Great rhythms and percussion, strong sounds, dark energy and powerful vibes

GOD´s  plan

3,5h Housemix vom 15.3.2025 im Conny Kramer Münster

1.Std Super Drug 
https://on.soundcloud.com/HHHRWXBAZJMTr4gL7

2.Std Stefano Fonk Art 
https://on.soundcloud.com/s1RgTQ5dCc7hWgQJ7

3.Std Tom Maverick "The Classics"

4.Std D-Sweet

#house #housemusic #vocalhouse #funkyhouse
#discohouse #disco #connykramer #goodtimeshousepartys


Groove District im Conny Kramer Münster 15.3.2025

This track is something else...
Available on all music platforms except for Spotify because I totally messed up on the release using distrokid lmao

https://linktr.ee/dyzfunction

INTO THE VOID

MAC 3

For lovers of the rubbers. 
Follow Rivv for more
https://www.instagram.com/officialrivv?igsh=Z29uZ2Q2M3FoNnQx

Latex Fetish

We are happy to provide opportunities to develop your creativity and celebrate your talent. So, if you have tracks to premiere that you would like to publish on our channel, please contact us at promo(at)rsound(dot)cyou

Links: https://tune.rhythmresonance.top/cyber_m_ep
Label: @rhythmresonance
Artist: @valeraunusuv
Pre-release on Spotify / Beatport starting Apr 4, 2025
EP “Cyber-M” - release on Apr 18, 2025

This release combines the power of raw techno, the depth of atmospheric sounds and hypnotic rhythms that immerse you in a futuristic sound world. Each Cyber-M track reveals a unique story, keeping the balance between dancefloor energy and experimental depth.

Cyber-M

Space Dust

Premiere: Space Dust [RRES0012]

Techno lovers, get ready! Pure Ibiza Radio has launched the brand-new Techno Series, featuring local Ibiza DJ Adam Ghoneim. This is just the beginning, expect more deep, hypnotic, and raw sounds coming your way!

Tune in every Saturday at 3am CET as Adam shares pure Techno Raw, Deep, and Hypnotic Sounds, to take you on a musical journey.

This is the sound of Ibiza’s underground. Tune in, turn it up, and lose yourself in the music

Pure Ibiza Radio 97.2FM

Enjoy the Mixes & see you on the dance floor!

Adam Ghoneim

Pure Ibiza Radio - Techno Series # 6

It is a variation of ‘Minor Swing’ in the intro. One of my fave guitarists. So I kept the rhythm of the lead but changed the notes after the first few notes. In an accurate homage, I played it with 2 fingers.. Also changed the rhythm of the rhythm guitar a bit. I played a minor bebop scale in there. Did some superimposition with the lead on the 3rd and 5th degrees. Then the opening synth melody is taken from ‘Spitting off the edge of the world.’ I also noticed they change to bells midway through the verse so that’s what I did too. Borrowed chord at the end of the last phrase. Secondary dominant to transition to the chorus.Then for the 2nd verse an added real bass. Lastly there is counterpoint for the strings related to the vocals at the last chorus. Still needs more practice but that is something new I’ve tried. I think the electrofunk tune will be a lot better. But, all in all, out of all the mixed songs so far this year, if this is worst song in terms of melody/phrasing, then it’s a good year. It is the more creative one out of the 3 new ones.
I began the song on piano and improvised “I came I saw I conquered’ so I figured I might as well write about Caesar. Prefer Alexander or Genghis and also much prefer Caesar in Planet of the Apes. Apart from the first line of the verse, the rest of the lyrics are written. Chorus is improvised. I learnt that Veni Vidi Vici doesn’t mean I came… It means a swift victory.

My love grows colder by the day, rolling through the night, and it’s certain (Variation of  Dido’s melody in Stan)
From Egypt to modern day France our swords and shields lay the path for one last dance (Caesar’s conquered territory)
I may weep at the grave of Alexander, I may rest my head in Cleopatra (Frank Ocean ‘Cleopatra’ melody reference)
I am the knight of the Bronze Age, my golden phalanx coin’ right atcha.

First we rise. Then we fall. Through it all, wish I could bridge the divide.
I came I saw I conquered, and all your nations devoured.
My tongue is filled with wrath, and I’ll lay your cities down in a bloodbath.
Now you know who I am, what I say, what I do and I hope you’ll understand when all of this is through.
I am the conquerer. I am the conquerer. 

April might be the cruelest month, but beware the ides of March (TS Elliott reference which is found in The Gorge and so is spitting etc.) In the dark.
Upon this Republic, I bestow my weary faith
Augustus my child, you are worthy of praise
We’ll join hands, and take the senate down. (Not historically accurate but whatever)
RIP Mr. Rorie. We were learning about counterculture and ‘blowing in the wind’ Was in the textbook.
“I hate Bob Dylan”
“How can you hate Dylan?”
“His voice sucks.”
“This is coming from a guy who listens to a guy who sounds like a cat.”
*does a good Axl impression*
Then I went to uni and my Indian friend played Isis and One More Cup of Coffee.
“Who is this?”
“It’s Dylan.”
“I’ve changed my mind. Dylan is great”

Rorie on 300.
“It’s a good movie but it’s not the greatest film of all time. “
This was when the whole school was doing their “THIS IS SPARTA” impressions.  Not even Dark Knight Rises had that influence on the entire school. 



Veni Vidi Vici

I look out the window

Bliss

BANDCAMP

STRAIGHT GIRLS DO POPPERS

Chris, 41, is a techno enthusiast and producer based in St Austell, Cornwall. Influenced by the likes of 
Dave the Drummer , Lorn, Rone, and Carl Cox, he tries to craft deep, hypnotic sounds  that blend dark atmospheres with driving energy. Passionate about pushing sonic boundaries, he is dedicated to creating immersive electronic soundscapes that resonate on and off the dance floor. He also has a healthy appreciation for deep tech, incorporating its groovy, minimalistic elements into his productions.

His passion for electronic music was shaped by early influences like Kraftwerk, Jean-Michel Jarre, and Vangelis. The rise of synth-pop and new wave in the ’80s—featuring Depeche Mode, New Order, The Human League, and OMD—deepened his appreciation for synth-driven soundscapes. By the ’90s, the energy of The Prodigy, Underworld, and The Chemical Brothers, along with the experimental sounds of Aphex Twin, Orbital, Boards of Canada, and The KLF, broadened his sonic palette. Over time, this passion evolved into a deep interest in hard techno, particularly the raw, driving sound of the underground scene.

“No major achievements in my music career to report just yet,” says Crux, “but I assure you — you’ll be the first to know… right here!”..
,Said Crux while cooking a big bit of beef.

Chris also produces music under the moniker Den_Ver (But not so often as the melodic bear is almost always in hibernation... lazy sod!
 🙃.

MAC 3

Chris Crux

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