This piece was methodically composed. It features insets of different sound fields both sub and hypersonic.

Rampant

Quantum Descriptors

Sapmi, yoick, story telling, reclamation, debt, beyondo.

Beyondo

We really like the assemblages of Curtis Cuffie, the great 'street' artist of New York. We love the style, the song of his work both outrageously cool and completely mad. So we wrote a piece of music about him..its rough, like Curtis's work.

Curtis Cuffie

A deep level bassline supports vocalisation (choir) and we used classical signatures for atmospherics.

We Will Never Forget

Too White To Black

The song follows a 3-4 chord sequence with an intermezzo on about half way. The song concerns my own state of mind which veers from anxiety to joy in short bursts. I tried to model my voice on Leonard Cohen.

No Name

Drum and bass opens out to interplay of organ and voices

You Looking At Me_

A track resonating with Sapmi sounds: identity, language and song, but by another way.

Kult av Kult

Overlays of beats and insets, jazz style piano, multi-vocal.

The Short Of  It (I Don't Know Shit)

A short passage from a planned work dealing with various conspiracies and 'incidents in question'.

The Project (First Edit)

I am a visual artist. I have shown work internationally. I am a PhD. I taught in Universities in UK. 
I arrived here in Sweden in 2017. I had been in a few bands since I was a school kid. I liked the. Beatles and the Rolling Stones. Later at art school inLondon I got into the underground scene and gravitation to U.S. bands like the Grateful Dead and Frank Zappa. Through Zappa I got to Miles Davis, Weather Report.
My own music is eclectic. Many influences. I like keyboards. Still learning . I work on Roland Juno DS.

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