Inspired by a night out in Prague, the song starts with a slightly awkward electric-piano melody, kind of like stepping into the first bar and warming up to the vibe. Then the kicks and snares drop in, showing how the night starts to feel full of potential as you meet more people and the energy builds.
Suddenly BAM, a big transition kick launches you into the main sound of the night—those Ambient Lynth Lasers. The first section stays pretty calm, with the lead synth and guitar keeping things light before the heavier drums, 808s, and wild vocal effects come in. It’s meant to feel like the early part of an evening when everything’s still clear and easy to follow.
The vocals in the middle represent a moment of confusion—like when something unexpected happens and the rest of the world goes quiet for a second. The echoey, unclear sound captures that feeling perfectly.
Then the second half gets louder and more chaotic, the way late-night music can feel when everything is fast, bright, and right in your ears.
And finally, the song cuts off abruptly—just like how a long night suddenly ends when you're exhausted and ready to crash into bed without noticing much on the walk home.


The mother with claws

One of the first GarageBand project, used mallets as the main atmosphere setter for the song, as I wanted to create the feeling of a cute safe walk in space.

Happy Space Cats

A very relaxed night with good mucis and good people finished of by a UFO sighting 

Daj mi upaljač

Slow intro to create sadness for absolutely no reason other than the rest of the song sounds too cheerful. This too cheerful part of the song was what I imagined at the time to be a fairly decent beat for your stereotypical teenage caucasian man to be singing on about a rough experience with a new love interest. 

D.Pass