Gestalt

V-Viva! Fujiyama Funk

Gm – 4/4 – 125 BPM – 2:48
Intro: 1 compas
Outro: 6 compas
Parte A/B/C: 8 compas 
Estructura : I- A-B-C-A-B-A-BBBB-O
Instrumentación:
Drums: 
Break[108] FlyByNight loop de Komplete Kontrol
Clap[74] Glacier loop de Komplete Kontrol
Bajo: Ample Bass Yinyang 
Piano Kontakt The Giant
Strummed acoustic Country
Brass MSoundFactory6out Bones Full range
Cellos: audios grabados con micro Behringer B2
Pad MsSoundfactory :Physical Modeller Exciter
6 pistas de voces dobladas (sin armonizar) con una pista con Groove delay clean filters de Presonus . Melodyne, TR5 De Esser – ProEQ - compressor presonus Threshold -15, ratio 2:1, knee 6, gain 1.98, make up 5.14 – room reverb presonus Hall Mix 20%.
Mezcla: Drawner S73 – Limiter Presonus
Master: Ozone 9 elements – Contemporary Jazz
Sobre la canción:  Compuesta sobre base a unas notas de voz cantadas en mi coche en abril 2023 cuando, de camino a Valencia, veía los adelfos de color muy rosa al borde de la autopista, y las montañas  muy verde, y el cielo muy azul…. Pero yo iba a trabajar sin muchas ganas y me parecía como una incongruencia. May 2023

Nature

H-Charing Cross Station

Time for another hiphoptrack.
With the wonderful lyrics of @FRAWSTAKWA.

Lyrics: Frawstakwa (@FRAWSTAKWA)
Production: Quick on the drawing

FRAWSTAKWA | Quick On The Drawing - The New Normal Of This Era

The Breather

Méditation Two

Ricochet

Experimental with my favorite modular :Qu-bit Nebulae 2

What do you see in this world?

Enjoy

Your Eyes And You Can See :Experimental

Timps

9/6 2024
Moog voyager XL
Moog model D
Novation Summit

Entropi

Music, Sound and Programming are old time passions. I'm posting various things here. Some recorded nearly 30 years ago, classical guitar with Roland D5 multi tracked with two tape decks.

Modular pieces are recorded live without editing ... pure impro and tweaking.

Aleatoric Journeys are generated programmatically with an application I'm working on. Output is a midi file.
The tracks are rendered in LMMS with free plugins.

Meditation tracks are produced with the current version of my application.
Midi file is now much more elaborate.
It's just rendered with timidity. Effects are added in audacity. It's based on a mutable sequence concept I'm working on.
The sequences are periodically mutating at a given frequency and level giving an ever changing sequence. For recent pieces the sequences can be set back to the original periodically and then will evolve again.


Meditation Three is another improvement in the process as all tracks are rendered individually, then mixed in audacity.

When creating this application I always tried to make things sound like they were actually played. The purpose for me is to be able to work at a concept level to capture the ideas before they go away and in a way try to compensate my ADH.

Méditation Two

D{M}A

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