Lava Lamp

Yeouido Cherry Blossom Road (Jiyeon Solo)

https://forestswords.bandcamp.com/album/compassion
http://www.forestswords.co.uk/
https://soundcloud.com/forestswords
http://wavvy.ru/forest-swords-compassion/

Compassion

Forest Swords - The Highest Flood

'BLIPS' Out Now -
Big Dada / Stream / Download: https://wen.lnk.to/blipsSO

Taken from 'CARVE + GAZE' released 28th July 2017 via Big Dada.

Follow WEN -
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BLIPS

An 8Bit Rendition of Wildlife Analysis by Boards of Canada

Wildlife Analysis - Boards Of Canada (8 - Bit Cover)

Taken from the album 'Qualm', out now on Ninja Tune: https://helenahauff.lnk.to/qualmSo

Follow Helena Hauff  -
Spotify: http://found.ee/helena-sp
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Qualm / No Qualms

Helena Hauff - 'Qualm'

Silent Shores

A Glowing Heart

_TAG

Objekt — Cocoon Crush
Format: 2xLP / CD / Digital
Cat.No. PAN 97
Release Date: 9 November 2018 
Pre-order album: bit.ly/2xhO0kR / bit.ly/2OvxYuv

PAN welcomes back Objekt for Cocoon Crush, his first LP since 2014’s Flatland. Over the past four years Objekt has continued to challenge conventions with his club output (the Objekt #4 single release and the Kern Vol. 3 mix CD for Tresor), while maintaining his reputation as a DJ who deploys impeccable technical finesse in crafting elaborate narratives from a diverse and challenging palette of electronic music.

Written between 2014 and 2018 in Berlin and on the road, Cocoon Crush once again sees the producer jettisoning the functional requirements of the dancefloor. Marking a further evolution from the youthful exuberance of Flatland, Cocoon Crush explores a more introspective side, with themes of human interaction resonating throughout the record as it ruminates on a spectrum of complex moods rooted in 4 years of sometimes turbulent personal experience.

Cocoon Crush represents an aesthetic departure from Flatland’s largely synthetic tonality, drawing from organic source material and natural textures to illustrate perplexing and unfamiliar sceneries in photorealistic detail. In Cocoon Crush, Objekt diverges further still from his musical influences to craft the purest manifestation of his own musical personality to date: an intriguing and enigmatic album whose reference points are hard to pin down, in which ghostly synth passages weave through mind-bending, weighty drums, and ASMR-triggering foley collages scrape and sparkle. Through meticulous sculpting, Objekt traces a rich and impressionistic journey through claustrophobia, hope, guilt, anxiety and joy, nested in layers of sonic detail which reward with every listen.

The album is mastered by Rashad Becker, featuring photography by Kasia Zacharko, and layout by Bill Kouligas.

@keinobjekt
http://p-a-n.org

Cocoon Crush

Objekt - Lost and Found (Found Mix)(PAN 97)

Taken from the EP 'ABOVE_BETWEEN_BELOW', released 9 November 2018 on Brainfeeder: https://lapalux.lnk.to/abbSo

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ABOVE_BETWEEN_BELOW

ABOVE

Bandcamp.

Untitled #1

Warp's Kelly Moran pieces together a colorful mix full of unexpected twists and turns.

For more information and tracklist head here http://www.factmag.com/2018/11/20/kelly-moran-fact-mix/

FACT Mixes

FACT mix 681 - Kelly Moran (Nov '18)

Track 1 of the Oh, Sleeper/The Moment They Left Us single.

Oh, Sleeper

Lotte Pen stands for a new generation of classical musicians. Pen, saxophonist and music composer, has played in concert halls in Tokyo, Berlin, Paris and New York. Before taking part in a number of bands and projects, she followed a classic conservatory education that she considers particularly inspiring - 'especially when you talk about it composers like Steve Reich, Debussy or David Lang have'- but also as restrictive. 'What I learned from pop music is the freedom that you can embrace, that you do not have the have responsibility to comply with the unwritten laws of classical.' 

Pen was selected as the best producer from East Netherlands for ‘Nieuw
Electronic Waar 2018’ and her track "Tabernacle" was picked up by an Italian
documentary maker who uses it as a soundtrack. Lotte Pen composed music for children dance society ‘De Stilte’ and ‘Tuinfeest-Literair Festival’ in Deventer, Netherlands.

Pen performed live among other things at Theater Bouwkunde and the Vondelpark in Amsterdam.

Lotte Pen - Triptych I+II

Mother Earth's Plantasia

Music to Soothe the Savage Snake Plant

With the help of the Orchestre Regional of Reunion Island, * https://soundcloud.com/labelle_musique * opens a new chapter in the merging of classical and Pop music, and the heritage of Europe and the Indian Ocean. 

This new LP, composed especially for the Orchestre univers, was recorded live over the course of four concerts, performed at the four corners of the Réunion, in the island’s most beautiful concert halls. A sequence of breathless trancelike moments, Post-maloya and technological experiments, the album floats between tradition and modernity, like a sonic odyssey that is only the beginning of an ongoing saga…

Orchestre univers out 5th April 2019
https://IDOL.lnk.to/OrchestreUnivers  

https://soundcloud.com/labelle_musique

Orchestre univers

Labelle - Playing at the end of the Universe (Orchestre univers version)

WRWTFWW Records is honored to announce the much anticipated reissue of Satoshi Ashikawa’s undeniable classic of Japanese environmental/ambient/minimalism, Still Way (Wave Notation 2). The album, available on vinyl (first time since 1982) and digipack CD (with one bonus track), comes with a cover artwork by Hiroshi Yoshimura and liner notes by Midori Takada, Satoshi Ashikawa himself, and Irish producer Gareth Quinn Redmond (whose Still Way-inspired album Laistigh den Ghleo is being released simultaneously on WRWTFWW).

Initially released in 1982 as part of the Wave Notation series*, Still Way is, without a doubt, a seminal Japanese environmental/ambient/minimalism album, often mentioned alongside Midori Takada’s Through Looking Glass and Hiroshi Yoshimura’s Green as one of the genre’s most important pieces.

"Like the moment of stillness, after the wind passes through the garden, when the rain stops for a brief second…" Notably inspired by Erik Satie’s Furniture Music and Brian Eno’s ambient work, Satoshi Ashikawa aimed to compose music "intended to be listened to in a casual manner, as a musical landscape or a sound object…not something that would stimulate listeners but music that should drift like smoke and become part of the environment."

The result is simply phenomenal, subtle minimalism and emotional elegance exquisitely orchestrated by Satoshi Ishikawa and his team consisting of his wife Masami Ashikawa (on flute), Midori Takada (on vibraphone), Yuko Utsumi (on harp), Tomoko Sono (on piano), and Junko Arase (on vibraphone).

In conjunction with Still Way, WRWTFWW is releasing Laistigh den Ghleo, a companion album by Irish ambient/minimalist composer Gareth Quinn Redmond, inspired by Ashikawa’s approach.

*The Wave Notation series also includes Hiroshi Yoshimura’s Music For Nine Postcards album.

芦川聡 Satoshi Ashikawa - Still Way (Wave Notation 2) [TRAILER - WRWTFWW030]

Bibio - Phantom Brickworks

Second mix of Valley Radio, debuting Kareem Lotfy at Red Light Radio.
10-07-19

Poster design by Oliva Rawlings.

Valley Radio 002 - Kareem Lotfy

"Warm earth music for plants... 
and the people who love them"

An album of soothing music to play to your plants

Tracklist:

A1		 Plantasia		
A2		 Symphony For A Spider Plant		
A3		 Baby's Tears Blues		
A4		 Ode To An African Violet		
A5		 Concerto For Philodendron & Pothos		
B1		 Rhapsody In Green		
B2		 Swingin' Spathiphyllums		
B3		 You Don't Have To Walk A Begonia		
B4		 A Mellow Mood For Maidenhair		
B5		 Music To Soothe The Savage Snake Plant

Mort Garson - Plantasia

Spotify:
https://open.spotify.com/track/7s0F97BmxzcfpnHMDW5EzT

Download Free for a Spotify Follow:
https://hypeddit.com/track/588uvc

Lava Lamp

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