EVERY TIME I TRY TO SEND A LITTLE [[Cool Refreshing]] ADVERTISEMENT DOWN THERE -- WHAT DOES HE DO? HE TURNS IT INTO [Heavy Showers].
AND WHO NEEDS THAT???
EAHEAHEAHEHEAHEAH

Art by poryphone on Twitter: https://twitter.com/poryphone/status/1459969177943371778

The first time in a while that something I've done has felt like a legitimate rip. I loved that original picture so damn much that I did this - and on the same day, too. I should've done schoolwork instead but I probably would've wasted my time on something unproductive otherwise, so whatever.

I might do a bit more with the vocals, but a running thing with my Spamton mixes is I tend to dislike how the finished vocals sound at first but then they grow on me. We'll see how it goes. (Update: the same thing happened again, surprise surprise)
At some point I also want to improve the counterpoint (mostly regarding the strings for the Major section).

I'd really like to analyze the counterpoint between melody and bass to find out why the same two bar pattern works harmonically throughout the entire melody, even though I wrote it with the Minor section in mind*. I'm thinking the resolution notes in bar 1 probably take turns being tensions or chord tones for w/e the melody's implied chord is at the time. 
*WAIT. Minor. Consistent harmony... I chord and VI chord are both Tonic chords.... HRM.
So, the bass goes like "B, F#, D# E, G->F# | B, F#, D# E, G->E" That means the bass technically stays on WAIT> WIAT IT'S A PENTATONIC SCALE ISN'T IT. 
1 2 3 5 7. E F# G B D# Just corrected myself, the pitch is also F# and not F; Holy SHRIEYT.
I was thinking about how it technically stays on the I chord, specifically in the form IM7(9). It makes TOTAL SENSE that it works consistently between all the melodic bars like this.
I DID THAT SHIT on ACCIDENT. AAAAGH 
DAMN. i'm so awesome.
(edit: technically it's got pieces from both kinds of a penta scale, which is why some parts felt like they worked better than others)

Anyway. Now all that I'd have to do after that is map the chords out, which rartedvisage already did in his sheet music in 2019, but I wanna take a crack at it myself. 
Fun time in the near future :]

((If I can't have 🇦🇱🇮🇹🇹🇱🇪🇧🇮🇹🇴🇫 𝕗𝕦𝕟 🇮 🇲🇮🇬🇭🇹🇦🇸🇼🇪🇱🇱 𝒍𝒆𝒂𝒗𝒆))

Spam-Miser

miku-chan paradise!!!

i want to eat your appendix

This cover isn't intended to be in character, it's made because i genuinely love his voice and i would use it if it was its own legit software. I'm sorry if this bothers anyone.

I did minor edits to the original tuning, just to make it more Fred-like.

I was a little frustrated when mixing. I think it's because there's no official instrumental for this song.

Original song by ハチ
Ust by Mimisan15
Minor edits by me

[Coconut Fred 人力UTAU] 病棟305号室 [OpenUTAU cover]

喫茶レイン(Sofa-lounge arrange)

Radio Edit
> iTunes - https://itunes.apple.com/au/album/hentai-single/id1056385675
> Google Play - https://play.google.com/store/music/album/S3RL_Hentai?id=Bxa2vv4vrnsm6vtobxprjutuaxa
> Spotify - https://open.spotify.com/album/5tRJmtQfITGPugDA8W4rt6

DJ Edit
> BeatPort - https://pro.beatport.com/release/hentai/1647985
> TrackItDown - https://www.trackitdown.net/track/s3rl/hentai-dj-edit/hardcore/8857972.html

OSU Beatmap - https://osu.ppy.sh/forum/t/391504

S3RL - https://s3rl.link

Hentai - S3RL

ストロボラスト

Robot Gregg

Original by Sele P ft. Lily
Vsq base: Sahara/Lucifer
Tuning and Vsqx by me
Picture by Hima (Abgata)

[Coconut Fred 人力UTAU] 病棟305号室 [OpenUTAU cover]

NegaPosi

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