Numbers Lucent

Paradise Garage

Feed Me Weird Things

Deep Fried Pizza

Draft 7.30

Xylin Room

another mix,
In answer to the questions I keep getting asked.
 ccai pt2 , part 1 is Drukqs, as that was the first thing I released that utilised computer controlled instruments, namely a modified Yamaha disklavier, 2nd gen and a couple of midi controlled solenoid based drum mechanisms I made just after I got the Disklavier.

I kept seeing them [disklaviers] in hotels, usually used to pipe muzak around the place and thought why doesn't anyone actually use one of these to compose music on and make beats etc! 
A couple of times when i saw them in hotel lobbies, i sneaked up to the disklavier and set it to play ultra low pitch and very slow, funny watching peoples reactions, it was down every corridor etc
NOBODY i spoke to back in around 1999 inc. people at yamaha knew how to connect one of these to a computer and I had to take my computer into Yamaha to try it out to see how fast these things could go, no info on the net then either.
The first year I burned out countless solenoids in the thing and learnt how to repair them myself, the more recent gen ones like I used at the barbican have temperature cut outs on them thankfully, i’ve still fried a few though!

Diskhat ALL Prepared1mixed [snr2mix]

scrying

Eclipse

Download: https://bodyinthethames.bandcamp.com/album/public-domain-3d-terrain-lp

"Caught somewhere between a 4am Balearic summer sunrise and a 4pm Nordic autumn sunset Body In The Thames’ Public Domain 3D Terrain is an LP length release that spans 5 tracks of beautifully crafted electronic music for all the orange skied dancefloors in your head. There are no dense narratives, no elaborate concepts, just a set of perfectly formed, artfully shaped and well-proportioned grooves.
Body In The Thames specialises in the kind of bright, complex and expressive electronic music that might as easily channel Tangerine Dream as it does Grace Jones, flitting as he does between the cinematic and the playful. Witness how Alligator Souffle waddles out of the kitchen and onto the sun lounger with a reptilian swagger, while Xanthe Acid Youth prefers to gaze up through the cosmos over nine misty-eyed minutes.

Written and produced in the Stockholm basement studio that he shares with Gustav Ejstes of Dungen, Body In The Thame’s voltaic psychedelia is neat and precise, a musician’s take on a DJ Harvey set. Over the EP’s final two tracks he feeds the baggy shirted Cafe Del Mar crowd his own brand of expansive and precision tooled machine funk. Bus Trips rides a squelchy 303 baseline (sic) overlaid with chiming arpeggios and soaring synth silhouettes. Some People Just Never Know When To Leave weaves a downtempo 808 b-boy jam, melodious chords bouncing like an interstellar low-rider pulling slo-mo doughnuts up and down the milky way.

Of course, you’ll have to enjoy these delights from the comfort of your own home for now. But why should that stop you from booking a ticket on the Nordic-Balearic express, running 5 times a day from Stockholm to Eivissa? "

- Phillip Bloomfield, Barcelona, October 28th, 2020 

credits
released January 15, 2021

Written, performed, programmed, recorded, produced and mixed by Body in the Thames in Stockholm, Sweden during the the year of our JFC 2020

Mastered by Matt Karmil at Unit 3
Artwork: Body in the Thames

all rights reserved 

Buy Here

6000…cash

*polymoog*

Orphaned Deejay Selekshun 2006-2008 E.P

umil 25-01

Umil 25 - 01

𝔹𝕝𝕒𝕟𝕜 𝔹𝕒𝕟𝕤𝕙𝕖𝕖�𝕄𝔼𝔾𝔸
goo.gl/v2mpwR

Blank Banshee- 5. Java Clouds/مجسمه سازی مهتاب

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