Oh, these seem very similar. Is this by chance a reworking of the first one?

cool. The music of the artist who uses the machine acquires humanity due to its inorganic nature. It's paradoxical and rich music.

Am I a well-behaved mechanical body?  I'd like to think so lol!

Muito bom, gosto do jeito jocoso da batida, é bem interessante mesmo!

This is a great version too. More direct, groovy and mellow.

Kit: Animoog Z, iVCS3, uKorg, Noise Maschine, Sector, PO16, DrumComputer, Logic Pro X
Acknowledgments: Cover Art - still from, "from darkness into darkness" (2021) by SERAFINE1369.

I Seem What You Mean To See In Me

Are you a well-behaved mechanical body

There Is No One In The Room

Kit: uKORG, Hammerhead, Fugue Machine, Sampletank, Yamaha Synth&DrPad, Logic Pro X.
Acknowledgments: 
Samples 1) Samuel Corbin - “tba” copyright 2016.
2) Dead Peoples Records, No. 31 Mediated Voice & Silence (2014).
Both sample sets - Licensed under a Creative Commons Attribution license, CC-BY (freemusicarchive.org). 
Cover Art: Cold Dark Matter: An Exploded View (1991) by Cornelia Parker - a shadowy interpretation from Tate Modern.

Anthropomorphism 3

Tea plantations on the planet Athoek, the location of some intrigue in Ann Leckie's book, Ancillary Sword.
I took inspiration from the early work of Evangelos Odysseas Papathanassiou (Vangelis)RIP. I loved how he combined traditional Greek instruments with electronics on "Earth".  "Heaven and Hell"  remains a personal favourite. 



All rights reserved 2022

Plantation On Athoek

DRUMAX present Track No. 4 : AFROFUNK
@joerxworx >> Composition, Arrangement, Flute, Ewi, Percussion, Mix & Production 
https://soundcloud.com/docfritz >> Drums and Artwork
© 2022 by joerxworx and docfritz / DRUMAX PROJECT

DRUMAX PROJECT

Drumax No. 4 // AFROFUNK

noxpox - the black page (assimilated Cover Of FZ)

EYE can lead you through wastelands ov because and into thee zone ov FANTA-ZEEE..
a nu land in thee dawn ov PANDAEMONAEON::: 
https://soundcloud.com/forcefielddragons2358

FORCEFIELD DRAGONS - Dark Trip Into Thee Lovelight

Updated June 7, 2023: Synline has made collaboration work for me.
https://soundcloud.com/synline/the-river?si=d85aada01c7b4a0a9c8e26a590f06cce&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

--
In January this year, we lost the great musician and drummer of YMO, Yukihiro Takahashi. As if following him, last month, Ryuichi Sakamoto also passed away. Having lost two respected musicians, I find myself without emotional support and have been creating music daily, tracing their music and lives. Unconsciously, the songs I create are heavily influenced by their music. This song is one of them. When I listen to the finished piece, I feel it somewhat resembles YMO's "Expecting Rivers." These days, I find "HOPE" in the Milky Way, the heavenly river that spans the sky.

Rivers of Aspiration

This track was made with CS 80 Pigment 4, Synthmaster One, Cube CMI V & Spatk 2 (Perc/Toms/Congas,FX)

On the other side

Alec Pace - Spherae
Label: Infinite Machine
CAT#: IM110
Format: Digital
Release Date: May 3, 2024

‘Spherae’ marks the return to scenes of Turin-based producer and DJ Alec Pace landing now on Infinite Machine with a mind-melter EP aimed for the club.

Following a 2-year long hiatus from his latest original work ‘Future Now?’ and previous releases on acclaimed labels such as All Centre and Nous Disques, the Italian producer delivers a new psychedelic blend of post-grime and experimental-bass condensed into a powerful club-ready 4-tracker.

Opening track ‘Preemah’ is a dance-floor heater which plays with the alternation of perpetual crescendos and heavy kick-drops, the rhythmic session is based on a glitchy jersey-club beat while the melodic elements work with uplifting synthesizers and heavy manipulated field recordings.

The explorations continues into title track ‘Spherae’, a peak-time ‘ode to speed’ which twists elements and a rhythmic session borrowed from the D’n’B scene while mangling them with ‘pointillistic’ synthesizers and hyper-effected spooky vocals.

‘Khroma’ follows next, a dark and psychedelic roller which will bring the listener into more obscure sound landscapes which delivers robotic GQOM-inspired beats with overdriven-glitchy synthesizers and tribalesque chants.

The alien-shaped beats of ‘Qubo’ closes-down the release with its glitchy-old-skool-electro vibe, combining a rhythmic session which borrows elements from the old-skool electro with analog generated percussions and field recordings.

While touching GQOM-esque and post-grime atmospheres and both pushing BPM-speed limits forwards, ‘Spherae’ explores further into experimental-territories yet remaining true to its club nature

Alec Pace - Qubo

I make electronic music.  I'm always thinking about music, I'm a music addict.  I'm particular about synth sounds, and I don't use preset sounds.  I also love KORG's volca series and have "beats", "keys", "fm", "sample" and "modular".  I love KORG.  There is also "monopoly".  Recently, I've been making Vocaloid songs as well.  I would love to collaborate with you, so please feel free to contact me.

Are you a well-behaved mechanical body

marky black bear

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