This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

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Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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Franz Liszt Consolation no. 3 in D flat Major, S. 172

My take on Chopin's saddest little prelude.  Two and a half minutes of ache.


Chopin Prelude No. 4 In E Minor, Op. 28

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Erik Satie "Gymnopédie N°1" Ophélie Gaillard (cello)/Royal Philharmonic Orchestra

Claude Debussy’s Clair de Lune (French for "Moonlight") is one of the most beloved and recognizable pieces in the classical piano repertoire. Composed as the third movement of his Suite Bergamasque, it was completed in 1890 and later revised before its publication in 1905.

This impressionistic masterpiece is known for its delicate, flowing melodies and rich harmonic textures, evoking the serene beauty of a moonlit night. The piece begins with a soft, almost whisper-like entrance, gradually unfolding into a lyrical, expressive theme that shimmers with emotional depth. Its gentle arpeggios and dreamlike phrasing create a sense of weightlessness, as if floating in a tranquil nocturnal landscape.

Clair de Lune is often associated with introspection, romance, and a quiet sense of wonder. Its timeless appeal has led to its inclusion in countless films, TV shows, and cultural moments, making it a universal symbol of beauty and nostalgia. Whether listened to for relaxation, inspiration, or sheer admiration of Debussy’s artistry, this piece remains an enduring testament to the power of impressionist music.

Classical Music - The Essential Collection

Clair de Lune

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Clair de Lune - Claude Debussy

Pavane pour une infante défunte (Pavane for a Dead Princess) is a well-known piece written for solo piano by the French composer Maurice Ravel in 1899 when he was studying composition at the Conservatoire de Paris under Gabriel Fauré.

Music Gifts

Pavane Pour Une Infante Défunte

Shostakovich - Piano Concerto No 2 - 2nd Movement

Johann Sebastian Bach - The Goldberg Variations BWV 988

Just improvising again. This time, I tried to be more "classical" with a slight "etude" touch. Hope you like this one. Please enjoy. 

Improvisation_210725_Fantasie

Erik Satie - 2 HOURS Classical Music for Studying Concentration Piano Playlist

This track can still be downloaded here:
https://deryncullen.bandcamp.com/track/andante-from-symphony-no-5-tchaikovsky

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Tchaikovsky - Andante from Symphony no. 5

Composed by F. Tarrega. Played by www.StanLeonard.com
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Written by Francisco Tarrega (21 November 1852 – 15 December 1909). Played and recorded by myself. 
(Wiki) Tarrega was an influential Spanish composer and guitarist of the Romantic period.
Francisco Tárrega's music and style of guitar playing became strongly influential in the twentieth century. He was central to reviving the guitar as a solo instrument in recital and concerts. His output was modest, having composed only 78 original scores and 120 transcriptions - mostly for his own use. Among his most popular works for the guitar are Recuerdos de la Alhambra, Capricho Árabe and Danza Mora.

He is also the composer of what has been claimed to be "probably the world's most heard tune": the Nokia ringtone, Nokia tune, or simply Nokia, also used in advertising spots, is based on Tárrega's Gran Vals. His music also inspired Mike Oldfield to arrange Tárrega's tremolo study Recuerdos de la Alhambra for the soundtrack of the film "The Killing Fields".

Erik Satie - 2 HOURS Classical Music for Studying Concentration Piano Playlist

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