handbags

https://www.youtube.com/watch?v=VWFnRKRLXwg

purple rain

DARKNESS.999

STEPS LIKES TEARS

cyclo. is a project by Carsten Nicolai and Ryoji Ikeda since 1999.

cyclo. examines error structures and repetitive loops in software and computer programmed music, with audiovisual modules for realtime sound visualization forming one of the key strategies in this examination.

The project orientates itself around the discipline of Phase Correlation. Within this process, the phase relationship between two inputted audio signals are metered. This metering device was developed for the monitoring and assistance of vinyl mastering, where precise parallel correlations of phases was essential for subsequent record pressing quality.

It is this activity and pattern of movement that draws the curiosity of Nicolai and Ikeda. Working together, they have selected numerous ‘bits’ of sound and committed them to an extensive archive, thus creating a library from which they may draw pre-constructed audio elements at choice. The audio elements have been constructed and chosen through agendas concerned with minutiae editing of frequencies (often out of our physical range of hearing), and the perpetual amassing of audio elements to an undefined point. For Nicolai and Ikeda an ‘infinity index’ of sound fragments is a conscious motivation, that forms the basis of their research and also feeds cyclo. with the audio material required for visuality.

Releases of cyclo. are the albums ‘cyclo. .’ and ‘cyclo. id’, followed by the EP ‘id’ (12“).

Both cyclo. releases are available digitally from November 20, 2017.

cyclo. (ryoji ikeda + alva noto) - id#09

cyclo. (ryoji ikeda + alva noto) - id#05

cyclo. (ryoji ikeda + alva noto) - id#03

from the album 'radio amor' available from kranky 7/06

tim hecker 'i'm transmitting tonight'

https://planetmu.bleepstores.com/release/107937-richard-devine-sortlave
https://richarddevine.bandcamp.com/album/sort-lave
http://smarturl.it/RDSortLave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Sort\Lave

Richard Devine - Opaque Ke (TIMESIG009)

/ TECHNO / SPEED CORE / PRODUCER / SONY LABEL /

https://music.apple.com/profile/lq1_qbC_q2C_lq2_qb2

- RITALIN - q1C lq1 qbC lq2 f2TUs

https://offtop.com/u/Nu3qwkHVXH

https://linktr.ee/sYlpoplq2Yplq2l
                                                 
https://songtr.ee/artist/2806509/sYlpoplq2Yplq2l

https://bandcamp.com/modph_hal

https://youtube.com/@n2y1-h7o?si=jm6D2UdYL3AnqkXX

https://virpp.com/profile/90057

https://on.soundcloud.com/U6896

https://on.soundcloud.com/4hD9OENXSCA7cX5SHS

https://on.soundcloud.com/ClTPBb73o91thKWlz3


https://soundcloud.com/user-733887390/apatic-ovium-lakes?ref=clipboard&p=i&c=1&si=E034FBECA74B4B8D9F6262C1BFA5E6F6&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

https://soundcloud.com/user-733887390/idm-6?ref=clipboard&p=i&c=1&si=523CF7694E51498CA66ACD5F063A2DF4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

STEPS LIKES TEARS

_ RITALIN SELF _LICKED APATHY

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