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La nuit – j’m’emballe - pour rien
J’me raconte des histoires 
Des à dormir debout
Des pour veiller très tard  
Quand y’a même plus de chats qui traînent sur les trottoirs ( trop tard )
Que - des idées tombées - dans des trous de mémoire ( Aaaah)


Ce soir allons faire un tour 
Au marché des décibels
C’est un endroit fait pour les sourds ( Quoi ? ) 
Pas un secret d’polichinelle 

Si l’ennui est tombé sur la ville
Comme une comète du fiel
Allons chercher du naturel
Et au plus loin de nos nombrils / (ouais)

C’est tout c’qu’il nous reste pour rêver * 3
C’est vrai..
C’est tout c’qu’il nous reste pour rêver * 3 

Et dans cette contrée sans soleil
Ou les cadrans se cristallisent
J’ai tout trouvé sauf le sommeil 
Mais j’ai semé quelques balises

Pourquoi souffle ce grand blizzard 
Et que dit-il de notre époque ?
Et de nos vies accessoires
Quand viendront les ruptures de stock  
Alors

La nuit – j’m’emballe - pour rien
J’me raconte des histoires 
Des à dormir debout (ouh)
Des pour veiller très tard (  très tard ..)
Quand y’a même plus de chats / qui traînent sur les trottoirs  
Que des idées tombées - dans des trous de mémoire ( Aaaah)

( Guitare Solo)


La nuit – j’m’emballe - pour rien
J’me raconte des histoires 
Des à dormir debout (ouh)
Des pour veiller très tard (  très tard ..)
Quand y’a même plus de chats / qui traînent sur les trottoirs  
Que des idées sombrées - dans des trous de mémoire ( Aaaah)

La nuit – j’m’emballe - pour rien
J’me raconte des histoires 
Des à dormir debout (ouh)
Des pour veiller très tard (  très tard ..)
Quand y’a même plus de chats / qui traînent sur les trottoirs  
Que des idées tombées - dans des trous de mémoire ( Aaaah)

La Nuit

A remix of the fantastic https://soundcloud.com/sven-noon/gryy, aiming I suppose to 'reveal' it more

A video... https://www.instagram.com/p/CkEWvppgGgl/

Sven Noon - Gryy (muterial gleam remix)

This is a cover song that Rekha and I did.  It's a Carpenters track and we held on to most of the original arrangement but took some creative license otherwise 

For me the Carpenters are like John Denver or the 80's hair metal scene - something I enjoy but don't tell just a whole lot of people about.   Doing this one was Rekha's idea and I think she nailed it.   This track is brought to life by her killer performance.  

There's a guitar intro to this thing here.  
https://soundcloud.com/texmex-shaman/weve-only-just-begun-or-whatever

Another note - I personally want to dedicate this track to my good friend and synth-master Steve Fullyard (@steve-fullyard) who married his lovely bride K very recently. I wish them both all the happiness they can handle.

Cover of We've Only Just Begun by the Carpenters
Songwriters: Paul Williams / Roger Nichols
Made popular by the Carpenters
Vocals - Rekha Iyern [Fe]
The rest - TMS 


Lyrics
We've only just begun to live
White lace and promises
A kiss for luck and we're on our way
(We've only begun)
Before the risin' sun, we fly
So many roads to choose
We'll start out walkin' and learn to run
(And yes, we've just begun)
Sharing horizons that are new to us
Watchin the signs along the way
Talkin' it over, just the two of us
Workin' together day to day
Together
And when the evening comes, we smile
So much of life ahead
We'll find a place where there's room to grow
(And yes, we've just begun)
Sharing horizons that are new to us
Watchin' the signs along the way
Talkin' it over, just the two of us
Workin' together day to day
Together
Together
And when the evening comes, we smile
So much of life ahead
We'll find a place where there's room to grow
And yes, we've just begun

We've Only Just Begun - w/ Rekha

Who's that girl across the Street-Stone Pony

Lyrics:
In the moisty heat of the night I measure the viscosity of time by applying group theory to the ice cubes in my glass of blood.
I want to sooth my aching synapses in the liquid sun of chaotic melodies and bath my eyes in the clouds of muffled harmonies. 
The marbled coalescence of the iridescent canopies drips with vibrating tentacles of abstruse sensations which insinuate themselves into the cortex of our vibratory emotions.
The mystical tentacles of devotion slither around my wrists and ankles war and delicately vibrating invading my thoughts with their glassy intuition.
I can summon ancient idols from the gulfs of time and abyssal tombs. And wrap my naked body in the moist lust of their gaze. I can invoke the runes of power and abstraction carved in the soapy stone of a lost asteroid. 
Last words of vanishing gods reverberate in the echoes of their glory while the whips of remorse tear up the petrified flesh of their deceived heralds.
The winged demons and the ragged angels will rejoice and kiss my aethereal feet. 
The tides will cover the sand of our imagination, green and everlasting and salty and cold.

Sensual Theorems

Green Harmonies Of Sensual Digressions

Vocals and Lyrics: @kaerian-1

Music:  Laar @https://soundcloud.com/user-325797522 (Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

Photograph: by Eric Pitteloud (all rights reserved)

Lyrics
------

Ne t'approche pas trop près de moi
(les dramas c'est pas pour moi)
Je n'aime pas
Je n'aime pas être entourée
par tous ces gens bien intentionnés
qui cherchent à me corriger
me conformer à leurs normes
modifier ma vraie forme
(j'essaie de m'échapper, mais je me fais toujours rattrapper)
les vieux réflexes me laissent perplexe

La vérité c'est que j'aime être entourée
par des gens apaisés
sans combats de guerriers
non je peux plus digérer (gérer)
cette atmosphère de guerre
constante
idiote compétition
envahissante
incessante et persistante
Ne t'approche pas de moi
pour initier un combat
non je ne veux pas
que mon temps serve à ça
fatiguée de lutter
il y'en a si peu
il est si précieux
dépitée de gaspiller

rien ne sert de faire un drame
inutile est ce vacarme
l'expérience est faite
même si c'est une défaite
rien ne sert d'abimer le passé
inutile de vouloir l'effacer
juste avancer

------------------------

Don't get too close to me
(dramas are not for me)
I don't like
I don't like being surrounded
by all these well-meaning people
who try to correct me
to conform to their standards
change my true form
(I try to escape, but I always get caught)
the old reflexes leave me confused

The truth is that I like to be surrounded
by peaceful people
without warrior fights
no I can't digest (manage)
this atmosphere of war
constant
silly competition
invasive
incessant and persistent
Do not approach me
to initiate a fight
no I don't want
my time to be used for that
tired of fighting
there's so little of it
it is so precious
sorry to be wasteful

there's no point in making a mess
it's useless to make a fuss
the experiment is done
even if it is a defeat
there is no point in damaging the past
no point in trying to erase it
just move on

Ne t'approche pas

Ne T'approche Pas (Kaerian & Laar)

Summer Nights

Kirk (Kirk's Trax on SC https://soundcloud.com/kirk-evans-604267716) has created some wonderful compositions which I discovered recently. A few e-mails were exchanged, ideas were explored, and a process was set into motion, all leading to the smooth jazz song that is presented here - Love Is.  

My starting point for inquiring about collaborations is simply the answer to the question, "Does the music make me feel like singing?"  Kirk's music ticked that box and so we began the process of getting to know each other, and learning to trust each other's sense of next steps.  I asked about Smoke Rings (https://soundcloud.com/kirk-evans-604267716/smokerings) as a song I'd like to explore vocals and lyrics with. Kirk sent a pre-mixed lo-res file for me to do what I do: hear how it needs to go for a vocal-friendly structure. So, after a little cut and paste and adding some vocal melody ideas, I sent a mix to Kirk. At this point, you never know what the other musician's reaction is going to be, so you have to be prepared for the plug to be pulled after a, "What did you do to my perfectly good song?" reaction.  I was pleasantly surprised that Kirk wanted to work on his bed tracks and facilitate a smoother final integration of voice and music. So, he edited his original tracks and sent along individual instrument tracks, which I placed into my working file, with additional instrumental flourishes and a vocal from me resulting in the song below. This is just another example of the joy and work involved in a collaboration. The joy is hearing a song through someone else's eyes (or ears). The work is finding a pathway that is agreeable to everyone involved, and going through iteration after iteration so everyone is satisfied and pleased with the result. Kirk was easy to work with, and that always bodes well :)

The lyrics, which usually, for me, come from an open mic, pressing record as the song plays, and trusting that intuition to get the ball rolling. The final form is seldom far off the mark from the original improvisation, and that was the case here. Once the vocal melody was established, the form of the message was relatively easy - 2 verses, each with a focus on a three-syllable rhythm to demonstrate the contrasting qualities of Love (Elusive and Effusive - I love alliteration). 

* note - the art for the song reflects the elusive quality  as a scrabble tile game of chance, while the roses in the background relate to the effusive quality of romantic expressions ;)

Smoke rings, the instrumental, became, Love Is - a lounge lizard,  crooner song. 

Kirk Evans - music
Terry Wigmore - additional synth, strings, lyrics, vocals and production.

 Lyrics:

V1
Oh love, love is so elusive,
So hard to see in a heart,
that's been battered and bruised by the dark

Oh love, love is so elusive,
Like water that flows through your fingers then  it's gone,
All gone, all gone

Instrumental

V2
Oh, love, love is so effusive,
It can bubble and glow
doesn't care who knows,
Playfully smitten, carefree and driven

Oh love, love is so effusive
It begins to take hold and won't ever let go
Of your heart -

Love Is

YOU WANT SOME

Recording Sessions from 22/02/2023
2 tracks MOOG Modular (vst Arturia),
presets, mixing, processing and editing: Pier WILL.

The MOOG in all its complexity and all its beauty... extraordinary capabilities.
A week to refine certain presets for a result that transports you far in the sound field.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental 
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Simulator

suffocating

https://m.youtube.com/watch?v=SyxFRPJB01Y

La Nuit

Myriades

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