Cool. I haven't heard me some tone rows in a grip! 😎

Excellent.  I too second the motion to expand.

Lovely piece, and thanks for the dedication.

I've done some 12-tone-like work in my early experimental days of making music, but very little of it.  It's an acquired taste for sure, but nice work with this 'movement'. :)

12-tone...we had that at school, some 12-tone pieces are hard listening to, more effects than music, but this is different here, reminds me even a little Bach (though Back was a lot earlier), walking through several different keys which could also be labeld as 12-tone......nice work

It's quite rare to hear attractive and convincing things, in a ‘classical’ style, on SC. But there are many here, in this account. Bravo and respect, Mark!

I enjoyed this very much, especially after a few listens and it’s inspired an interest in this style of composing. Thanks for sharing this piece!

My formative work for string quartet. Dedicated to Martin Tanton.

"Movement" for String Quartet [2023-24]

I am a British composer, who has studied composition privately with British composer Peter Nickol https://www.impulse-music.co.uk/peternickol/ (although I am largely self-taught). I have also studied piano (privately) with concert pianist Ekaterina Shetliffe. 
My music contains elements of impressionism, and musical modernism; I have also explored 12-tone composition.
For several years now, I have been developing my own composition technique, which focuses on the liminal area between stochastic and spectral music, which I intend to use in my future compositions.

Composers who have influenced me include Schumann, Chopin, Schoenberg, and Ligeti; however my formative musical inspiration is the music of Debussy.

*My music and poetry is copyrighted.*

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