yo u got sum serious skill on like every instrument man

Rhythmic and sound  flexibility!  Great Guitar!

Great track -  fantastic guitar sound 🤩🤩🤩

Cool flanger effect on the guitar before it gets heavy. Great guitar solo. Epic sounding harmonies

Do not be tired to create this work. Goodluck mybro. Nice music . Awli shode

Wow, guitar work is pretty impressive. Well done!

When bad things just never ends. It feels like an Eternity. An Eternity that never ends. The track is an instrumental guitar rock ballad with a classic guitartune melody that gives the feeling of Eternity. The feeling goes up and down, sad and happy, power and softness - hope and impotence. 

Like it ? -  you might like this One too https://soundcloud.com/modvaegt/happy-respect-instrumental

Track from  the Instrumental Rock Album 2022 from MODVÆGT:
The World is Burning - https://soundcloud.com/modvaegt/sets/the-world-is-Burning

V. 1.0 m

Eternity (Instrumental)

Darkwave is an experimental music project incorporating elements of instrumental thrash metal combined with symphonic and electronic influences. 

Composing, guitars, programming: Zsolt Némethy.
Cover art: Lupus Photo (Dávid Ujhelyi).

Missa Innominata

Kyrie

Boots On The Ground - Combstead / Robert Grigg

Doin' Just Fine (Produced by King D Mr. Perfect)

BustDown Feat. DMK805 (Prod. LOOPGOONZBEATZ)

Soap Opera Villain

What I could have been, washed out by the salty sea, oh it is just a dream, a dream that's obsolete. 

What a place to be, a place where you can go and see, the things that you could be, all that you could dream. 

Now you'll never know, anywhere's the way to go, oh, It's all for the show, now you'll never know. 

Washed out by the sun, this sun is just the current one, the bun that traps the fly, now you wave goodbye. 

Just wasted on the sand, wasted in a foreign land, wasted like you planned, you wasted all your hands. 

Time it ticks away, ticks away another day, the days they will not stay, the days they go away. 

What I couldn't see, washed out by the salty sea, reminds me of the time, I searched but couldn't find. 

A scar that fades away, reminders of the former days, the days that fade away, the days they often change. 

The salty sea imbibes, more than you would care to mind, you're full up to your eyes, the salty sea revives. 

Salty Sea

This is a cry for help from someone trapped in a cubicle.  It is the roar that comes after years of humiliating scenerios where someone is forced to swallow their pride to keep their paycheck.  It is the complete realization of the waste of the workplace.  Working with people you have nothing in common with at a job that offers no real fullfillment.

The Company of Strangers (Electric)

Beat produced by Hashkit
Song written by Dreamboy

Flashlight Blast Addict

Project Fuzz AKA Fret W**ker

This is my cover of Seal's 'CRAZY'.

Check out my video for sure!

YouTube video (2012):
http://youtu.be/l9RLfLAl1eA

CRAZY (Ron Snyder - Cover) 2020 Re-Mix

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Kyrie

Darkwave

Recent comments

JERUSALEM TIGER

Lukas Schulz

Behnam Mc

Dysgenia

Related tracks