Let Come What May

Musa

And now for something completely different...I had a lot of fun working on this track with the very talented JIM WEBCAMPRO https://soundcloud.com/jim-webcampro?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Please note, ai may have been used for some elements of the music track.

With A Doctor's Note

Those kind men from across the sea
Really care about your family
Sent their bombs to you and me
To blow our town to smithereens

Tech bros to billionaires
Convincing us that they really care
While we’re all living on a partial share
No worries, they’ve got cash to spare

Bomb Baker
Life Taker
Hate Raker
Resort Maker
x2

Hide behind those values you tote
Make the world eat your smoke
Breaching all those laws you wrote
You’re excused, with a Doctor’s note

That nice king from over there
Let’s us know that life ain’t fair
Never to rise above our station
‘Cause we weren’t born in favoured nation

Another bully says might ain’t right
While devising new ways to smite
Media sayin’ all the wrong things
The feckless queue to kiss the ring
Media sayin’ all the wrong things
If there’s a God, he’s got justice to bring

Bomb Baker
Life Taker
Hate Raker
Resort Maker
x2

Hide behind those values you tote
Make the world eat your smoke
Breaching all those laws you wrote
You’re excused, with a Doctor’s note

Music & Production: Jim Webcampro https://soundcloud.com/jim-webcampro?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Lyrics and Vocals:  Todd J McLean
Cover Art: Doctor Pepper (Mixed Media)

With A Doctor's Note

Pastors & Priests (The Missing)

You just stand there (Piano Version) is the reduced, intimate version of my epic track DestKorn – You just stand there, released on Saturday, November 1, 2025.
In fact, the piano version came first, and from it the vocal version evolved - Link: https://soundcloud.com/destkorn/you-just-stand-there
No orchestra, no vocals – just one piano.

Performed on the legendary NOIRE piano (Native Instruments, VST), a custom grand recorded in Hall 3 at Funkhaus Berlin. The sound moves between “Pure” (clear, present) and “Felt” (soft, muted, almost like a whisper), so every note sits right in front of you.

The mood is vulnerable, reflective, but not without hope. The piano quietly says: “You just stand there,” and the melody drifts through sadness, closeness, fragility, and small traces of light. A lot of space, a lot of air, no distraction.

Musical style: minimalist solo piano with a cinematic feel. No beats, no layering – just keys, played slowly on purpose so every tone can breathe.

What is this track for?
For late hours. For thinking. For that moment where you don’t want words, only feeling.

🎧 Piano: NOIRE (Pure / Felt)
🎹 Tempo: 60 BPM
🎵 Genre: Cinematic / Emotional Piano

Deutsch / German
You just stand there (Piano Version) ist die reduzierte, intime Ausgabe meines  Tracks – You just stand there vom Samstag, 1. November 2025.
Eigentlich ist die Piano-Version zuerst entstanden / daraus entwickelte sich dann die Version mit Gesang - Link: https://soundcloud.com/destkorn/you-just-stand-there
Kein Orchester, kein Gesang – nur ein einzelnes Klavier.

Gespielt auf dem legendären NOIRE Piano (Native Instruments), einem speziell präparierten Konzertflügel aus Saal 3 des Berliner Funkhauses. Dieser Klang wechselt zwischen „Pure“ (klar, präsent) und „Felt“ (weich, gedämpft, fast flüsternd) und bringt jede Nuance direkt an die Oberfläche.

Die Stimmung ist verletzlich, nachdenklich, aber nicht hoffnungslos. Das Piano spricht leise: „Du stehst einfach da“ – und trotzdem wandert die Melodie durch Traurigkeit, Nähe, Zerbrechlichkeit und kleine Lichtpunkte. Viel Raum, viel Luft, keine Ablenkung.

Musikalischer Stil: minimalistisches Solo-Piano mit filmischem Charakter. Keine Beats, keine Layer, nur Tasten – bewusst langsam gespielt, damit jede Note wirken kann.

Wofür ist der Track gedacht?
Für ruhige Momente. Nachts allein. Zum Durchatmen. Für Szenen im Kopf, die eigentlich kein Wort vertragen. Genau dafür existiert diese Version.

💿 Credits
Music, lyrics, arrangement, mix & master: DestKorn (Matthias K.)
Vocal rendering: 
Artwork: DestKorn
℗ 2025 DestKorn | © 2025 DestKorn
All rights reserved. Unauthorized use, reproduction, or distribution is prohibited.
SenneRecord2025

you just stand there (Piano Version)

YOU TOOK THE LOAD OFF OF ME
AND… SOMEHOW SET ME FREE, 
BELIEVE ME

THERE WAS SO MUCH I COULDN’T SEE, ANYMORE
I’D FORGOTTEN IT ALL… 
YOU SAW ME FALL

ROUND & ROUND & ROUND WE GO 
WE HIT A WALL AND COME TO A STALL
AND OUR FLIGHT IS DELAYED, 
MAYBE FOREVER DELAYED 

ANYWHERE YOU GO, I’LL BE THERE
WAITING… JUST DON’T DISAPPEAR                
HOWEVER MUCH IT RAINS 
I’LL GET RID OF THE STAINS
AND I’LL BE THERE, 
FOR YOU I’LL BE THERE
YOU TOOK THE LOAD OFF OF ME 
AND I FEEL FREE





Taking the Load Off

cruelty of fate, irony of time 
if he hadn't missed his bus
he might have missed the crime

they found him in his underwear and one black sock 
the coroner said the time of death was two o'clock
 his neck was bent and showed the signs
of multiple contusions 
his face was bruised and staring eyes
showed signs of his confusion
 oh can this really be, happening to me 
cruelty of fate, the irony of time

cruelties of fate, irony of time 
if he hadn't missed his bus
he might have missed the crime 
one inch to the left or right or just one minute late 
and he'd have walked off down the street
and missed his first blind date 
or maybe you and he could never really see 
the cruelty of fate, the irony of time

victims never know their fate
they really don't suspect it 
but when they do it's much too late 
to know is to expect it 
what's that sound, do i hear someone 
laughing quite insanely 
no one gets out of here alive
your fate can be seen plainly
oh cruelty of fate, the irony of time .
....... 
written & produced by kid otari 
drums by greek god Yannis Alfiers 
keyboards by guillaume, guitars by naldo
 vocals by blind lemon pledge and lizzy
cover photo: Gun by William Klein 1955 NYC

......

Cruelty ozn-5shrtn

Cruelty of Fate

A song I wrote in December 2021.. La Cueca from Chile.. lived in Santiago, in my tweens…just one about perseverance.. 🙌.. an essential part of my faith… and … writing, performing.. and recording! 

… to whom much is given.. much is required
Luke 12:48

Difficult-stripped

Walking under the shades

Words and music written by Bartley Charles Mastin
Performance and production by Bartley Charles Mastin - All instruments and vocals.
Copyright 2025 All Rights Reserved

Tuning: Standard
Instruments: Acoustic guitar, Slide Guitar(Open D), Bass guitar, Harmonica, Round shakers, Cabasa, Tambourine, Metal drum, Conga drum, Drum set.

Lyrics:
You don’t wanna go
To Memphis
Too many thieves
Too many fences

Anything you wanna do
As long as I’m with you
Let’s talk it out 
Let’s work it out

Don’t wanna ride
You prefer walkin’
Say you can’t sleep
You feel like talking

Anything you wanna do
As long as I’m with you
Let’s talk it out 
Let’s work it out

Leave them behind
Best left forgotten
Baby blue sky
Clouds look like cotton

Anything you wanna do
As long as I’m with you
Let’s talk it out 
Let’s work it out
Let’s dream about

Anything

Harlan Crowe walks through twelve songs that feel like twelve reckonings.
This album is the sound of a man catching up to himself — not through grand gestures,
but in the quiet corners of life where truth waits patiently.

Across roadside confessions, kitchen-table honesty, worn habits,
and the small mercies he once avoided, Crowe traces the long arc
from self-deception to self-recognition.
He learns that patterns don’t break cleanly,
that kindness sometimes shows up disguised as duty,
and that a man grows steadier when he stops
trying to look steadier than he feels.

The journey isn’t triumphant.
It’s human.

Each track marks a different step toward humility,
courage, and the strength to face himself in full light.
By the end, he’s not a new man —
just one with fewer shadows,
walking forward in shoes that have carried the truth longer than he has.

Taking the Load Off

Señor Ali

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