new adam sunday mix

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LR069 - Memories

Stiv Hey - Alexander

Stiv Hey on Soundcloud: @stiv-hey
Matteo Magni on Soundcloud: @stevie-rei
Download: http://bit.ly/2Ioihmc
Release date: 19 March 2018

Stiv Hey, Matteo Magni - Freedom (Original Mix) [Cut]

“Sentence” - Bursting onto the intro with energy to spare, high hats and bass alike are put to supremely good use on this track, but the artists still manage to make use of the entire palette here, exploring some truly epic synthesizer spaces that are sure to surprise listeners and earn new fans no matter where this bonafide banger gets played.

The Beat

Sentence

LR075 - Stiv Hey, Dhes - Sentence (Original Mix)- PREMIERE

“The Beat” - Earning the title quickly and with abandon, this track instantly creates an immersive experience that is as catchy as it is powerful, surrounding the listener in an intensity that all but possesses the body to move and the mind to delight in the prowess of the pure talent behind every note.

LR075 - Stiv Hey, Dhes - The Beat (Original Mix)- PREMIERE

Buy: https://fanlink.to/AwakenEP

metodī f Noun [Latin]
nominative plural of metodus
genitive singular of metodus
vocative plural of metodus


awaken verb
awak· en | \ ə-ˈwā-kən \
awakened; awakening\ ə- ˈwāk- niŋ , ə- ˈwā- kə- \


This is Metodi Hristov.
This is Filth on Acid NOW!  

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Metodi Hristov feat. Juliet Fox - Completely

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

04 - Panopticon (The Patron Saint of Global Surveillance) [ft. Thomas Gandey]

Download

Dreian - Hydro (Sam Arsh Remix)

Here is the remix pack of Drunken Kong's recent second album, Where We Start. Drunken Kong have come a long way and have been on fire lately releasing everywhere from Terminal M, Octopus, Stereo to of course Tronic. We have recruited some of our favourite producers to rework six tracks. We are very pleased with the outcome as every artist delivered high-quality remixes that compliment the originals. This project will be released in three parts featuring remixes by Christian Smith, Andres Campo, Ken Ishii, Mario Ochoa, Secret Cinema, Ramon Tapia.

Drunken Kong - Certain Reason (Christian Smith Remix) [Tronic]

Stiv Hey is back on Deep Phase with a solid 3 tracker Ep named "Sonic".

The key element in all three tracks is the groove. In fact they all present a meticulous work on the rhythm and sound selection which gives to the tracks a "smashing-dancefloor" oriented feeling, each track in its own way.

"Repulsar" is the rolling one ideal track for setting the right vibe in the room.

Join us: www.deepphase.net
               https://www.facebook.com/Deep.Phase

Sonic EP

Repulsar (original mix)

Stiv Hey - Repulsar (original Mix)

Manic Brothers - Chinese Ginger Tree (Original Mix) - CSMD117

Besty Fritz - Can't Be (Devid Dega  rmx) [Stickrecordings] (preview)

EXE AUDIO presents: Axis of Time, Nikolay Kirov, Tiger Stripes, Raumakustik
► "Illuminated Destiny" EP

►Buy - https://bit.ly/31MLKC3
►Spotify - https://spoti.fi/3gI8wz2
►FB - bit.ly/2OFwRKh
►IG - bit.ly/2XuDGDS

EXE AUDIO aims to envision label owner and producer Pavel Petrov's universe for sound and rhythm. The only digital imprint will deliver on a spectrum of well know sound as well as some bold new quality music.

Coming out next on EXE AUDIO are two Sofia based producers with long history of making solid beats. Adding to that are couple of remixes from two amazing producers from Sweden and Germany to make this EP just irresistible.

The real support by buying the track you like will be more than needed in these difficult times for all artists, labels and platforms so don’t hesitate if you really like some of them!
Moreover you can always press the PLAY button on Spotify or YouTube and enjoy them!

Illuminated Destiny

Buy / Beatport

Axis Of Time, Nikolay Kirov - The Thousand And One Nights (TIGER STRIPES Remix)

Pre-order: https://www.beatport.com/track/stance-original-mix/14073984

Young Italian duo Reform return to Second State with their latest release, four tracks of innovative, hard-hitting and unusually sophisticated techno.

Premiere: Reform - Stance

Get it here...

Reinier Zonneveld - Acid Incident (Thomas Schumacher Remix) [Filth On Acid]

Layton Giordani crafts his most accomplished work to date with ‘New Generation’, his second album on Drumcode. 
 
Since 2017’s critically acclaimed debut album ‘Where It Begins’, the New Yorker has entrenched himself as one of the label’s most vital artists and leader of techno’s new school brigade. At just 27, he’s collaborated with Adam Beyer and Green Velvet on multiple occasions, linked with the legendary Danny Tenaglia for the now-classic ‘Live Again’ and played everywhere from Awakenings, Melt! Festival and Warehouse Project. He’s also lived the Transatlantic life more than most, splitting his time between the Big Apple and Amsterdam, absorbing influences from across the electronic spectrum.  
 
It’s these experiences that inform ‘New Generation’, a masterclass of techno futurism and glistening example of Giordani’s ever-developing talents as a producer. Opening with the shimmering soundscapes of ‘Shinjuku’, a beatless two-and-a-half-minute mood setter, the album swings between timeless multi-faceted dancefloor weapons, and more lilting, ambient techno cuts rips for the golden hour. 
 
Already a favourite of the Drumcode faithful, the album’s title track hits with a swarm of synapsesearing synths that saw it go down a treat at Awakenings Festival, Tomorrowland and Gashouder in the second half of 2019. ‘System Majority’ balances atmosphere and propulsive rhythms on a knife’s edge and featured in Beyer’s DCR 515 radio show. Giordani reunites with the legendary Green Velvet for ‘Life Lesson’, a pulsating roller, which notably features the young New Yorker’s hypnotic vocals on loop. Teaming with friend and fellow East Coaster Avision, ‘Power’ is punchy techno at its finest, driven by energetic stabs and a stirring vocal from Chicago journeyman Cevin Fisher. After playing b2b a string of times, Layton links with good friend Bart Skils for a maiden collaborative track. Driven by a strong melodic lead, ‘Midnight Magic’ typified the moment when the duo played it at Drumcode’s Awakenings event during ADE last year. ‘Feel A Vibe’ is an album highlight centered around plump bass, reverb-heavy sonics, distorted bleeps and a spoken word vocal, which begs for a peak-time rinse. 
 
Elsewhere Giordani demonstrates his breadth with cuts such as ‘Nirvana X’, a lush breakbeat-laden cut; the laser-kissed ‘Translation Lost’, where his musicality is in full view and the progressive-tinged 
‘Memory Fragment’, which reinforces the expansive Drumcode sound palette. The beautiful ‘Human Error’ closes out the work, as muffled horns, delicate keys and sparse bed of percussion unify for a momentous finale. 
 
“This album is a summary of my life experiences up until this moment. Traveling around the world, living abroad, looking into the future and bringing atmosphere and textures from different places into my music. The evolution of music is a systematic cycle that never ends. It’s a composition of all matters experienced and visualized up until this very moment. From futuristic realms and ambiences, to city soundscapes within our reach; ‘New Generation’ is the future distilled into album form.” - Layton Giordani

Buy all

Layton Giordani — New Generation — Drumcode — DC231

Buy | Stream: https://snd.click/DanceEscape

For FOA084 French nationals, Julian Jeweil & Popof take you on a trip which you want to escape while dancing.
This is Filth on Acid NOW!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Julian Jeweil & Popof - Carbon

Dok & Martin make there debut on Agile Recordings and we are happy to present there lasted three-track EP named Intensity. Recognized as one of the brightest new techno talents, these guys are making a name for themselves through the quality of their music productions. Today their productions are hitting the top techno charts with releases on Codex, Set About, AnalyticTrail, Say What, just to name a few.

Dok & Martin - Explosion (Original Mix)

Luigi Madonna returns for his first Drumcode EP in five years, teaming up with fellow Neapolitan and label favourite Roberto Capuano.

We got our last taste of the creative synergy that marks Luigi Madonna and Roberto Capuano’s friendship when the pair dropped ‘Limitless’ in 2017, a brilliant addition to A-Sides Vol.6. Prior to that Luigi hadn’t dropped a cut on DC since 2015’s hook-driven ‘Magic Land’, while Capuano stands as one of the label’s most infallible contributors, last year’s ‘The Walker’ EP was typically impressive. 

Crafted between two studios in a pre-COVID-19 world, the three-track conceptual EP opens with ‘Mad World’, as masterfully layered industrial hits and rides depict it’s narrative, while a pulsating melodic lead ensures heavy impact. ‘System Alert’ is inspired by the destructive effects of climate change and the track’s composition mirrors this malaise, as a pitch-bending synth elicits rhythmic chaos alongside Luigi and Roberto’s deft drum work. ‘Headquarter’ is steeped in drama and cinematic charm, backed by a distorted vocal sample, stormy oscillating synths and a sharp percussive backdrop.

Luigi Madonna & Roberto Capuano — Headquarter — Drumcode — DC232

Christian Smith returns for his first solo release on Drumcode since 2016, re-contextualising a classic vocal work. 

The Sweden-born journeyman has been friends with Adam Beyer since dot one. In the rare instances he has released outside his own label Tronic, Drumcode has received the fruits of his studio labour. Besides the recent contribution to this year’s A-Sides Vol.9 compilation, we haven’t seen a stand-alone Drumcode release from Smith in four years, when his excellent ‘Force Majeure’ stood as one of the year’s label highlights.

‘Your Lovin’’ is his fifth release on DC, taking inspiration from a ‘90s D&B classic. Driven by a Minimoog bassline and hypnotic arpeggios, Smith, a renowned perfectionist, made six versions before settling on the final cuts. The original is stripped back and searing, perfect for late night moments as restrained vocal grabs add colour to the techno palette. The ‘Ombi Dub’ is a straight-up propulsive tool that hits you straight between the eyes.

new adam sunday mix

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