Name: Clair De Lune Artificiel by Damga
Duration: 2 min 55 s
Description: Freely inspired from the 3rd mouvement of the "Suite Bergamasque" de Claude Debussy (Sorry Claude).

Super original, je trouve! Et artistiquement très réussi!

that was once at the top of your ranking ...I had already noticed the cover😉 ...hot ass... hot sound... but very soulful... really nice, dear

Beautiful composition and sounds that caress the ears

＊This work was made by overdubbing my guitar performance to Ray's work "Excuse Me".Thank you Ray for accepting my request.
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Ray ---- Excuse Me
https://soundcloud.com/in-the-mood-for-music/excuse-me
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＊Below is from Ray's original description.

ーーA slow and melancholic song, hope you like it.
https://www.youtube.com/watch?v=82n6jeKPRo0
Facts about this Track:
Idea, Arrangment, Audio-Editing and Midi-Programming, Guitar playing, Mixing and Mastering by Ray
Vocals: Audio-Samplesーー

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＊By the way, it's Ray, not me, who makes the chord backing that takes the rhythm with the wah pedal, the thick chord stroke with the flanger, and the pick scratch that rubs the wound strings with the pick.  Please listen to Ray's work and check it out.  From the beginning, Ray brought a sound that wasn't normally "suitable" for this piece.  The charm of this free and open work is exactly what Ray created.
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Over the last few months, we have been exposed to a lot of media coverage. A man who lived and worked with his family in Poland returned to his hometown of Lviv with his family. "I can't stand to see the destroyed city anymore. I want to regain the beautiful Ukraine," he said. "It's a beautiful country, Ukraine," said one woman proudly. She said, "It has been destroyed and polluted, but we will definitely regain beautiful Ukraine."

When the Ukrainian people talk about "Ukraine, a beautiful country", there is a vast sky and land. As I watch the news of the tragedy, I find that we are more encouraged by the strength of the people who are ready to rebuild the country.

Initially, I was planning to work on another work by Ray, but when I listened to this song again, I noticed that "the sky" appeared in the refrain part. I know the lyrics of this piece deal with a different theme, but as I hummed the refrain, I felt that it could be a "fighting song" for me to move forward with the Ukrainian people. .. The target of support is the Ukrainian people, and I myself. I secretly thought that I wanted to make it one of the "cheer songs" for everyone, who are struck by this unreasonable invasion. And I decided to put my guitar on this song.

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In addition, "Lillithe / Paploviante", including the sound source that Ray seems to have used in this work, should be called our great pioneer in that field as well. They have produced a huge collection of works using Vocals' Audio-Samples as the theme. At that time, I would like to note that they are experts who have mastered the source and lyrics of Samples by clearly stating them each time. The creators who inherit the method will be able to learn from the various usages of Samples to the usage rules by keeping in mind the reference of the works they have accumulated. It will be a great ally for each successor as they open up the future beyond SoundCloud.

Their enormous collection of works teaches us a lot. I would like to express my deep gratitude to them again for that. 

Lillithe https://soundcloud.com/lillithe
Paploviante https://soundcloud.com/paul-racle

Excuse Me

Ray - Excuse Me  ft.JUNZO on electric guitar

The 14th EP of "past is the verse"

-Spotify
https://open.spotify.com/album/0o3sxpqCbesxZx887wjBFa

-Apple Music
https://music.apple.com/us/album/your-single/1676741551

-Amazon Music
https://music.amazon.co.jp/albums/B0BY5755JW

-bandcamp
https://pastverse.bandcamp.com/track/your

Your

Download

A collaboration between :
Shane Beck, The Last American Poet (Words)
progettosonoro (Music)

A forlorn tale of the poet who buried his heart in hollow ground
Coping with the smirking shadows without a whisper or hardly a sound
Let me hide away the trauma of this loveless soul without a single chance
The Loneliness Of One & the night we held each other during that slow dance

Yes I too deal with things & forever disguise the burning tears that sting
Shove aside the hurtful memories knowing what the light refuses to bring
They often say the sad pain will go away & eventually subside
Hear it from me & never forget, it is untrue & they have lied
The Loneliness Of One, the poet who still walks until he bleeds
Accused of waiting on truest love & so called selfish needs

Shane Beck & progettosonoro - The Loneliness Of One

Grikhy - Land Of Bones

Free download--> https://www.zabirski.art/library/tracks/244

Po prostu biegnę dalej(Epitafium dla miłości)/I just keep running(Epitaph for love)

Freely inspired from the 3rd mouvement of the "Suite Bergamasque" de Claude Debussy (Sorry Claude).

Clair De Lune Artificiel

Thank you very much for 1000 plays! ❤️

And again I'm returning to Fantasy Land...
This time my bunch of misfits are going on a little trip and this short piece could be the background for these scenes.

First was Irish Harp which I wanted to test at last after getting it for free. Three base sounds was the idea that shaped rest of the track on the initially endless loop with time signature set to 3/4 on which I've layered the higher pitched melody that came out organically. Then I thought that I add some vocal VST which I've tested previously on "Have you Seen an Elf?". I wanted to check how it's perform on more intimate ground of folk song.

In my head I had a picture of a medieval inn and a bard starting his musical story. At some point, the picture shifts to a group of heroes travelling through austere, gray and blue, dark and cold places, villages where people in coarse robes work, sometimes rainy, sometimes sunny and green landscapes. Some scenes showing our group from a bird's eye view, slowly and laboriously moving towards the goal. The music ends when they arrive...
Musically, I wanted the initially intimate theme to change, or rather expand, into a symphonic illustration in accordance with the image and the advancing journey. So that, apart from the theme, there would be a depth complementing the image, also more and more distant from the initial location.

I've used:
DAW Ableton Live Standard
Kontakt Player Irish Harp
Kontakt Player Arcane Voice (Realivox Blue Demo)
Spitfire LABS Amplified Cello Quartet,
Spitfire LABS Uilleann Pipes
Spitfire Originals Epic Strings
Spitfire BBC SO Discovery - Flutes
One MIDI loop from Abletone Live's pack "Mood Reel" - Cello Impact 114bpm - as a percussive track.

Thank You kindly for listening and I hope You'll like it a bit.

Going North

The title and middle chorus (the only lyrics in the song) came from the fact that after recording, i felt it needed another section, like a bridge, but got too lazy to find something to fit. Thus the line “I can’t find the bridge to New Funk City”. 

Still can’t find it.   ;O)

This can probably be considered the 3rd in a trilogy of tracks created almost entirely with short loops and sound samples in Garageband ('Dark Roast', and 'Sneaky Reggae' are the other 2).
***Warning: your toezies might get sore from all the tapping they’ll be doing.


lyrics / chorus:
"Everybody tells me I got to go
but I can't find the bridge to New Funk City"


All comments welcome, and don't be shy to be critical or suggest ideas to help me improve. :)

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Mark's Album (post-2020)

New Funk City (where’s da bridge at?)

A (tad) longer release of my Overdubies track, with a few additions,
Kindly remastered by Jordan @DimMaster. Many thanks Jordan, you did superb work.

Overdubies (extended and remastered)

A couple of months ago I had the chance to jam with a couple of friends on guitars at a dinner party. We played a few Stones covers, and the vibe was ok. Then suddenly someone named the Velvet Underground, so I started strumming and singing a classic number we used to perform pretty often when we were young, "I'm Waiting For My Man". I could really feel it, and when I got home I thought it was worth trying to record it. In the past we used to cover the Live 1969 version, but this time I tried to blend it with a couple of other renditions, namely the 1972 Transformer Tour performance and an acoustic demo recorded in 1965. Quite obviously, I ended up adding to this bizarre jumble my own touch. I completed most of the tracking in about a week, but it took me a long time before trying to record vocals. It somehow sounded dull and trivial to my ears, so I had lost interest in finishing the song. Then a couple of weeks ago I felt inspired and I did the vocals. I also added an organ and a Cretan lyra parts, to make the ending section sound a bit more exciting.
Hope you'll enjoy this studio jam, I think it sounds quite unusual if compared to the rest of my stuff, but at the end of the day it's not so bad to listen to.

Teth Sin : acoustic guitar, electric guitars, bass guitar, vocals, organ, drums, Cretan lyra

Original composition & lyrics by Lou Reed
Arrangement, mix, mastering, photo & cover artwork design by Teth Sin

Clair De Lune Artificiel

Damga

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