Kinda reminds me of Avenged Sevenfold with that guitar tone ngl

Nice bruh I liked the part with the music fr 🥎🥎🥎

The harmony on the guitar solos is amazing 🤘🤘

Absolutely amazing song!! Great guitar riffs and solo!

The sound of guitars are spectacular, love the arrangements too

Cranked in the Lab - vol 6

Original composition... Alejandro Gonzalez M.

Canticum Animae

Darkwave is an experimental music project incorporating elements of instrumental thrash metal combined with symphonic and electronic influences. 

Composing, guitars, programming: Zsolt Némethy.
Cover art: Lupus Photo (Dávid Ujhelyi).

Missa Innominata

Postcommunio

At a Loss for Words

Acclivity - Brian Butts

A storm passes on the mountains not far away as we walk along a path in the desert. The rain moves in sheets obstructing what's beyond. Lightning bursts here and there, silhouetting the mountainous horizon. 

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production.
Andrea Pierantoni - guitars, synths, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover art by Rebecca
SafeCreative Registration code: 2201300363439
© 2022 8000 Miles All rights reserved.

Crystal Confetti

Rainstorm Dancing

Buy our Music 🔥

hey everybody, thanks for checking out this updated version of Roots.
featuring on the guitar solo, another local Enid legend Mr. Billy Beck! 
my hometown is full of killer musicians, and I'm so honored to feature these guys in these songs. please share it with your friends!

be sure to check out the Rock Island instagram for updates, @rockislandok

Thanks again for your support!

////

Lyrics:

tonight's dance is one to regret.
her secrets kept in the scars of her dress.
she's alone, so alone.
times kept the beat of her heart - though her tempos changed from the beat at the start.
she's alone, so alone.

she sings:
"I need someone to carry me back home. The road I've known was paved and this one's stone."
the breeze of wind across her lips takes any man's breath with just one kiss - 
but she's alone, so alone.

tonight's song is one that she wrote. she's telling tales about her roots back at home. 
she wanted to be free, so free.
she's been locked in walls in a world so tall -
so she sings.

she sings:
"I need someone to carry me back home. The road I've known was paved and this one's stone."
the breeze of wind across her lips takes any man home with just one kiss - 
but she's alone, so alone.

she sings:
"i'll count on myself to make my way home. The road I go is rock, gravel, and stone."

becoming free, beautifully, involves breaking down and believing.

---

Album pic courtesy of Mitch of Higher Image, LLC.
Thanks Mitch!

Rock Island

Stream!

Roots

Jazzy June

Jazzy June - KRT Production

Hootenanny - Robert Grigg & Combstead

https://open.spotify.com/album/7HWFM5xt47hdUovdebtxeI?si=UewCkxPnRXabEtd4YuDIug
Mixed by www.billytuckersound.com/
Mastered By Jack Endino. www.endino.com/about.html

Rumor

D sides

Slow Motion

Gravity (Cover)

The Chronicles of Manimal and Samara
“Feed the Beast”

🔗 Stream on all platforms: https://tcomas.com/feedthebeast

Music and Lyrics by:
Daphne Ang
Andrea Papi

Performed by:
The Chronicles of Manimal and Samara

Recorded and Produced by TCOMAS Studio
Mixed and Mastered by Ergosphere Studios

© 2024 The Chronicles of Manimal and Samara
℗ 2024 The Chronicles of Manimal and Samara

The Chronicles of Manimal and Samara: 
‣ Official Website: https://tcomas.com
‣ Spotify: https://open.spotify.com/artist/2V3zzIcq2sbRbaEjbGypc8
‣ Apple Music: https://music.apple.com/artist/the-chronicles-of-manimal-and-samara/1521325813
‣ YouTube: https://www.youtube.com/c/TheChroniclesofManimalandSamara
‣ Instagram: https://www.instagram.com/tcomas.music
‣ Facebook: https://www.facebook.com/tcomasmusic 
‣ Twitter: https://twitter.com/tcomasmusic

#FeedtheBeast #TheChroniclesofManimalandSamara #TCOMAS

Feed the Beast

⚡️Watch Video⚡️

90's inspired Rock made in Metro Detroit.

Breaking all the lessons, from the ones that never try.
Gather up some sympathy, hanging on like suicide.
Now casting those of us who want to see.
A shadow of our former self, so what's it gonna be this time.

My mind is all tore up and finally broken.
Got some blame to spread around, ramping up to wind it down.
I saw the world explode with phony rage and truth unspoken.
No one made a single sound, we're ramping up to wind it down.

And it's safe to say I can't afford another day.
On the stage of common ground, beginning's end can not be found.
Who and what we'll never be, and all the things we can't receive.

My mind is all tore up and finally broken. 
Got some blame to spread around, ramping up to wind it down.
I saw the world explode with phony rage and truth unspoken.
No one made a single sound, we're ramping up to wind it down.

Giving up to wind it down.

Winding

Dawn Eternal Echoes #672

Razor's Edge

Maximum The Hormone - Bu-ikikaesu!! (Instrumental Cover)

Welcome to the Lab 💀 
Creator sound designer
40 plus years in live sound reinforcement
getting by with some help from friends.

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Postcommunio

Darkwave

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