livwutang at Outra Cena, This Side, 20/01/2024

This is a re-recording of my SR set. Unfortunately, the audio recording had stopped due to a power cut earlier in the evening.

Thanks for having me Sustain Release! I'll never forget this <3

DJ Plead - Sustain Release, Year 9

✨ 𝓈𝑜𝓊𝓃𝒹𝓈 𝑜𝒻 𝒽𝑒𝒶𝓁𝒾𝓃𝑔 𝓋𝑜𝓁. 𝟧  ✨

I started listening to ambient music properly during lockdown as a way of trying to heal from heartbreak as well as a coping mechanism to deal with what was going on around the world. I was pulling together playlists of tracks that made my heart sing or weep, to soundtrack my daily walks around the canals of berlin or the quiet residential area where i grew up and ended up moving back to. These playlists were the start of the sounds of healing series and my journey of digging deeper into ambient soundscapes via my refuge worldwide residency. It’s a genre that I probably would say I have the biggest emotional connection to right now, in the way that it has helped me through some really difficult times in the last four years. So it was an honour to bring this to the club space for the first time for playbody 002, a party run by some of my wonderful  friends. Sounds of healing vol. 5 is a glimpse of what I played during that after hours set, in what became one of the most beautiful settings with the lights dimmed, a candlelight by the decks, people curled up with each other on various platforms, kissing, or deep in conversation. It was touching to witness people have the same emotional reaction to the music as me; people coming up and saying how a track or artist had saved their life or that they just wanted to have this personal moment with the music, away from the conversation. It was deeply vulnerable to play some of these tracks to a group of people, some being strangers but it very much aligns with the journey I’ve been on recently. And with this mix, I’m not only sharing that moment with you but I’m bottling up this feeling and keeping it close to me forever. 

taylor e burch - you gotta start somewhere 
jonny from space - slip 
pugilist - alignment 
hysterical love project - i hope i see some of my haters out tonight 
command d & gi - bleary
purelink - stadium drive 
jonny from space - hearing colors
astrid sonne - say you love me 
erika de casier - the flow 
hyperdawn - maybe 
pontiac streator - time flies (shena’s loop edit) 
nala sinephro - space 1
kelela - far away 
davis galvin - loved 
anthony naples - orb two 
the durutti column - requiem again 
ml buch - high speed calm air tonight 
ot to, not to - new york city 
laila sakini - that wave, that line 
command d & gi - align 
spooky - the river (ambient) 
donato dozzy - vaporware 07 
secede - foliage pathway 
julianna barwick - pyrrhic 
takashi kokubo, andrea esperti - gaia’s love theme 
foam and sand/robot koch/delhia de france - circle 27 
coral morphologic - endless love 
nick león - dolphin 
soria - mary madrugada
julianna barwick - labyrinthine 
rosalía - sakura 
jake muir - tonic 
special guest dj - panoramic deep love story 
mu tate - me when u 
mazzy star - fade into you

sounds of healing vol. 5

FAUZIA is an artist of many moods. The UK talent moves from IDM to soul on her NTS Radio residency, while her club DJ sets reveal her love for '90s-style breaks, electro and bass-heavy sounds. In the studio, she explores her softer side through self-released homespun dub and ambient jungle.

In recent years, she's gravitated towards live performances. Her gossamer vocals, one of her strongest suits, cuts through live instrumentation like a hummingbird in agile flight. In 2020, the London-based talent told Mixmag that she was done being categorised as a "dance music" artist—and so far, she's succeeded. While she incorporates clubby touchstones into her work, there's a deep level of cross-genre knowledge and blending at play.

FAUZIA's RA podcast makes that clear. Free of any four-to-the-floor music, it moves from experimental jazz to orchestral melodies to R&B ballads for a thoughtful and introspective journey full of her own unreleased music that points towards her newer interest in composition. This is music to be felt, so let your guard down and let it wash over you.

@FAUZIA

Read more at https://ra.co/podcast/926

RA podcast

RA.926 FAUZIA

9th June 2023, the incredible @kiernanlaveaux live at Mansions, NYC. A 2 hour snippet of a 6 hour set. <3

Artwork by her partner Malzof with a photo from this Mansions set

"The shape design is from Wind Chorus by Pauline Oliveros - which I also have the design of on some custom slipmats that are also visible in the photo ;)"

<3

ani/live Forty: Kiernan Laveaux @ Mansions

Complete opening set before the legend that is Radioactive Man. Big love to Keith, Nowadays staff & all the dancers <3

Live @ Nowadays // Opening before Radioactive Man - Jan 26 2024

https://www.instagram.com/ronlikehell
https://www.instagram.com/ccl_url

The Space Between Spaces with Ron Like Hell and CCL @ The Lot Radio 03-19-2024

Recorded for @Refugeworldwide. Inspired by how water interacts with solid structures. 

Image by CCL

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #11 Rock Pools @refugeworldwide

Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

Juanita's Mix 100: Ciel

Bimonthly excursions through memories, geographies and nostalgia from NYC-based livwutang. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/livwutang/episodes/livwutang-15th-april-2024

Furniture without Memories w/ livwutang 150424

Simon Aussel is known for a particularly wild DJing style and leftfield bassy bangers, and it's his curious and playful approach to clubland that's won him loyal fans over the years. Whether photographing drink tokens from gigs or creating an 8-bit version of his debut album on a Game Boy cartridge, he seems to approach every endeavour with childlike joy and wonder—rare qualities in an industry that can leave so many jaded.

The Nantes-born, Paris-based artist's love of club culture, digging and world-building has set him on a blazing path in club music. He's released an exceptionally wide range of music, including a Memphis rap tape for Trilogy Tapes, dubstep-trap-jazz hybrids with Egyptian singer Abdullah Miniawy and deadly hard drum for Livity Sound. His mixes, meanwhile, are fast becoming DJ lore thanks to his knack for connecting seemingly opposed genres like new wave and fast techno. Look no further than his now-infamous Dekmantel Selectors set from 2021 or a marathon back-to-back with Skee Mask in 2022. 

As the French DJ gets more comfortable with story-telling, he's getting more personal and focusing on deeper, slower sounds. That's evident on this RA Podcast—six months in the works—which incorporates woozy downtempo, weighty dub and bleepy beats. Of course, in the chaotic middle section there's plenty of huge basslines, plus old-school electro, acidic techno and even a bouncy edit of the Montell Jordan classic "This Is How We Do It." Showcasing his quirks, influences and growth, this is Simo Cell in prime time.

@simocell

Read more at https://ra.co/podcast/934

Furniture without Memories w/ livwutang 150424

NTS Latest

Recent comments

Union

k2k

Ecir Jhut

nataliepops

Related tracks