Name: Test Pressing 020722 by NTS Saturday
Duration: 1 h 59 min 41 s
Description: https://www.nts.live/shows/test-pressing/episodes/test-pressing-2nd-july-2022

The sequel to the mix which started it all, and Wax’o Paradiso Recordings’ first release on cassette. Presenting WPT001: Wax’o Balearico Vol. II.

Selected and mixed by Edd Fisher and Simon TK, recorded at Motom Studios, designed by Milly Davison.

Cassette available now via bandcamp.
https://waxoparadiso.bandcamp.com/album/waxo-balearico-vol-ii

Wax'o Balearico Vol.II

Wax'o Balearico Vol. II

In the midst of another chilly, shut down and largely eventless Berlin-winter, Telephones kicks off 2022 with some much needed warm, positive and soulful vibes: Street Soul, Breaks, Hip-House and smooth downtempo favourites to get you good and heated up.

Broadcasted 12.01.2022
https://refugeworldwide.com/radio/telephones-12th-jan-2021

Telephones' New Massage 012 [Refuge Worldwide]

It’s been a minute between drinks 🥂

Our CR mix series returns with the prolific Parisian posse @lorem-ipsum-yo💫

Some of the most compelling wax diggers to bless our ears in recent times. Enjoy nearly 3 hours of uncovered 💎s crossing soul, gospel, r&b, gangsta hip hop & more.. diggin extra deep no matter the medium - private cassettes, CDs & vinyl.
Get ready to blast the comments with song IDs cuz this ones a doozey 🔥

Expect plenty more CR mixes to come 👀

🎨 by the master Ben Keynes.

Crown Ruler Mix #23 - Lorem Ipsum

For the thirteenth installment of our increasingly sporadic mix series, we've invited London’s mighty producer, DJ, and designer duo @good-block. They have recently self-released their second EP - ‘Aquaculture' following their debut '4 Corners EP’. Their third release is due out later this summer, and if you listen closely you can find a new bit tucked away in this excellent, genre-bending mix they've prepared for us.

Be sure to check out 'Flute Dub', their contribution to the new @planettrip compilation Ordinary Dreams Vol. 2, which has just landed on the internet and will soon be stocked in record stores worldwide. 

Do enjoy.

Isle of Wax 013 by Good Block

🐯 The Tiger Tapes are growing!

We're really happy to have @runninghotmusic this time for an airy set.

This London based DJ duo dig deep from the weird and wonderful to the best dance floor heat. You can catch them playing at their residency at The Cause or via their monthly show on Balamii Radio.

As expected, they delivered a stellar set, full of the best kinda house!

24/7 Radio

Tiger Tapes 006 - Running Hot

The Customs lads need very little introduction for anyone aware of their deep as the abyss digs. This mix sees Tom taking the controls for close to a 2 hour ride spanning reggae, digi heaters, soothing streetsoul & raw rap through to dancefloor focused sleepers with both soulful & bleepy triiips for the house heads. 

ID Requests - @customs_ldn

1800 triiip - Customs - Mix 042

https://www.nts.live/shows/test-pressing/episodes/test-pressing-2nd-july-2022

Test Pressing 020722

DJ D.DEE takes the reins on this month's instalment of Pacific Spirit with an hour of contemplative and restorative sounds from around the globe. Thanks for listening!  

Tracklist: Kristoffer Eikrem & Bendik Baksaas - Passing Trains [Mutual Intentions] 
C Cat Trance - Shake The Mind [Ink Records]
Eleventeen Eston - Indian Blue [Aficionado Recordings]
The Zenmenn - Bella Fantasia [Music From Memory]
Warfield Spillers - Daddyʼs Little Girl [Compography Recording STD] 
The Zenmenn - Topaz 2 [Music From Memory]
Eddie Chacon - Pleasure, Joy, and Happiness [Day End Records] 
Ferkat Al Ard -  Oghneya [Habibi Funk]
Philip John Lewin - Fear Of Flying [Gargoyle Records]
Unknown Mobile - Oenology (FT. CFCF) [Pacific Rhythm]
Omar S - Virgil [FXHE]

Originally broadcast on Worldwide FM on August 6, 2022

Pacific Spirit No. 78 | DJ D.DEE

——> Yoooooo we baaaack <——

 Compensating for the absence, we couldn’t be happier to present this 2,5 hour jaunt by the Australian/Greek Queen - Adriana.  You know the drip, get yourself some good refreshment because global warming isn’t the only thing making this late summer hooooot 🍹🧊🥵

ID Requests -> @goodlucktoyourdad

TASCAM DR-05X

Adriana

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

Test Pressing 020722

NTS Saturday

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