text: Samuel Taylor Coleridge (1772-1834)
Hannah King (solo)
Owain Park (Piano) 
Recorded at St Martin's Church, Salisbury, July 2021
published in Multitude of Voyces' Sacred Music by Women Composers Volume 2 No. 18.
Also available as a digital offprint from www.multitudeofvoyces.co.uk 
Recording (c) Multitude of Voyces (2021)
Photo of Morfydd Owen - photographer unknown

Multitude of Voyces, Volume 2, Upper Voices Anthems

He prayeth best who loveth best

Morfydd Owen (1891-1918) He prayeth best who loveth best

Aurora Nova
Rachel Elliott, Julie Cooper, Janet Coxwell, Amy Carson,
Ruth Gomme, Helen Groves, Rebecca Outram, Helen Parker,
Nicola Beckley, Helen Charlston, Kathy Nicholson, Caroline Trevor. 
Director Patrick Craig
Recorded at St Martin's Parish Church, Salisbury, July 2021
MoV icon(c)Caroline Grint(2019)
Available in Multitude of Voyces Sacred Music by Women Composers Volume 2, No. 10 (sold through Stainer and Bell Ltd) 
Score also available as a digital offprint from www.multitudeofvoyces.co.uk

Ego flos campi

Bianca Maria Furgeri (b.1935)Ego flos campi (c)MoV(2021)

Siglo de Oro
Artistic Director: Patrick Allies 
Soprano: Hannah Ely, Victoria Meteyard
Alto: Rebekah Jones
Tenor: Paul Bentley-Angell
Bass: David Le Prevost, Ben Rowarth
Recorded July 2021 at St Augustine's Kilburn, with the kind permission of the Rector and Churchwardens 
Recording (c) MoV (2021) 
Photo: (c) British Music Collections 
Available in Multitude of Voyces Sacred Music by Women Composers Volume 3, No. 14. Purchase through www.multitudeofvoyces.co.uk

Multitude of Voyces, Volume 3, Advent to Candlemas

Nowell, Nowell, Nowell

Elizabeth Maconchy (1907-94) Nowell, Nowell, Nowell

Siglo de Oro
Artistic Director: Patrick Allies 
Soprano: Hannah Ely
Alto: Rebekah Jones
Tenor: Paul Bentley-Angell
Bass: Ben Rowarth
Attesa (Expectation) employs the music of one of Casulana’s secular madrigals, Io d’odorate fronde, self-published in Il secondo libro de’ madrigali a quattro voci (1570). This modern edition is a faithful transcription of Casulana’s original manuscript with very minor adaptations, and the new text has been idiomatically constructed by Miriam Endersby to serve Casulana’s compositional style. The work is also available in an English translation of the Italian words, again by Miriam Endersby.
Recorded July 2021 at St Augustine's Kilburn, with the kind permission of the Rector and Churchwardens 
Recording (c) MoV (2021) 
Photo: (c) British Music Collections 
Available in Multitude of Voyces Sacred Music by Women Composers Volume 3, No. 14. Purchase through www.multitudeofvoyces.co.uk
Also available as a digital offprint from orders@multitudeofvoyces.co.uk

Attesa (Expectation)

Maddalena Casulana (1544-1590), Attesa (Expectation)

Siglo de Oro
Artistic Director: Patrick Allies
Soprano: Hannah Ely, Fiona Fraser, Victoria Meteyard
Alto: Luthien Brackett, Rebekah Jones
Tenor: Paul Bentley-Angell, Chris Fitzgerald-Lombard
Bass: David Le Prevost, Ben McKee, Ben Rowarth
Composed for Nottingham Cathedral Choir, directed by Alex Patterson. Premiered February 2018. 
Recorded July 2021 at St Augustine's Kilburn, with the kind permission of the Rector and Churchwardens 
Recording (c) MoV (2021) 
Available in Multitude of Voyces Sacred Music by Women Composers Volume 3, No. 24. Purchase through www.multitudeofvoyces.co.uk
Digital offprint available from orders@multitudeofvoyces.co.uk

Nunc dimittis

Amy Summers (b.1996) Nunc dimittis

Text: Julian of Norwich (1342-1416) trans. (c)Dr Alison Daniell (2019) 
Aurora Nova
Director: Patrick Craig
Harp: Katie Flanaghan 
Rachel Elliott, Julie Cooper, Janet Coxwell, (solo) Amy Carson,
Ruth Gomme, Helen Groves, Rebecca Outram, Helen Parker,
Nicola Beckley, Helen Charlston, Kathy Nicholson, Caroline Trevor
Recorded at St Martin's Church, Salisbury, July 2021
Recorded by Andrew Post VifRecords
Available in Multitude of Voyces Sacred Music by Women Composers Volume 2, No. 17 (sold through Stainer and Bell Ltd) 
Score also available as a digital offprint from louisestewart@multitudeofvoyces.co.uk
Commissioned by Dee Stewart for Salisbury's International Women's Day Service 8thMarch2018. A partner project between Multitude of Voyces, St Thomas's Church, Salisbury, St Edmund's School, Salisbury and Godolphin School

Love was his meaning

Gemma McGregor (b.1965) Love was his meaning

Text: Katharine Tynan (1861-1931)
The Gesualdo Six
Director: Owain Park
Soprano: Hannah King, Beth Partridge
Countertenor: Guy James, Owain Park
Tenor: Josh Cooter, Joseph Wicks
Bass: Michael Craddock, Sam Mitchell
Flute; Mary Chelu
Recorded July 2021 at St Martin's Church, Salisbury 
Recording (c) MoV (2021) 
Available in Multitude of Voyces Sacred Music by Women Composers Volume 3, No. 20. Purchase through www.multitudeofvoyces.co.uk
Digital offprint available from orders@multitudeofvoyces.co.uk

The Christmas Bird

Sheena Phillips (b. 1958) The Christmas Bird

Aurora Nova
Director: Patrick Craig
Harp: Katie Flanaghan 
Rachel Elliott, Julie Cooper, Janet Coxwell,  Amy Carson,
Ruth Gomme, Helen Groves, Rebecca Outram, Helen Parker,
Nicola Beckley, Helen Charlston, Kathy Nicholson, Caroline Trevor
Recorded at St Martin's Church, Salisbury, July 2021
Recorded by Andrew Post VifRecords
Recording (c) MoV (2021)
Available in Multitude of Voyces Sacred Music by Women Composers Volume 2, No. 23 (sold through Stainer and Bell Ltd) 
Score also available as a digital offprint from louisestewart@multitudeofvoyces.co.uk
Commissioned for Godolphin Vocal Ensemble and a choir of adult singers from Salisbury churches for Salisbury's International Women's Day Service 8thMarch2018. A partner project between Multitude of Voyces, St Thomas's Church, Salisbury, St Edmund's School, Salisbury and Godolphin School
Photograph of Olivia Sparkhall by Ash Mills Photography

Lux Aeterna

Olivia Sparkhall Lux Aeterna

Josh Cooter (Tenor)
Recorded July 2021 at St Martin's Church, Salisbury 
Recording (c) MoV (2021) 
Available in Multitude of Voyces Sacred Music by Women Composers Volume 2, No. 12 (sold through Stainer and Bell Ltd)and at http://www.hildegard-society.org/p/home.html
Multitude of Voyces would like to thank Beverly R. Lomer and the International Society for Hildegard Studies for allowing us to include this edition within our Anthology volumes.

O virtus sapientie

Hildegard von Bingen (1098-1179) O virtus Sapientie,

Lyrics by George Mackay Brown. Performed by the University of Aberdeen Chamber Choir conducted by John Frederick Hudson.

The Last Bright Rinsings (SATB & solo tenor)

Che si può fare - Barbara Strozzi arranged for Upper Voices by Olivia Sparkhall
This arrangement for SSA and piano (or chamber organ) is suitable for both girls’ choirs and adult, women’s choirs. 
This is a live recording.
Published by Banks and available here: https://www.banksmusicpublications.co.uk/kassian-choral-series

Che si può fare - Barbara Strozzi arr. for Upper Voices by Olivia Sparkhall Sheet music from Banks

Biography – Olivia Sparkhall
Olivia Sparkhall is a composer and arranger, primarily of choral music, who is based in South West England. Her compositions have been performed in the UK, and abroad, including on BBC One’s Songs of Praise programmes and on BBC Radio 3. Olivia is published by Encore Publications, Chichester Music Press, Tim Knight Music, Lindsay Music, and within the Kassian Choral Series of Banks Music Publications both as composer, and as arranger and editor of choral music by women composers from the past. She is part of the series research and editorial team for the Multitude of Voyces CIC Sacred Music by Women Composers set of anthologies, as well as contributing original compositions and arrangements to each of the three volumes.

Che si può fare - Barbara Strozzi arr. for Upper Voices by Olivia Sparkhall Sheet music from Banks

Olivia Sparkhall - composer

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