Grand but Broken was a track I composed for a piece at East15 Acting School

Grand But Broken describes the tragic lives of the wealthiest people among us, and alludes to the dark secrets they all share.

Grand but Broken

Spooky Time was a track I composed for a Devised piece at East15 Acting School

Spooky Time takes us through time passing & with each moment that passes, time continues to run out.  The tragic lives of the wealthiest people among us and all that alludes to the dark secrets they all share.

Spooky Time

Greta’s Dance was a track I composed for a Devised piece at East15 Acting School. The track accompanied a dance number that I choreographed whilst simultaneously creating the music

Greta’s dance is a pivotal point of the the play where we learn the truth of Greta’s vendetta and we see understand her true mystical strength. She summons her startled guests to dance, a force so strong that they can’t stop!

Greta’s Dance

Really Grand but Broken was a track I composed for a piece at East15 Acting School “The Absence of Aunt Greta”

‘Really Grand But Broken’ is a sister track to ‘Grand but Broken’ portrays the warping and deterioration of the world around them. As their secrets are uncovered they have nowhere left to hide.

Really Grand but Broken

Very Spooky Time was a track I composed for a piece at East15 Acting School “The Absence of Aunt Greta”

‘Very Spooky Time’ is a sister track to ‘Spooky Time’ portrays the warping and deterioration of the world around them. As their secrets are uncovered they have nowhere left to hide.

Very spooky time

Glum was the opening track for “The Absence of Aunt Greta” a New piece by East15 acting school. 

‘Glum’ opens the show, with Greta in her true creature-esque form. Her gram is contorted in a freakish manner and something is not right.. but what could it be?

Glum/Greta’s theme

Changing room

Get off my Pitch

‘Illustrated Loving’ is a track from the original musical score composed for the new play ‘Life Imitates Art’ written by Amy Kate partridge, which debuted this summer in London. 

Life Imitates Art follows a writers journey of self-discovery, leading him to the underground queer nightlife scene in the speakeasys of 1920’s Paris. With dance, singing, burlesque, drag, puppetry and characters too eccentric to be real, the writer grows more and more consumed by his work and becomes unable to distinguish between fiction and reality.

Illustrated Loving

‘Transition to Heaven’ is a track from the original musical score composed for the new play ‘Life Imitates Art’ written by Amy Kate partridge, which debuted this summer in London. 

Life Imitates Art follows a writers journey of self-discovery, leading him to the underground queer nightlife scene in the speakeasys of 1920’s Paris. With dance, singing, burlesque, drag, puppetry and characters too eccentric to be real, the writer grows more and more consumed by his work and becomes unable to distinguish between fiction and reality.

Transition to Heaven

‘Je voudrais danser’ is a track from the original musical score composed for the new play ‘Life Imitates Art’ written by Amy Kate partridge, which debuted this summer in London. 

Life Imitates Art follows a writers journey of self-discovery, leading him to the underground queer nightlife scene in the speakeasys of 1920’s Paris. With dance, singing, burlesque, drag, puppetry and characters too eccentric to be real, the writer grows more and more consumed by his work and becomes unable to distinguish between fiction and reality.

Je voudrais danser

‘Do you do Ballet?’ is a track from the original musical score composed for the new play ‘Life Imitates Art’ written by Amy Kate partridge, which debuted this summer in London. 

Life Imitates Art follows a writers journey of self-discovery, leading him to the underground queer nightlife scene in the speakeasys of 1920’s Paris. With dance, singing, burlesque, drag, puppetry and characters too eccentric to be real, the writer grows more and more consumed by his work and becomes unable to distinguish between fiction and reality.

Do you do Ballet?

‘It was Nice while it Lasted’ is a track from the original musical score composed for the new play ‘Life Imitates Art’ written by Amy Kate partridge, which debuted this summer in London. 

Life Imitates Art follows a writers journey of self-discovery, leading him to the underground queer nightlife scene in the speakeasys of 1920’s Paris. With dance, singing, burlesque, drag, puppetry and characters too eccentric to be real, the writer grows more and more consumed by his work and becomes unable to distinguish between fiction and reality.

It was Nice while it Lasted

‘The Writer’ is a track from the original musical score composed for the new play ‘Life Imitates Art’ written by Amy Kate partridge, which debuted this summer in London. 

Life Imitates Art follows a writers journey of self-discovery, leading him to the underground queer nightlife scene in the speakeasys of 1920’s Paris. With dance, singing, burlesque, drag, puppetry and characters too eccentric to be real, the writer grows more and more consumed by his work and becomes unable to distinguish between fiction and reality.

The Writer

‘Silhouette of my City’ is a track from the original musical score composed for the new play ‘Life Imitates Art’ written by Amy Kate partridge, which debuted this summer in London. 

Life Imitates Art follows a writers journey of self-discovery, leading him to the underground queer nightlife scene in the speakeasys of 1920’s Paris. With dance, singing, burlesque, drag, puppetry and characters too eccentric to be real, the writer grows more and more consumed by his work and becomes unable to distinguish between fiction and reality.

Silhouette of my City

Capable

Uncertain Waters

Tales of the Manor

These walls have ears

Grieving in the manor

Rock Pool

Alleigance

Sandstone

Hibiscus

Cylone

Composer & vocalist

Trained at East15 Acting school
Singed to International Artists management

Taya

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