Further Information: bleep.com/features/bleep-mix-211-kmru

To celebrate the release of the Tresor 30 box set we have a special mix from KMRU. 

"A contemplative dive into the sonic remembering, the mix to me evokes the sense or remembrance or trying to remember, featuring artists and musics that I've been listening and remembering in the past months. The mix was recorded on Ableton and a Push 2." - KMRU

Bleep Mix sound files

Bleep Mix #211 - KMRU

Experimental ambience, dub, techno, and other crazy left shxt from Joshua Reid & Joshua Inyang, a.k.a Space Afrika... Please, enjoy. 
https://www.nts.live/shows/space-afrika/episodes/space-afrika-31st-october-2023

Space Afrika 311023

Organic soundscapes, field recordings and melodic ambience from composer Sophia Zhuravkova. 
https://www.nts.live/shows/sophia-zhuravkova/episodes/sophia-zhuravkova-3rd-december-2023

SOPHIA ZHURAVKOVA 031223

New releases and current inspirations from your hosts Jonnine Standish and Nigel Yang aka HTRK. 
https://www.nts.live/shows/htrk/episodes/htrk-10th-january-2024

HTRK 100124

Now on the cusp of his third solo album, the Norwegian saxophonist Bendik Giske (@bendikgiske-music) knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as the album producer – clearly, the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her distinctly spare influence is immediate and keenly felt.

The genesis of the album originated in Dillon's challenge to Giske – to relinquish some of his defining traits as a producer and embrace the concept of the "studio as an instrument" along with recording techniques that involved strategically placing tiny microphones on horns and Giske's body. This meticulous approach aimed to capture every unique sound, from idle scratches to sudden gasps, creating a personal and intimate experience for the listener. Drawing from his experience playing wind instruments, Giske emphasized the tactile and breath-driven nature of this process, acknowledging the less glamorous but crucial aspects. While again working with single-take recordings, no overdubs, only saxophone, and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it's not as pretty, but what's left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual awakening.

PURE Guest.052 Bendik Giske

a chasmic trip by Mattia Onori (@hrnrmusic) — a prelude to their upcoming album on @southern-lights-rec

₀₂₃ 𝗺𝗮𝘁𝘁𝗶𝗮 𝗼𝗻𝗼𝗿𝗶

Detox № 35 - Florian T M Zeisig

Berlin-based artist Pavel Milyakov aka Buttechno joins us for an hour a month. 
https://www.nts.live/shows/buttechno/episodes/buttechno-12th-february-2024

PAVEL MILYAKOV 120224

Recorded live at Lusophonica

1st Hour - Enkō
2nd Hour - Asio Otus

Ocaso57 | 2024.02.15 Enkō + Asio Otus

Uncharted sonic territories where boundaries face away (euphonies for downhearted times co-hosted by Andrej from Amulet of Tears & Undveld from static motion)

For more: 
https://soundcloud.com/undveld
https://soundcloud.com/amuletoftears
https://soundcloud.com/andrejsurgutanov


👍
http://palanga.live

AMULET OF TEARS #4

Originally released on Reel Toque (https://www.discogs.com/label/526235-Reel-Torque) in 2014

PAVEL MILYAKOV 120224

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