a c I d H O U S E  Taking  me back N Ic E

Residency show broadcasted live at Radio Tempo Não Pára (25.01.2025)

Artist: @callumduff @floorlengthskirts

Wizrad & Floor Length Shirt @ Radio TNP 25.01.2025

💥Recorded live at Bounce House on 9/7/24 between 2-4am💥

We previously wrote that this guest is a "bass wizard and sonic sorcerer" - this holds true enough, but we might need to brush up on our astrophysics to accommodate ADAB's expansive, space-time-traversing flow. A seasoned selector with an incredible range of emotive and kinetic rhythmic directions, ADAB's deft dancefloor work is trained by a zig-zagging dance music trajectory from front-of-house to behind the scenes, front door to behind the booth, from DIY corners to polished clubland. They have brought a real artist's vision to Philadelphia's roster of talent, and it's a pleasure to welcome them back.

@adab

ADAB - Live at Bounce House 9/7/24

Breakfast, in Flo motion - served by Flo Dill, every Monday to Wednesday. 
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/the-breakfast-show-flo/episodes/the-breakfast-show-flo-26th-february-2025

The NTS Breakfast Show w/ Flo 260225

Bonafide dance music royalty Kevin Saunderson graces the London studio, taking us back to the foundations of Detroit techno with an hour-long classics mix.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/guests/episodes/kevin-saunderson-3rd-april-2025

Kevin Saunderson 030425

Best Of Vol. 3

Sho Nuff

Join Errol and the Touching Bass family every month for regular voyages into inner-city, concrete jungle productions plus astral-facing funk, jazz, broken beat and anything else with a soulful pulse. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/touching-bass/episodes/touching-bass-7th-april-2025

Touching Bass w/ Errol & Alex Rita 070425

Monday Disco

Transmissions From Planet Groovy — Mosca [@deejaymosca] (Recorded on 07/20/24 at Nowadays in New York)

Words from Mosca: 

"I'm not much of a gushy person but listen - I genuinely appreciate what Groovy Groovy stands for. I meet so many promoters and believe me not all raves are the same, when I first met Akanbi back in the day I knew he was a music music guy, and the party attracts music music people. 10 years is no joke! Had a wicked time running tunes, diving deeeeep into UK sounds, getting to grips with a modular dub siren(!), being a dick on the mic, respecting local licensing laws and meeting a load of ravers afterwards. Thanks again for the warm welcome and above all else the €10,000 DJ fee"

Transmissions From Planet Groovy 008 — Mosca

@Cromie

Bandcamp: https://2lanessoundsystems.bandcamp.com/album/sun-phase-moon-phase-2
Rubadub Vinyl: https://rubadub.co.uk/products/sun-phase-moon-phase

"Kindred spirits and loyal soldiers on the frontlines of the dub war Detroit's 2Lanes and Los Angeles' Cromie link up to present to the world, Destiny Cloud. With a project name inspired by a mystical vacant storefront in Cromie's neighborhood of Altadena (still standing after the fires, bless), the guys formed like a storm after being intro'd by a notorious LA promoter and hotboy producer matchmaker. Funnily enough, the first session was foiled by a missing cable, so it wasn't until the sexy summer of 2023 that the cloud seeds that went on to become Sun Phase/Moon Phase were planted. From the jump, their vision was lucid and their objective collective: lock in at the stu(s) to make the most jiggy, psychedelic, tripped out club shit they could muster. Fast forward to today, Destiny Cloud is proud to bring you the latest missive on 2Lanes' Auto Shop imprint.

On the A side, Sun Phase sets it off with searing stabs from the hands of session killer Ji Hoon on a heavenly Jupiter-8 (sorry not sorry, the real thing does sound better) before a bassline straight off the Adriatic's Argonaughty comes in to funk up the flow over a bed swung hi-hats and drum circle conga lines the Wickedest west coast house heads can appreciate (no hippy shit, but we ARE on Hipp-E's dick). A keep-it-simple-stupid *muah* 💋 organ line plays nice with a gang of embellishments to take this one through its duration (Joey pressed record and said "ooh-wah" into the vocoder; no lie, I was there). With his Toxic Love remix, NYC upstart DJ John Brooklyn injects the tune with the highest grade octane to up the revs. The aforementioned organ becomes a timeless trance lead, and new pipes are inserted reminding us all that house music is forever.

Day turns to night on the B Side with Moon Phase, where booming kicks let you know off the rip that this is some real deal late night trunk funk. We're talking dualities here y'all; Cromie's deep-as-the-Pacific bassline meets Joey's frozen-lake-cold Detroit stabs as the drums speak in tongues with those on the other side of the slab. Reverb ghosts and rhythmic acid have this one veering more psychedelic without losing the jiggy factor, while diving proggy synths will have the Global Underground saying, "yea this is our shit, for real." With a run time that allows for maximum fun time, the ambient outro gives you a kiss on the forehead to put that ass to sleep. The iconic DJ Miss Parker takes the wheel on the remix, taking this one straight down the Tunnel with new-school/true-school Tenaglia-isms that wouldn't sound out of place in 2000, 2005 or 2025.

Like all the work we do, this one's a team effort. Salar Ansari put's his deft touch on the mixdowns and Jack Anderson blesses the center of both sides of the disc. Out mid-may, just in time for when things start heating up. Distro via Rubadub. 
credits
releases May 12, 2025

Sun Phase/Moon Phase - Clips

Social Criticism in Lauryn Hill's 'Doo Wop (That Thing)'
Lauryn Hill's song 'Doo Wop (That Thing)' is an empowerment anthem and a sharp social critique, released in 1998 as part of her acclaimed album 'The Miseducation of Lauryn Hill'. The song addresses themes of self-respect, sexuality and the dangers of being carried away by appearances and materialism.
In the first verse, Hill speaks directly to women, warning them about the dangers of allowing themselves to be used by men who are only interested in 'that thing'. She criticizes the idea that women must conform to standards of beauty and behavior in order to be accepted or loved, mentioning 'hair weaves like Europeans' and 'fake nails done by Koreans' as examples of how women are pressured to conform to external standards. The artist also references religious and historical figures, such as Jezebel, to illustrate the consequences of straying from one's own principles and values.
The second verse is directed at men, criticizing those who prioritize material possessions and status over their responsibilities and relationships. Hill calls out toxic behaviors such as domestic violence and irresponsible fatherhood, and questions how these men can hope to succeed in life if they are not right on the inside. The song ends with a dialogue that reflects on the difference between love and being in love, suggesting that true love goes beyond the surface and accepts a person as they are. 'Doo Wop (That Thing)' is a powerful reminder that self-respect and integrity are key, and that we should be aware of the pitfalls of materialism and objectification in interpersonal relationships.
So...
Enjoy this Remix.....

FNX Omar - Doo Wop

Red Laser Records crew brings Manchester's own blend of Manctalo, Disco & Boogie. A high energy Sunday Buzz guaranteed. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/red-laser-records/episodes/red-laser-records-20th-april-2025

Red Laser Records w/ Royal Male 200425

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Red Laser Records w/ Royal Male 200425

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