2017 remaster of a song that has been with me for years. I don't know where the singer, Kate, is but I'd love her to hear how beautiful she sounds.

London Labyrinth doesn't exist any more and, sadly, I can no longer even remember the names of all the musicians who contributed. Manorom, however, was the first track I made with Kate and features just the two of us. I put two chords on the cello over a darabouka rhythm at the speed of light as she was raring to go, bursting with ideas for vocal improvs after we had talked and talked about the shape of this weird new music with its myriad influences. Later I edited the tapes and developed the chord patterns to shape the track, gradually adding to the arrangement. The new 2017 remaster sounds live to me but I remember it took hours of programming. It's like we're still there in the same room together.