excellent chords , has a spooky vibe too, love it

Maniacs

Space Watcher 2023

In commemoration of the 20th of december, 1989, the day when the United States government invaded Panamá and ousted the country's military dictator, Manuel Antonio Noriega, the Government of Panamá recently decreed this date as a National Day of Mourning, to be commemorated yearly.

Panamá's citizens would do well not to regard this event in isolation.  Preceding the U.S. invasion, Panamá went through over 21 years of military dictatorship.  The dictatorship in turn was the result of years of questionable leadership and politics and a self-serving ruling elite and political class.

The way things are going today, almost 33 years later, it would seem these lessons were collectively not learned to the extent that they probably should have.
"Aquellos que no pueden recordar el pasado están condenados a repetirlo."
(Those who cannot remember the past are condemned to repeat it.) 
-George Santayana

The song uses part of a melody by Avelino Muñoz and drags it across the entire length of the song.  The melody is part of a piece of Baile Típico, one of the main genres of Panamanian music, on which in turn the main theme of RPC, one of the country's regime-sanctioned TV stations during late 70's and 80's -- the heart of the dictatorship era -- was based.  The theme was thusly ever-present during those years that I was growing up and to me thusly almost synonymous with that dark yet wondrous time.

Los Años De La Dictadura [REMASTERED]

https://northfieldlenox898138798.wordpress.com/

To the railway station crowd, mom
Feel the decay from the years
somehow
Steel a glance to see your son’s dour eyes
Final call
To leave it all ashore
To the railway station crowd, mom
To the railway station crowd, mom

To the Railway Station Crowd Mom

Sometimes… a little slap bass is ok😉 and listen out for mutated chordal jazz solo at the end 🤘
Image: MS AI.
Drums: NI 40.
Bass: Warwick 5-string.
Guitars: Suhr Classic and PRS CE24 through NI Guitar Rig and Archetype Rabea + mucho effects.
Keys: Karanyi, NI and Spitfire.
Mastering: Ozone 10 Standard.
DAW: Ableton.

Missing Letter

the boredome construction
bored of own modus operandus
which is impossible to escape
just wanted to say hallo after a time
all is well but somehow feeling uninspired
but the piece was too good to delete somehow
so here it is

noxpox - Konstruktion 496

What's Expected 150 BPM

This is a song that was written by the very talented Artur (Surfers Like Us), who is a surf rock master, and delivered to us in the form of a guitar track. Josh (Entheogenic Psychonaught) enjoyed adding the psychedelic, yet foundational four string fretless bass. Ken (K2 and the Three and K2 and the Four) boosted the energy level of the song when he blew our minds with his driving drums. JJ (J.J. Terrell) added the wild, dynamic organ you hear throughout. Tez (Llanpsych) brought lightning down from the sky in the solo over the third section. And last, but certainly not least, Stephen (TexMex Shaman) laid down the mind-bending guitar solos over the first two sections. He also produced and mixed it, with a little help from Ken. We hope you enjoy listening to it as much as our Eclectic Collective enjoyed making it.

Home's Album

A Time Race (Surfers Like Us, EP Josh Clary, K2 and the Three, Llanpsych, TexMex Shaman, JJ Terrell)

slicesanddrums

little honky tonk piano diddly - raw track

Lost In Harmony

“Blood Demon Art” bleeds raw energy — a dark boom bap instrumental forged in the shadows between ancient discipline and underground grime.

Heavy drums, haunting samples, and Japanese undertones weave through the mix like a blade through silence.

Blood Demon Art.

Make It Make Sense!
You get what you put in…
https://soundcloud.com/louosiavo
https://soundcloud.com/lou-osiavo
https://soundcloud.com/lou-osiavo-15

What's Expected 150 BPM

Lou Osiavo

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