xperimental

Ilhâm

PHOENIXXX

WWWINGS -  ARCANE Taken from the album 'PHOENIXXX'  - released 19/08

@ziurziurziur

FADER Premiere: http://www.thefader.com/2016/06/20/ziur-nails-premiere

Taken from the forthcoming "Taiga" EP out July 1.

"'Nails' relates to everyday madness, to being restless, and always on the edge. It's about systematic oppression functioning as a form of stigmata. But all things considered, it is meant more as an empowering statement, to keep being weird and visible. Not to stay nailed to the ground but to stab back. Speak up."

Taiga

Ziúr  - Nails

Horror vacui. I can't fall asleep anymore.  We should have burned the boats.

twitter.com/rizzla_dj
youtube.com/watch?v=XQF0BNrDhNE

Rizzla - Burning Boat

Second installment of our single series, delivered by french producer Ytem.

Mastering by Kassett 
Artwork by Miel Audenaert & Larpie

Download

Ytem - 'Rainforest'

https://www.youtube.com/watch?v=tPPuwFg2SvU
http://smarturl.it/RichardDevineRevsic
http://smarturl.it/RDSortLave
http://planetmu.bleepstores.com/release/1079…ine-sortlave
http://richarddevine.bandcamp.com/album/sort-lave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

xperimental

VLERK