Really love the musical direction you went here and the mysterious sounding sonic touches that are introduced into the track that gives it an exotic mood and feel !!

🔥🔥🔥awesome, heavy & trippy hip hop, epic synths, love it

MegaMix  15.05.2024

Without Compromises 140 Bpm

INNOVATIVE AND CREATIVE
Lillithe: Music, Mix and Production
Vocals and Verses: IPG1
https://soundcloud.com/ipg1/innovative-and-creative-vocal-96-bpm

Innovative And Creative feat. IPG1

Taken from the upcoming debut full length album (planned to be released mid-2024 - "Rock and Roll Kills").
(p) & (c), 2024.
youtube link: https://www.youtube.com/watch?v=jtnXGGtwzSQ
--------------------------------------------
lyrics:
Like we used to
---------------
We don't play in gigs like we used to
We don't play in the streets like we used to
We don't hang out in squares like we used to
and we don't drink ice cold beers like we used to

and now we grew up, became strangers we fell on trap 
and the days are not the same, like we used to...used to

We don't jam at all, like we used to
we don't grill outside the yard, like we used to
we don't party as friends like we used to
we don't say hello like we used to....used to

and now egos stood up, became cold and all that crap
and the years are not the same, like we used to...used to!

Rock and Roll Kills

Like We Used To

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Is Life

"From the air, raise them like you just don't care." 🔊💚🔊

Collab with Her Musical Highness Damga, based on a sequence of melancholic chords and an Electric Piano bridge.
Lyrics:
"Waves of Isolation, I sink in the ocean of your venomous dreams.
In the cold dark water, I wake up to the beauty of your abyss.
There is a shark looming from the depth. 
My lateral line sense its fluid moves, as I crave for his kiss.

Waves of evolution, I emerge from the amniotic fluid of time.
I walk on the primordial sea shore, toward the dereliction of dawn.
Your crawling monsters follow my footprints on the dark sand.
I cherish my last scales and the iridescent mark they’ve drawn.

Waves of civilization, the ancient realm rise from the ground.
I ride the marble streets followed by soldiers and priests.
The glory of my victorious spear shines in the dawn of civilization.
Following my undefeated army, come the prisoners and the beasts.

Waves of emotion, I shiver under your photonic chords
Lost in the maze of counterpoints, I behold the astral serenity  of your hymn.
Sensual melodies electrify my spine and linger on my lips
I bite in the flesh of sounds, bath in the fragrance of rhythms

Waves of sublimation, triumphant and aroused, I wake up from your dream.
Your body besides me is warm and still,  gently breathing in a silver slumber.
I curl up in your warm naked strength and savor the scent of your skin.
An the night flowers, heavy with dew, weep for desire, drop by drop silently."

Waves of Sublimation

Waves Of Sublimation (Damga & HyLGZ22)

A Chapter In Time 140 BPM

'utopia' 

Cast of characters: 

one man verity show – @one-man-verity-show – Scotty – melodic guitar, lyrics, vocals 

cgmaness-- @user-419254289-15129531 – Chris – guitar intro 

J.J. Terrell– @j-j-terrell –electric piano, synth   

TexMex Shaman– @texmex-shaman –Stephen – guitar solo and e-bow guitar 

K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums 

Llanpsych– @llanpsych –Tez– textural guitar, mix, and production 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass guitar, original seed 

The Eclectic Collective – composition

lyrics:
Can't obtain no fucking mortgage. 
And I can't pay no fucking rent.
I would rather you probe me 
than get fucked by our government
who attempts to control me 
and put nonsense in my head.
Who would rather see me
livin' in debt or end up dead.
Come and take me away.
Beam me into space.
Fly me to a planet
where there exists no hate or greed. 

Take me to Utopia.
Teach me all your ways.
Save me from dystopia.
It's time to turn the page.
Something better must exist
out there beyond the stars,
where everyone can love and live,
unlike what's become of ours.

utopia (with the Eclectic Collective)

Pop Out ft Lil Beezi

Telhas em pó - 12 - 5 - 2024

The colorful symbols are my message to everyone... 🌍 ☮︎ 👍 🍀 2024 for a better world...!

Liquid Blue

Code Blue

skating 6 73 bpm take 1 82425

Recorded in Hamburg's Windrose Studio for Vertigo label, 1972.
ODIN are:
Stuart Fordham - drums
Ray Brown - Bass
Jeff Beer - Hammond
Rob Terstall - guitar

ODIN

Turnpike Lane

Alone
Backing track, Mix, Arrangement and Production: Lillithe
Vocal: Emily Coy
https://soundcloud.com/freevocals
Bass: Paploviante
https://soundcloud.com/paul-racle

Alone      ( Prod. Lillithe-Paploviante)

Make It Make Sense!
You get what you put in…
https://soundcloud.com/louosiavo
https://soundcloud.com/lou-osiavo
https://soundcloud.com/lou-osiavo-15

Without Compromises 140 Bpm

Lou Osiavo

Recent comments

Pierre Bordetti

Junzo Support

Lillithe

jigs trippin

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