Backslide

Shyla Lambert is a dynamic 25-year-old singer who blends the energy of pop, the grit of rock, and the heartfelt storytelling of country music into her unique sound. As the instruments parts were completely redone and reprogrammed, Shyla was influenced by a diverse range of artists, from the anthemic rock bands of the 80s and 90s to the timeless icons of country and the catchy rhythms of modern pop. Her soothing voice, combined with her talent for performing emotionally resonant lyrics, should quickly make her a rising star in the music scene. Her songs will capture the people’s hearts across all genres.

Hollywood Hollywood

This is not just a song, it's a remembrance,
a call from one soul to its divine counterpart,
a slow-burning journey through rain-soaked trees, thunderous skies, and lips that know the secret of reunion.
"MAN & TO" is a mystic whisper, born from love beyond time, echoing the unity of all things.

این آهنگ فقط یک قطعه‌ی موسیقی نیست، بلکه یادآوریِ وصال است،
نجوایی عاشقانه از یک روح به نیمه‌ی الهی‌اش،
در فضایی آرام و سینمایی، با رنگ‌های پاپ و امبینت، این ترانه تو را به دل باران، آسمان، درختان و نور می‌برد،
جایی که مرز میان تن و جان، من و تو، از میان می‌رود.
قطعه "من و تو" نغمه‌ی یگانگی‌ست، تجلی یکی‌شدن با هستی، با جفت روحی، با همه‌چیز.

Man & To

Días Grises

15 de mayo

(Verse 1)
She walked into court with her head held high,
Claiming self-defense with a gleam in her eye.
Straight A student, yeah, best of the best,
But Jorge’s last game has put her to the test.

“Five peppermints, two juices a day,
And chips and a Pop-Tart to keep me okay.”
Hair done right and makeup to match,
But they told her no, just a tough world to catch.

(Chorus)
“That’s my name, don’t wear it out,”
She says with a grin, no shadow of doubt.
Will the jury see through her charms and clout?
Jorge needs justice—will they sort it out?

(Verse 2)
Hide-and-seek, she swears, that’s all it was,
But the suitcase tells a tale that’s more than just
A lover’s game gone wrong and sour,
A moment twisted in that fateful hour.

There’s footage rolling, control in her hands,
Jorge’s friends all say, “She ran the commands.”
But Sarah shrugs, says it’s all been skewed,
"Believe what you want, but I know my truth."

(Chorus)
“That’s my name, don’t wear it out,”
With her steady gaze, she’ll say it loud.
The court’s got questions; she’ll stand her ground,
But Jorge’s ghost lingers, waiting around.

(Bridge)
“Self-defense,” she claims, but evidence calls,
Showing more than just one person’s fault.
And every word she speaks, so cool and calm,
Can’t erase the videos playing along.

(Verse 3)
So now it’s up to the jury’s eyes,
To see through the layers, to truth or lies.
Will Sarah’s charm keep her safe and sound,
Or will justice finally turn around?

(Chorus)
“That’s my name, don’t wear it out,”
She boasts, with a laugh that’s almost loud.
Will the verdict come, a whisper or shout?
Jorge needs peace—will they figure it out?

(Outro)
The lights dim low, the courtroom’s still,
Sarah Boone stands, her voice like steel.
It’s the last act now, the final bout,
“That’s my name, don’t wear it out.”

That’s My Name (The Trial Of Sarah Boone)

Kenangan di SD N Pasarbatang 1

Ôm Anh Có Ấm Không.mp3

Love is an illusion

終わらない夏空 (never-ending summer sky) 日本語歌詞付

One Day*

The Greatest Exchange” is a soul-stirring Zulu gospel chant filled with rhythmic percussion, call-and-response vocals, and tribal harmonies. Inspired by John 3:16, this song declares the divine trade of our sin for His grace, our chains for His freedom, and our death for His life. With joyful energy and spiritual depth, it celebrates the power of Jesus’ sacrifice and the unending gift of redemption.

Backslide

elizaharrisonsmith

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