waaaaaat 🔥🔥🔥🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

@carl-420

Introduce yourself? Preferred pronouns? Where do you currently reside? 1 fun fact about yourself?

My name’s Carly Barton > generally androgynous and fine with they or she > Portland, OR > I beat The Binding of Isaac (1000000%)—possibly my greatest achievement.

How is everything going with you right now?

I’d love to submit a research paper for this answer, but the succinct version is that I’ve been struggling to navigate through some rough circumstances health-wise. I’ve been disabled with very limited mobility + suffering from chronic pain for the last year and that’s pretty much been my day-to-day. I’m a notorious workaholic, so not being able to produce at my usual productivity level has been beyond frustrating to say the least. So…¯\_(ツ)_/¯
Other than that, I have the most wonderful partner in the world and some exciting opportunities that I’m dying to dive into if/when I get better.

Favorite musical memory in deep description?

Tough question. I had the extreme privilege of witnessing a solo multimedia performance by Takako Minekawa at Nationale—an art space in Portland, OR (courtesy of tone poem). Minekawa is an experienced composer, but I did not expect such an ethereal creature. It was so dialed, naked, honest, revealing, and expertly crafted. It’s like she was capturing magic out of thin air. It felt like everyone in attendance was sharing a buzzing electricity, hyper aware of how fragile the room was—like it was breathing. You could sense that everyone was having their own internal journey, as she demanded you to. Afterward, I went across the street with my friend and we probably talked about it for at least an hour; this was before lockdown, but honestly, I still feel like I’m processing it—very dreamy indeed.

Favorite thing to cook currently?

I made the most fucked up chicken pot pies over lockdown, but not really a summer dish. Lengthy recipe though—email me if you want it (carlyrayebarton@gmail.com)

Most underrated artist of 2020?

I barely listened to any music (especially new music) in 2020 so I feel like I can’t really answer this properly since I didn’t dig much.

Any advice to upcoming producers/djs?

Wooooof. Hmm. I really do have a lot of thoughts on this, maybe the biggest thing is these things take TIME and practice, you’re not gonna be good if you don’t do the work—there are no shortcuts to finding your own voice or becoming skilled. Don’t make excuses and don’t limit yourself to what other people are doing. It’s good if it’s honest. You’re also never done, you’ll always get better, so don’t be upset if you fuck up or don’t like it or it feels unfinished. ALSO, nice gear doesn’t mean shit; I always liken it to visual artists—yes, it’s very nice to have expensive oil paints to command as you wish, but you can still make something beautiful with a pencil on printer paper.

And most importantly, do it because you love it.

What would you like to see in the future for the dance community?

I've obviously been thinking a lot about disability, and I hope to see that become more normal in venues. You always see people with canes/in wheelchairs your whole life and empathize, but it becomes so noticeable/in your face once that becomes your everyday. And besides what I’ve seen most people discuss about dancefloor politics, I’d like to see sincere/open conversations about expectations and intentions become the standard. It is 1000% not okay to demonize people, specifically POC + women, for expecting certain needs to be met regarding inclusion, accessibility, payment, harassment, etc. It’s very hard for “SEE something SAY something” to work if nobody believes you or does anything about it…like, obviously no one’s gonna feel seen or protected when they put themselves in a vulnerable position only to be completely ignored or shit on. P.L.U.R.?!!? It’s a pretty simple concept.

For the rest of the Q&A plus pipipi game please visit the PI website at -------> pipipi.life <-------------

Carly Barton - Absolute Zero

I recently played a 2 hour opening set for Communion; a spring summer fall party happening Sundays in DT Minneapolis.
This mix is a selection taken from the live recording of my set. The first 49 minutes.
90 to 180 bpm bass stonkers, poly-drum-jamming, a little live edit biz, and swung sub 120 house and techno builders.
Much appreciation to anyone listening & supporting <3<3

<><><><><><><><><>

Kiisu - Golden Hour	
Lithe - It's Rhythm
qgb - EUPHORIA (TROUBLE IN PARADISE MIX)	
Emma DJ & Toma Kami - Julia Bashmore
Low Jack - Grass 29
1127 - 8918
Butu Yard - Good Ova Evil (Sativa Club version) 
Wilted Woman - Tin Dip Drop	
Bība, m@kossa, Waiyari - The Light		
DJ Trystero - 引き金		
downstairs J - Soft Tissue	
Loppy B - Trench Foot	
ELLLL - PEPSI			
Magic Drum Orchestra - Hoodoo Udu		
Arsenik - Basic dub	
Lanny - Zapped	
INVT - LUCHA		
HIEROGLYPHIC BEING - 08 FOUR MOMENTS	
Human Resources - Safe It Fits On Your Plate
Stacey Sexto - Necessary Desire

opening set @ Communion -  August 14th 2022

Back with another exciting show. This time we welcome, DJ, producer and music curator Charles Cozy all the way from Montreal for a banging set.

https://www.instagram.com/shannon1Dj 
https://www.instagram.com/charlescozy

The DJ Shannon Show with Charles Cozy @ The Lot Radio 02-22-2023

Shoutout Føøn for inviting me to play on Newtown for the first time. There was a ton of reverb in the studio and i could barely hear but it was a ton of fun to record this. felt like i was playing in a warehouse

DARIAN ON NEWTOWN RADIO FOR EETHR 4/26/23

High speed electronics and dance soundtracks from the Chicago footwork auteur.

https://www.nts.live/shows/jana-rush/episodes/jana-rush-20th-may-2023

Jana Rush 200523

May 27 Nonstop @ Nowadays

North London native and Hyperdub signee Loraine James is an electronic producer who effortlessly blends Electronica and IDM with whispers of jazz and ambience all wrapped up in the artists key avant-garde aesthetic and sensibility.

https://www.nts.live/shows/loraine-james/episodes/loraine-james-8th-june-2023

Loraine James 080623

@sheepshead-music is a born-and-bred Brooklynite curator/DJ who has been helming the Newtype Rhythms series for Inverted Audio since 2017. Highlighting artists on the come-up along with surprise sets from legendary titans, the series has developed into an event series that has been hosted in local Brooklyn institutions as well as abroad in Europe. Additionally, you’ve probably seen him play parties at Bossa Nova Civic Club, House Of Yes and beyond whilst hosting b2b court over at The Lot Radio for his Newtype Flash show. Gathering influences from pivotal experiences at renowned parties such as Dub War and The Bunker, Sheepshead aims to continue the legacy of those events by entering into sonic parts unknown - playing out unique bass mutations that bounce between genres whilst never taking it all too seriously.

https://soundcloud.com/sheepshead-music

S183 006 - Sheepshead

Rinse FM Podcast

Bluetoof presents Eva Loveless - 12 July 2023

Warm Up DJ Set @ LoLiTa (Human Club / Razzmatazz) - (June 10, 2023)

The latest lockdown programming comes courtesy from London’s Stem. The NTS regular serves up a batch of sinister and club ready jams, quickly descending into double time chaos and polyrhythmia. Watch ya bass bins!

@stem

Jana Rush 200523

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