Name: Electronic Composition No.1 by hedieh lavasani
Duration: 2 min 40 s
Description: Electronic composition

Koi Ear x Beshknow

Persian Funk Wave by Paria Ghasemkhani 
Pozx + Arash Zarabi

Album art by the talented Mahshid Riahi

Persian Funk Wave by Paria Ghasemkhani

Electronic Composition No.1

Clarinet solo

Times 2 (*2) for 8 Xylophones with Text Score for a Machine. 

Times 2 (*2) for 8 Xylophones

𝘊𝘰𝘶𝘯𝘵𝘦𝘳𝘱𝘰𝘪𝘯𝘵 𝘩𝘢𝘴 𝘢𝘭𝘸𝘢𝘺𝘴 𝘮𝘦𝘢𝘯𝘵 𝘢 𝘨𝘳𝘦𝘢𝘵 𝘥𝘦𝘢𝘭 𝘵𝘰 𝘮𝘦. 𝘐𝘵 𝘳𝘦𝘱𝘳𝘦𝘴𝘦𝘯𝘵𝘴 𝘮𝘶𝘴𝘪𝘤𝘢𝘭 𝘵𝘩𝘪𝘯𝘬𝘪𝘯𝘨 𝘢𝘵 𝘪𝘵𝘴 𝘧𝘪𝘯𝘦𝘴𝘵, 𝘢𝘯𝘥 𝘪𝘯 𝘞𝘦𝘴𝘵𝘦𝘳𝘯 𝘤𝘶𝘭𝘵𝘶𝘳𝘦 𝘤𝘰𝘶𝘯𝘵𝘦𝘳𝘱𝘰𝘪𝘯𝘵 𝘳𝘩𝘺𝘮𝘦𝘴 𝘸𝘪𝘵𝘩 𝘉𝘢𝘤𝘩. 

𝘐𝘯 𝘭𝘪𝘨𝘩𝘵 𝘰𝘧 𝘵𝘩𝘪𝘴, 𝘐 𝘩𝘢𝘥 𝘯𝘰 𝘥𝘰𝘶𝘣𝘵 𝘢𝘣𝘰𝘶𝘵 𝘸𝘩𝘢𝘵 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘱𝘪𝘦𝘤𝘦 𝘐 𝘸𝘰𝘶𝘭𝘥 𝘸𝘳𝘪𝘵𝘦 𝘵𝘰 𝘤𝘦𝘭𝘦𝘣𝘳𝘢𝘵𝘦 𝘣𝘰𝘵𝘩 𝘵𝘩𝘦 𝘎𝘳𝘦𝘢𝘵 𝘔𝘢𝘴𝘵𝘦𝘳 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘤𝘰𝘯𝘵𝘳𝘢𝘱𝘶𝘯𝘵𝘢𝘭 𝘮𝘶𝘴𝘪𝘤𝘢𝘭 𝘸𝘳𝘪𝘵𝘪𝘯𝘨: 𝘐 𝘸𝘰𝘶𝘭𝘥 𝘤𝘰𝘮𝘱𝘰𝘴𝘦 𝘢 𝘮𝘶𝘭𝘵𝘪𝘭𝘢𝘺𝘦𝘳𝘦𝘥 𝘱𝘰𝘭𝘺𝘱𝘩𝘰𝘯𝘪𝘤 𝘱𝘪𝘦𝘤𝘦! 𝘈 𝘛𝘸𝘰-𝘗𝘢𝘳𝘵 𝘐𝘯𝘷𝘦𝘯𝘵𝘪𝘰𝘯, 𝘢 𝘙𝘰𝘯𝘥𝘰, 𝘢𝘯𝘥 𝘢 𝘚𝘰𝘯𝘨 𝘞𝘪𝘵𝘩𝘰𝘶𝘵 𝘞𝘰𝘳𝘥𝘴 𝘢𝘭𝘭 𝘢𝘵 𝘰𝘯𝘤𝘦. 

𝘞𝘪𝘵𝘩 𝘴𝘶𝘤𝘩 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘨𝘰𝘪𝘯𝘨 𝘰𝘯, 𝘵𝘩𝘦 𝘱𝘪𝘦𝘤𝘦 𝘸𝘳𝘪𝘵𝘦𝘴 𝘪𝘵𝘴𝘦𝘭𝘧, 𝘐 𝘤𝘢𝘯 𝘴𝘪𝘵 𝘣𝘢𝘤𝘬, 𝘢𝘯𝘥 𝘦𝘯𝘫𝘰𝘺 𝘵𝘩𝘦 𝘴𝘩𝘰𝘸: 𝘤𝘰𝘶𝘯𝘵𝘦𝘳𝘱𝘰𝘪𝘯𝘵 𝘪𝘴 𝘢𝘯 𝘶𝘯𝘴𝘵𝘰𝘱𝘱𝘢𝘣𝘭𝘦 𝘧𝘰𝘳𝘤𝘦 𝘢𝘵 𝘵𝘩𝘦 𝘴𝘦𝘳𝘷𝘪𝘤𝘦 𝘰𝘧 𝘮𝘶𝘴𝘪𝘤! 

Music composed by Roberto Ventimiglia.
Performed and recorded by Haley Myles.
Mastered by Roberto Ventimiglia and Davide Fasiello.
Artwork designed by Doug Thomas for NOOX.  

Small Tonal Objects (or the Well-Tempered Spirit)

Two-Part Invention in A Minor

Life is order and chaos.

Acousmatic Sketch No.2 [2025-03-06]
Photo and Music by Shih-Lin Hung 洪世霖

Acousmatic Sketch No.2 [2025-03-06]

The original sound comes from bubbling water, which has been stretched, retimed, and transformed into a sustained mid-to-low-frequency ambient texture. The sound floats through space like a whisper, as if emanating from a sleeping wine glass, reflecting a dreamscape of intoxication and deep, flowing resonance.

Acousmatic Sketch No.3 "The Dream of a Wine Glass" [2025-03-14]
Music : Shih-Lin Hung 洪世霖
Visuals: Eva Bronzini (https://www.pexels.com/zh-tw/photo/7254299/)

Acousmatic Sketch No.3 "The Dream of a Wine Glass" [2025-03-14]

“Fragmented resonance from fire — slowly surfacing through blurred space.”

Acousmatic Fragment Practice #002
A 44-second exercise in drawing a sound object out of a blurred sound field, using fire as the source.
Though my focus was mainly on the sound, I also took some time to explore light visual processing.
👉 To experience the full version with visuals, please visit my YouTube or Instagram：

🎧YouTube:  https://youtu.be/W1etu0AeHEc?si=NMd9i1-lMvOqzUyt
🎧Instagram:   https://www.instagram.com/reel/DJ32V6wSQ5N/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Sound and Video Design: Shih-Lin Hung (洪世霖)
Photo: Cesar Casanova



Acousmatic Fragment Practice #002
一段 44 秒的聲音練習，嘗試從模糊的聲場中顯影出一個聲音物件，素材取自火焰聲。
雖然主要專注於聲音設計，但在時間允許的狀況下，也稍微嘗試了簡單的影像處理。
👉 完整含影像版本請見YouTube 或 Instagram:

🎧YouTube:  https://youtu.be/W1etu0AeHEc?si=NMd9i1-lMvOqzUyt
🎧Instagram:   https://www.instagram.com/reel/DJ32V6wSQ5N/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

聲音與影像設計：洪世霖（Shih-Lin Hung）
攝影：Cesar Casanova

#acousmatic #soundart #spatialsound #electroacoustic #experimentalsound

Acousmatic Fragment Practice #002

Improv on top of layer and layers of guitars found lying dormant. 

An alley leading off of a main road to a restaurant (or other business) is what I found a striking urban feature as I wandered around Kyoto.

Multiple, mostly inaudible, enhancements implemented.

Enjoy!

tinalley

photos from unsplash
collage by me
made with two zoom microphones, two metronomes, and casio
edited with NCH
again AI checker says "inconclusive" aaarrrgggghhhhhhh

kayaking in the puget sound soon excitement


This piece represents a modern world of sound—where rhythm and melody move freely, no longer bound by traditional rules. At every moment, a blend of electronic instruments and creative ideas builds a fresh, contemporary atmosphere.
The goal of this music is to offer a new listening experience—a short journey into a world where sounds express emotions in the language of today.

Electronic Composition No.1

hedieh lavasani

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