Ambient/experimental track from "burn down my house" album by szelest


Spotify   -  https://open.spotify.com/artist/1IJfN...


DM me with your ambient for future colective project  -  filiptjaworski@gmail.com


Enjoy and have bombastic tasty coffe, love be with you
#ambient
#experimental
#szelest
#undergroundartist
#independentartist

Szelest - Private Crank

Heathaze

France based chamber duo Snowdrops return with their final release of 2021. Arguably their most adventurous and experimental release to date, ‘Inner Fires’ features four tracks of Ondes Martenot, piano, synths and tubular bells with Richard Knox (A-Sun Amissa) featuring on electric guitar on the closing track.

« Inner Fires is an anticipation disc in four chapters, a sort of cinematographic dramaturgy presenting four instrumental pieces that tell us about collective loneliness and underground collectives, sleepy thoughts and sudden awakenings. The resignation of each, the courage of some. It speaks of introspections and expressions. Of the slow disappearance of our beings from our world, and of the intense fight to bring them back to life. On the edge of the precipice. Like a cry of alarm. So as not to become a society of specters. »

Artwork by Peter Collins

Inner Fires

FWD32 - Snowdrops - Elevation

The distilling of sketches = Ōe
credits
released October 26, 2021 

Music - Ishmael Cormack 
Mastering - Fallow Recordings 
Artwork - A reel, open scanned 









For quiet rooms

Ishmael Cormack - Ōe

Not to Speak II

Album samplers of our releases in 2023 from Fields We Found, ghost and tape, Federico Durand, Stefano Guzzetti, Stijn Hüwels and Wil Bolton.

homen149 Fields We Found - Trust (album sampler)

I believe that music is present in every moment, in every scene. We can feel music relatively easily when those scenes are easy to understand and impressive, of course, but when they are not, for example, I think this is especially true in situations that are too mundane, too ordinary, or seemingly unrelated to music.

I can never hear it, but I think I hear it. Only after it has taken shape as a piece of music do I feel that this is how it must have sounded at the time. And the question of whether it was right or not will never be answered. But by questioning things that are becoming just a shell and looking at things from a different angle, we can gain a new perspective.

Questions always come up and I try to answer them somehow, but they always elude me. So by continuing to create my work, I manage to find my own answers to different questions at different times.

In this day and age, when all that is valued is how easy, quick and simple it is to get answers, it would be nice to have a few more people who are willing to face questions that will never be answered.

Produced by Hidekazu Imashige
Cover Art by Hidekazu Imashige

Angle of Light

The Afterword of a Beautiful Day

2023-05-28

NLS - 2023 - 05 - 28  Birdsong

Muted Mind

Gloucestershire, UK based artist Andrew Heath returns to Whitelabrecs, following up on his album ‘Quiet Noise’ (2022) and collaborations with Simon McCorry ‘A Is For Autumn’ (2022) and Anne Chris Bakker ‘How To Breathe Like A Stone’ (2021). Andrew has also released music on labels including Fluid Audio, Disco Gecko, Audiobulb, Dronarivm, Shimmering Moods and more, through his solo output and collaborations with other artists.

Charting a lighter more open sound than recent albums, The Cloud Machine returns to and explores one of Andrew’s constant themes - his continuing fascination with and the depiction of, the simple innocence of his own childhood. In this case, a sound painting of light, radiance and naive joy through the metaphor of clouds and of a gaze drawn to the skies. From the ethereal beauty of The Cloud Machines and The Age of Enlightenment, to the memories of racing the shadows of clouds blown by the wind across fields as a young boy in Chasing Clouds, there is the ever present feel of blissful, innocence and wonderment at the beauty of the natural world around and above us.

The album explores these themes through Andrew’s use of his much loved piano and guitar and balancing them against constantly shifting, delicate and fragile electronic tones and textures. Using a lighter, more transparent tonal palette, The Cloud Machine has a gentle, blissful tone as though touching the drifting clouds overhead.

Written, Produced and Mastered by Andrew Heath
Artwork (Ghost Mills) by Zoë Heath
Art and Design by Andrew Heath

The Cloud Machine

wlr157 Andrew Heath - The Cloud Machine

Resil (demo version)

Ambient/experimental soundscapes
Much more on Spotify: 
https://open.spotify.com/artist/1IJfNGG9Kr3vsQLY8ZIdJD?si=84wqvoHdTsiWMskWWnK-bw
Emotions captured as purlly as possible and transformed into the melancholic compositions which I hope will be a perfect companion during a katarsis, contemplation and any sorts of a difficult moments in ones life.  Mostly ambient along with field recordings, clarnet, electric guitar and all sorts of synths, much of an experimental sounds and minimalism.

Upcoming Nota contra notam

Szelest - Private Crank

Szelest

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