Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

The Inner Sound 038: Dream Software

For our 38th instalment of ‘The Inner Sound’, we invite Bristol-based multidisciplinary artist + musical platform: @dreamsoftwarecorp.

From the depths of the ethernet, Dream Software presents a utopian vision in every facet of his outputs. From releasing music that sounds far ahead of our time from up-and-coming artists such as Jon Jones, Wigs, Beltrac & a recent reissue of 90s works from Alien Signal, to collating his own vast collection and showcasing it through his many sets, online mixes, and radio guest spots.

Tap in (or out) to this 2-hour and 40-minute time frame of sonic reveries, where you’ll be taken to an oasis of mind-melting and nurturing rhythms, getting lost and far from your physical being, only to return with an expansive breath of new life.

www.daisyrecords.com.au

The Inner Sound 038: Dream Software

Nosedrip at Garage, Horst Arts & Music 2025

12th Isle co-founder Fergus Clark runs a monthly session through chaotic record shelves, tascam nightmares, label related tracks and unreleased music from the global sphere.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/fergus-clark/episodes/fergus-clark-1st-july-2025

Fergus Clark 010725

A swift hour long excursion into the unknown. Expect the unexpected from host Tom Cathcart as almost anything goes: techno, post-punk, minimal synth, dub and new wave. Don’t be a prude. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/last-resort/episodes/last-resort-12th-july-2025

Last Resort W/ OFFICER JOHN  120725

Nocturnal acid lines and swirling, soft rotations meld mental spaces with melodic threads. Downtempo energies and soulful traces of ’90s R&B entwine with lava-lamp psychedelia and interstellar journeys. Smoky, visionary passages and unexpected intervals of ‘80s pop pay homage to the lost art of crate-digging and compilation craftsmanship.

The unmistakable Ivkovic signature emerges: slow-motion BPMs, drum-heavy basslines, and tastefully warped distortion — all blending into a masterclass in futuristic acid.

Experimental club culture shuffles through ISAbella’s grooves, echoing her role as a trailblazer of Barcelona’s queer nightlife and co-founder of the MARICAS collective.

Words by Laura Caprino

ISAbella b2b Vladimir Ivkovic - Climate of Fear - April '25

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.

roadkill @ Kiosk Radio 21.08.2025

forwards and backwards through bits of a [mostly] electronic music timeline. reverence for BCR. records i’ve played forever and new records i’ve just found. boil it down. one z in drizle. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/drizlefm-w-plo-man/episodes/drizlefm-w-plo-man-21st-august-2025

drizle.FM w/ PLO MAN & Kudzu Audio 210825

El Batec del Temps

Quan Calla el Dia

Played this mashup at Mystik Festival
Got a touching message after where the song brought back memories, and she never expected to hear it in an electronic set ❤️
My goal with these Mauritian mashups is to show that music has no boundaries. 

It’s all about emotion, connection, and keeping our roots alive in new ways

the downloadable version is the extended one! Enjoy!!!

Free Download

Caiiro X Kaya - Akan Ras Kouyon (David Jay Mashup Short)

Sea & Sun

now posting on https://soundcloud.com/user-202286394-991268468 
https://www.nts.live
https://www.instagram.com/nts_radio/

Fergus Clark 010725

NTS 2024-2025

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