gives me alot of melodic vibes I love the inspiration behind this

So smooth intro leading to such energising vibes. Excellent mood and performance.

Nice bpm  I'm getting a cramped wrist here just listening. Keep it up

Nice metal track. Good drums and guitar riffs. 👍

Absolutely shredding on the track and the riffs don't slow down either

Darkwave is an experimental music project incorporating elements of instrumental thrash metal combined with symphonic and electronic influences. 

Composing, guitars, programming: Zsolt Némethy.
Cover art: Lupus Photo (Dávid Ujhelyi).

Hexapla - The Remasters

Hebrew (Remastered)

LISTEN ALONG WITH THE VISUALIZER:
https://www.youtube.com/watch?v=O_P8Sj696iQ

SAVE ON SPOTIFY	
https://open.spotify.com/track/4udM37whOecDsTICkkfe10?si=58b46512d5ab4047

CHECK OUT MY LINKTREE FOR STUFF LIKE:
- Music Videos
- Free Samples on Spinehair Media
- Playlists Featuring Great Underground Artists
- All Socials
- All Music Streaming Choices

https://linktr.ee/spinehair

The Waiting Game

Light Speaks

SAVE ON SPOTIFY	
https://open.spotify.com/track/3MRq6f1iSdu5Y5Yzg4ATr2?si=7df3d4ea5e7d4199

CHECK OUT MY LINKTREE FOR STUFF LIKE:
- Music Videos
- Free Samples on Spinehair Media
- Playlists Featuring Great Underground Artists
- All Socials
- All Music Streaming Choices

https://linktr.ee/spinehair

Legacy

Days

A beautiful, delicate and tranquil composition featuring deep warm pad, soft and gentle piano, and synth. It’s perfect for your projects.
This music track is available for licensing.
Link for licensing:
https://bit.ly/3T9UxW9  on Pond5
You can download my music tracks from SoundCloud for FREE and use my tracks for FREE in your videos, but without the ability to monetize them on YouTube.
If you want to include monetization of your videos and earn money, you need to purchase a license for each track that you use. A Commercial License can be purchased on Audiostocks (for links see profile above).
If you can not purchase a license, in this case you can leave all as it is. Your videos will feel good, they will not be imposed any restrictions (except for monetization).

Moon Rainbow – Dreamy Piano Ambient – Free Download

A storm passes on the mountains not far away as we walk along a path in the desert. The rain moves in sheets obstructing what's beyond. Lightning bursts here and there, silhouetting the mountainous horizon. 

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production.
Andrea Pierantoni - guitars, synths, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover art by Rebecca
SafeCreative Registration code: 2201300363439
© 2022 8000 Miles All rights reserved.

Crystal Confetti

Rainstorm Dancing

Buy our Music 🔥

What's the matter Steve?
What you saying to me?
Your face is turning sour.
You're judging me,
but you fail to see,
no need to be so dour.

Look round.
Oh, the humanity.
Turned down.
Even in infamy.
Last out.
Now they are gone from your home.

What's happening Steve.
You guys are looking strange.
Can't tell what they's about.
That's what you get.
When you isolate,
and control all the power.

Look round
Oh, the plasticity.
Turned down.
Lacks electricity.
Last out.
Turn off the light as you go.

What's happened Steve?
Oh, don't look surprised.
Your world has tumbled down.
Kept in a cage,
but reality,
has a way of spinning round.

Look round.
Earnings are temporary
Turned down.
Learn you some empathy.
Last out.
Turn out the light as you go.

Steves

Color Blind - Robert Grigg & Combstead

All the song was recorded with free orchestral libraries. #spitfireaudio #bbcsymphonyorchestradiscover and others 

H.P. Lovecraft´s At The Mountains Of Madness

Gonna Be Alright

Storming

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Hebrew (Remastered)

Darkwave

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