Jon Hassell + Brian Eno - Datu Bintung At Jelong
Akira Yamaoaka - Null Moon
Roberto Musci - Nexus On The Beach
Klein - We Are Almost There
Oklou - Valley 2
Space Afrika - Dairyday 4
Ploy - =0
Carlos Nino - Calimayan
Garrett - Sweet Dreams
Barrington Levy - Vibes Is Right

Living Room n°12 ~ Ye Ye

info + tracklist: https://radio.syg.ma/episodes/guests-145-mark-templeton-unknown-location

https://www.fieldsawake.com
https://graphicalrecordings.com

Ocean Front Property CD:
http://www.senufoeditions.com

Ocean Front Property Photobook + Audio Experience:
https://theiceplant.cc/product/ocean-front-property

Mark Templeton

GUESTS 145 – Mark Templeton: Unknown Location

"For 0" is a radio show by usof where the most outward fringes of underground art are welcomed and brought together to create two hours of genderless musical submission.

@broshuda on the first hour with nothing but unreleased exclusives <3 
usof on the second with a lot of unreleased works and unreleased @wesurf

"for 0" #13 w/ Broshuda | Rádio Quântica

came across the file for a mix I did for @a-xioma back in 2016
sometimes it's hard to find enough distance from things you've recorded to be able to appreciate them
but this is so long ago that it feels unrecognizable
somehow connected to so much of what i love now but there's still a disconnection from the person who recorded it
wild trip into the past, trying to shazam some of this back into my memory !

much love to @fru_tto for asking me to participate in this amazing mix series all those years ago. artwork is a draft I made when working on the logo with frutto back then
hope you enjoy this revisit <3

ᴀxɪᴏᴍᴀ x ᴄᴀᴀᴘɪ ~ ²⁰¹⁶

Living Room n°28 ~ @malvern-brume

q. pls introduce yourself

I'm Rory, I live in South East London, spend a good deal of time working with sounds and putting various names in front of it, but mainly do things as Malvern Brume. I run a small label with my good friend Ben Waggett called Infant Tree and do all sorts of other stuff in and around those things.

q. is there a story behind the mix?

Not sure there's much of a story in terms of a narrative but usually when approaching these things, unless i've got a burning urge to do something specific, its a case of playing the music i've been listening to most at that given time (which is why in most of my mixes you'll hear something to do with Af Ursin or Karla Borckey because I seem to listen to them all the time!). I find I fall quite easily into listening to music that reflects how I'm feeling, as I'm sure most do so it's nice to have a document of it to look back on. I like music that challenges me and my perception of what I would deem to be good. Quite often I find things like the music I've played at the start of the mix to be confronting, something to do with the minimal instrumentation and probably some emotional entanglement. I think writing about sound can be an impossibly difficult thing to do and there's very few people who do a good job of it (in my opinion) so I'm hesitant to say too much! haha

q. what's the best way to enjoy your mix?

All the music I've picked is stuff I've listened to whilst walking or cycling so I'd say that would be one suggestion. I really enjoy the disturbances and interactions that come from listening in a less controlled listening environment, especially when you come across tones that oscillate against what's happening in the music. Walking is a really important part of the Malvern Brume stuff in general. Most of the music for it is based on walks I've done or graphic scores I've made whilst walking. When I'm listening back to the recordings it's usually when walking that I decide whether to do something with it or not.

q. describe a favorite object in your living room

I've got a painting by Ben Waggett who does Infant Tree with me (it's titled Shoreham Hovel https://www.victorwaggett.co.uk/threeanchorites/). I love it, I think I asked Ben for it when he was finishing uni and hope it stays with me forever. I live in a shared house with some friends so it's probably the most sentimental thing I keep down here (I'm in the living room now)

q. are you working on any projects right now (music or not music)?

Yeah, I've got a few things on the go. Next thing to surface will be a tape for Kashual Plastik, which may even be out by the time this surfaces (Last track in the mix is from this tape). Very stoked to be working with my friend Frank to get that music out and I'm really happy with how it sounds. Myself and Sholto Dobie have been editing some recordings we made when I was in Vilnius to see where that will go, which I'm excited about (again I played one of the tracks in this mix). There's another release lined up with some music I made early 2020, not sure when that will surface but it's in the works, and then I've started recording some new MB stuff and am working on some music for different projects. I like to take pictures and recordings of bird houses I find on walks so i'll be keeping that up for sure and maybe one day i'll do something with that, and there's some other work i've been doing with walking and graphic scores for a couple years now but i'm in no rush to share that just yet!

~~~

Tracklist:

Af Ursin - Elégie
Jon Collin - Five
Rafael Toral - Bodyjoya Mix Pt 12
Sean McCann & Matthew Sullivan - Central Casting
Spirogyra - Love Is A Funny Thing
Maria Valentina Chirico - Initale
Sholto Dobie & Malvern Brume - Untitled
Triangles - A
Anne Guthrie & Seymour Wright - Chelsea Bridge [Short Excerpt]
Double Goucher Shop - #3
Joe Colley - Burn Memory (Test For Headphone Rattle)
Farmer Manual - Macro-Woeb
Malvern Brume - The Whorls

Living Room n°28 ~ Malvern Brume

https://www.nts.live/shows/ikura-imprint/episodes/ikura-imprint-16th-march-2022

Ikr. Imprint 160322

"For 0" is a radio show by usof where the most outward fringes of underground art are welcomed and brought together to create two hours of genderless musical submission.

@ca_rolf for the first hour. She is part of the @living_roooom crew and also has the "Hush" residency at Rádio Paranóia.

@quanticaonline
radioquantica.com

"for 0" #16 w/ carolf | Rádio Quântica

f043 - jung dj

Same words, different world.

There was a time when the world was quiet. Or maybe it wasn’t the world—maybe it was just me. I remember the silence, the kind that wasn’t empty but full, the kind that settled softly like dusk over a slow-moving river. Back then, my mind was still a place I could rest in, not a storm I had to survive.

It must have started as a whisper, a small ripple in the stillness, something I thought would pass. But it grew until it became everything. Now, the quiet feels like something I dreamed, something too distant to be real. I chase it, reach for it in the rare moments when the chaos slows.

And I am left here, a drift in the wind, unable to remember what it felt like to simply be.

Sometimes, late at night, when the world is half-asleep, I almost hear it again. A memory of silence, pressed between heartbeats, between the ticking of the clock and the sigh of the wind against the glass. But it never stays. The storm always finds its way back, tearing through my thoughts, scattering them like leaves in a wind I cannot stop.

I wonder - was I ever truly at peace, or was it only the absence of knowing what would come? And if I was, if that silence was real, is it lost forever? Or is it waiting for me somewhere, just beyond the horizon?

I remember the silence (rework)

How To Disappear Completely

Forever (Remix)

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Ikr. Imprint 160322

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