Really nice thick bass lines. Your guitar riffs are really smooth. Great arrangement.

Gives me black metal vibes! Well done. 🤘

into so great....exellent Sound..and play !!!!

glowing dark

Darkwave is an experimental music project incorporating elements of instrumental thrash metal combined with symphonic and electronic influences. 

Composing, guitars, programming: Zsolt Némethy.
Cover art: Lupus Photo (Dávid Ujhelyi).

Hexapla - The Remasters

Septuagint (Remastered)

From the album (DEPORTATIONS) jazz influence all composed play and recorded by Daflood

slavary-gongz

Hic et Nunc

No Wasted Effort - Robert Grigg & Combstead

Song explanation below the lyrics. For those who want to understand the meaning.
Video:
https://youtu.be/gzq6AXS-STg

Lyrics:

It absorbs, and swallows the shine of our love every day 
from above the pale blue light irradiates
our faces, turns them into gray
While the screen feeds us incoherently with news
about crime entertainment and sports
trying to suggest things to us we don't need
but desperately want to have

too fascinated by the vastness of the sea of electromagnetic energy
transformed into a blinded vision the illusion of happiness in disguise
Through this presented absurdity,
we're blunted, stunned and paralyzed
but in this state of our adversity
climb to the car next to me this is no place to be 
We’r better disappear from here

we’re driving through this city at night.
makes my heartbeat rise with every light 
that shines and dyes your eyes into the colours
into the changing traffic signs

Red, makes my breath hold on for one heartbeat
'til our wheels underneath, cooled down from overheating
we defeat the death in this moment of silence
when we beat for the length of a minute defiance

a minute lasts a year, when we turning down the gear
bring all our sense and lear to bear, let's throw away our fears
In this real world we will crossing the lines
while we’re waiting for the green light that allows our love to shine.

driving with you through this city at night
through a cardiogram with its lows and highs
any reflected light is a peak on this scale
together we’ll spend this fairy tale

i will swimming with you through the ocean of hope
we’re playing our way through the keys to the notes
chasing the ghosts through the castle of haunting and creepiness
In harmony we bring all the best things back to us

winding our chains through the eye of a needle
together we fight against injustice and evil
the arrow of Armor has pierced through our hearts
we’re driving through the night at its most beautiful part

INSTRUMENTAL SOLO

Singing with you through the symphony of love
to reach you, I will crawl through the memories of our past
Walking to you through a desert of sand
that won't fall through my fingers when you take my hand

Diving with you, on your wings through the clouds
Let my blood turns to heat and let me cry out loud
i’m driving with you through this city at night
by your side our lights will shine so bright

And if you finally could see yourself through my eyes
You will recognize and realize
How much I love you when I ride by your side through the night
let our engines roam and we will never feel alone
---
Song explanation. 
---
Apparently I think too complicated in my songs. To better understand my thoughts and words, I would like to go into the story behind them.

I will never forget the look on a friend's face after we kidnapped him from the hospital many weeks after his serious traffic accident to drive a little through the night. The happiness of still being alive and regaining freedom. At the end of that ride we brought him save back to the hospital. 

This song is a fictional story about a couple in a many year relationship where the beloved wife is in the hospital with a terrible illness.
If it were based on a real story, I don't think I could sing about it in the same way.

The idea of being incurable in a hospital, monitored only by machines. The only distraction seems to be the television in the room. But everything reported there seems meaningless and unimportant in such a situation.

in my mind about this I would wish to spend some more time together alone and escape from this situation.
And how precious every second becomes that you can still spend together.
One probably wishes that this time should last for eternity.

With this background the song seems a little different than planned despite the happy melody.

Oli Boli - Through The Night

Through The Night

As the sunshine peers out,
from a rupture in the clouds,
winter turns and takes his bow. 
exit stage left, going down.
Applause fades away,
and the blacks into greys,
no colour's displayed. 

As the birds return to nests,
that the winds have almost wrecked,
The crows look on through hungry eyes,
spinning circles in the skies. 
Though the danger remains.
Hope the secrets are safe.
Almost nothing is sacred 

Distant hills create a frame,
joined up to the window pane.
a whole day which contains nought,
just a fragment of a thought.
Within or without.
The snow flys about.
Whilst we lay around. 

All your things placed in a line, 
as a way to pass the time, 
and though I guess what's yours is mine,
this final case is borderline.
You're falling awake.
As the time slips away.
Need a reason to stay. 

Though there's been lack of want,
could have seen it more up front.
Turn around you're back to front,
facing forward to the sun.
You're watching him play,
and you've nothing to say.
Nothing left to say. 

Moon companion in the sky.
Just a plane that's flying by,
in which people sit around,
listen carefully to the sounds. 
It's hope not dismay.
That the people remain.
As they're flying away.





More Things

2023/01/28
「凍える指」, "frozen fingers".

Vol02

kogoeru yubi

°𝖗𝖊𝖛𝖊𝖗𝖇 ☯🛐

𝕸𝖎𝖝 𝖓𝖔 𝖒𝖎𝖝.....

741 𝕳𝖟

𝕰𝖓𝖏𝖔𝖞

𝕸𝖎𝖝 𝖘 𝖗𝖔𝖔𝖒

1.00 𝕻

𝖇𝖆𝖘𝖘 + 741 𝖍𝖟 𝖗𝖊𝖛𝖊𝖗𝖇 𝖓𝖊𝖜 °5 𝖊𝖖°

𝑺𝒕𝒓𝒂𝒕𝒐𝒗𝒂𝒓𝒊𝒖𝒔 - 𝑺𝒕𝒓𝒂𝒕𝒐𝒇𝒐𝒓𝒕𝒓𝒆𝒔𝒔 (𝑶𝒇𝒇𝒊𝒄𝒊𝒂𝒍 𝑰𝒏𝒔𝒕𝒓𝒖𝒎𝒆𝒏𝒕𝒂𝒍)

Just a jam that I recorded track by track on April 4, 1985.
Remastered 2021

Come on over to
http://www.youtube.com/user/SnyderRon
for a good time!

Ron Snyder - Just-A-Jam (Freestyle Guitar Playing)

Track about reflection on how your life has gone and how you wouldn't change a thing.

Morning sun/bonjour mon amie

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Septuagint (Remastered)

Darkwave

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