beautiful implementation. the bass added with great taste!

Wie sagte eben eine Freundin zu mir als ich den Kopfhörer abgesetzt habe nachdem Sie wild gestikulierend vor mir stand: "Mund zu die Mandeln werden kalt!" Respekt, das hat schon lange niemand mehr geschafft dass ich so gefesselt war. Vielen Dank für dieses wunderschöne cover

Music, Piano, Synths, prog. Instruments, mix: Vicente Bueso
Voices: Ana Fermín.

Drifting in the vast ocean of soulless words, they feel like a shadow lost at sea, searching for an anchor in the midst of an emotional void that never seems to fill, trapped between the need for connection and the bleak reality of a loneliness that knows no boundaries.

From "ARTIFACTS" (2024)

It begins and ends nowhere

Calm Pieces is a València-based musician named Rafa Ramos Sania, who has a background in Jazz, Experimental, and Ambient music. He has collaborated with different artists and has previously released music on labels like Cuneiform Records and Archives. Some may recall Rafa’s collaboration with Edu Comelles for the 2022 Whitelabrecs album ‘de camp’ as well as double bass contributions on Edu’s 2020 album Línia Pedra Paisatge Solc. Rafa was a double bass player for the jazz trio Naima and his journey as a musician began in his teens with electric bass, followed by explorations in guitar, piano, and music production. As Calm Pieces, Rafa distils his work into softer, more ambient compositions, creating a sound that is both intimate and enigmatic.

Singles' is Calm Pieces' debut album, characterised by a serene and introspective sound, crafted through a blend of modern and traditional techniques. Rafa recorded acoustic instruments such as double bass, cello, classical guitar, and acoustic slide guitar, blending them with a digital sound palette into dynamic and textural cinematic soundscapes. Each track conveys a sense of calm and expressiveness, with melodies emerging naturally from improvisation. The album marks Rafa’s first solo physical release on a label, and Whitelabrecs is honored to share this evocative, minimalist journey with the world.

Credits:
Written and produced by Calm Pieces
Mastered by James Edward Armstrong
Cover artwork by David Linuesa
Art and design by Andrew Heath
Calm Pieces is a project by Rafa Ramos Sania.
Some of the sounds were created together with Edu Comelles

Singles

wlr176 Calm Pieces - Singles

Lemuria

Coverversion des Vangelis-Titels "La Petite Fille de la mer"

Als Klangerzeuger kam hier ausschließlich der Groove Synthesis 3rd Wave zum Einsatz.

La Petite Fille de la mer - Cover

Renovatio

107 - Where Poison Sleeps

Piano etude 3.mp3

a brighter, fast-paced track with handpan, arps, and pad

Sunrising

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

La Petite Fille de la mer - Cover

Scenturio

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