Sounds fresh full and shiny just like Edo at night! :)

Music by Daniel Gómez & Val Akey.
All guitars (leads, rhythms, bass) played by Daniel Gómez. @danielgoram
Drums and keyboards programming / mixing and mastering by Val Akey. @valakey
Release date: 23 March 2021

The Call Of The Priests

This one is something I've been playing over and over for months, never really having any definite lyrics, just all subconscious meandering, never wrote a word down, a little different to my usual process. 

lyrics 

All men are strangers to the touch
one femme fatale with the golden locks
I'm done with hesitating knockout!
debilitating
just show me that you really care

I know it's hard loving one man
but you must do all the best that you can
I'm done with hesitating knockout!
debilitating
just show me that you really care

I know that the word is out
all over town
they only pick you up
right before
when they're knocking you to the ground

cu me ce va I heard him saying
but I don't care for the game that you're playing
I'm done with hesitating knockout!
debilitating
just show me that you really care

I know that the word is out
all over town
they only pick you up
right before
when they're knocking you to the ground

I know that In life is strange
stuck on the inside of a hurricane
and there I will remain 

Thanks for listening and inspiring folks, always greatly appreciated 🙏✌️

The Word Is Out

Flint Banjo Club

What started as a handful of selfdescribed “banjo nuts” getting together to play after a rough winter in 1967 became a band with more than 50 members

The Flint Banjo Club, is considered one of the best banjo and old time music clubs in the United States. They established a tradition in holding their annual Banjorama, the FBCs primary fundraiser

The club was founded in April 1967 by six banjo enthusiasts from Flint Michigan back when American manufacturing was prosperous and thriving union jobs allowed for workers to retire with pensions, healthcare, and social stability 

“…no doubt as a result of cabin fever resulting from the preceding relentless winter,” wrote C.O. Johnson, one of the original six founders, who was is still strumming away with the ensemble in 2014

The FBC collected a number of awards. Members had diverse professional backgrounds and most were retired. The club performed across the country, in concert at prestigious halls including the Whiting, as well as hospitals, schools and senior homes. The club has raised more than $50,000 for community projects and in particular, scholarships administered by Mott Community College

Since 1974, the annual “Banjorama” featured a variety of banjo and non-banjo old time entertainment

Flint Banjo Club - The Happy Sounds Of The Flint Banjo Club album cover
Genre:	Folk, World, & Country	
Year:	1978
Track list:
-Alabama Jubilee And Waiting For The Robert E. Lee Medley
-Five Foot Two	
-Sweet Georgia Brown	
-Carolina In The Morning	
-Nobody's Sweetheart, Now	
-Bye Bye Blues	
-Bill Bailey, Won't You Please Come Home	
-The World Is Waiting For The Sunrise	
-Whispering	
-The Pennsylvania Polka	
-A Shanty In Old Shanty Town	
-Battle Hymn Of The Republic	
-Coney Island Washboard	

In Davison town, gold was found,
A banjo club with a joyful sound,
With strings that twang and fingers that fly,
The Flint Banjo Club's tunes filled the sky

For over 50 years, they strummed and played,
Their passion for banjos never did fade,
From six enthusiasts, the club has grown,
To more than 50, a band of their own

Their Banjorama, a yearly delight,
A fundraiser held through the night,
With Picks and Sticks and Mel Collie too,
An evening of music, for me and you

With diverse members and awards galore,
The Flint Banjo Club has a history to adore,
They've raised funds and brought joy,
To many communities, girl and boy

So come one, come all, to Davison town,
And hear the music that won't let you down,
For in the Flint Banjo Club, there's gold to be found,
A treasure of sound, that will astound

https://youtu.be/lGN86Z6QEeU

https://youtu.be/MZ9xl4mdabQ

JTS

GOLD IN THEM HILLS

Gold In Them Hills

Influenced by the brilliant work (Dark Sitar) of The Pharmaceutical Phaggot, some Sitar in this track. Main stringed is mandolin. TPP refused to transact a ludicrous deal I proposed some weeks ago, by which I offered TPP,  in part exchange for his Sitar, a banjo playing rodent (so far as he knew). Following the collapse of what would have been a transaction to remember, I therefore had to make my own Sitar.... from commonly available household items (mostly stuff found in a drawer marked 'pieces of string too small for use'). The link to TPP's brilliancy is here: https://soundcloud.com/pharmaceutical_phaggot/dark-sitar

First Rock On The Dune

self examination

I am ME, and I am You-min. Anything else within these two lines is simply... All Good. 

Making up boxes, no matter how one frames it, is just prop-a-gating the same ole' divisive cracks under a fresh coat of bad faith-paint. So stop marking up tribal bounds, and instead, let's all BOND within the only Spectrum that should really matter: this gorgeous You-n-I-verse that we all share.

****************************************************  
LYRICS

How do you grope about
with eyes popped wide when there's no view 
of what stretches behind the salt suss-pression of 
your sticky-sweater skin?

Do fingers ball up, full exploratory-like
Flail away in fistfuls
Fuzzy flurry of Punch & Ply
Do digits dance delicate 'twixt the dunes
to dowse what fiery diary swells within?

***

Why do we trope around
Big Lies plopped down wide open, peer-review
a spectrum skew molded by-the-bi trap within?

Genitalia vibrant stroke impressions
Hexadex or Binary, veiled hue expression
'Box be box' in spite of facets or dimension --
it still walls us in...

***

What makes a fellah-fellah
...stakes a sistah-sistah
...slakes a mallow-yellow
...wakes a mistah
Whoda howda whyda focus on special 
kindsa tribal lines and gloves?

What fakes a feelah-feelah
...cakes a mistah-sistah
...shakes a twistah-listah
...breaks a blistah
why wouldn't ya want an all-encompassing 
kinda it's-all-good full life to love?

***

Why do the hokey-pocus
...lose the larger focus
...choose the lie that chokes us
...rue the roost with spose-dahs?

You R you N you Are you-min
time to toss the tribes
and share one

LOVE

****************************************************

Gro(w)ping Thru The F(l)og

Can You Feel It  / Mr Fingers  cover song

First release in 2021 but there were some issues in the old version I didn't like so I gave the track a workover with improved skills and better gear. I hope you like the results. Download directly here and have fun!

Re: Slowmotionfireworks

This is a song that was written by the very talented Artur (Surfers Like Us), who is a surf rock master, and delivered to us in the form of a guitar track. Josh (Entheogenic Psychonaught) enjoyed adding the psychedelic, yet foundational four string fretless bass. Ken (K2 and the Three and K2 and the Four) boosted the energy level of the song when he blew our minds with his driving drums. JJ (J.J. Terrell) added the wild, dynamic organ you hear throughout. Tez (Llanpsych) brought lightning down from the sky in the solo over the third section. And last, but certainly not least, Stephen (TexMex Shaman) laid down the mind-bending guitar solos over the first two sections. He also produced and mixed it, with a little help from Ken. We hope you enjoy listening to it as much as our Eclectic Collective enjoyed making it.

A Time Race-Eclectic Collective

deep into the Tokyo night(Remix)(The original song is by Hiroshi Okubo)

Composed and produced by Val Akey.
Used and programmed VSTIs:
- Drums: MTPowerDrumKit2;
- Bass: Broomstick Bass;
- Piano: FL Keys;
- Guitar: RealLPC+GuitarRig5.

Release date: 28 August 2020

Cassiopeia

英語は全然分からないです。ごめんなさい。I'm very not good speak English

deep into the Tokyo night(Remix)(The original song is by Hiroshi Okubo)

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