This track gets better and better the more I listen to it

🎶✨ Embark on a transcendental journey of self-discovery and healing as you delve into the mystical realm of Mahtuta's captivating 528Hz music. Prepare to unlock the hidden frequencies that lie within, guiding you towards a state of profound harmony and well-being. 🌌

Step into a world where sound becomes a conduit for transformation, where the gentle hum of Mahtuta's melodies holds the key to unlocking the deepest recesses of your soul. As you immerse yourself in the enchanting vibrations of 528Hz, you'll embark on a sacred exploration of the boundless potential that resides within you. 🌟💫

Mahtuta's music acts as a gateway to the infinite, inviting you to journey beyond the confines of the physical realm and into the realm of pure consciousness. With each resonant note, you'll feel a subtle shift in your energy, as though the very fabric of your being is being rewoven into a tapestry of wholeness and balance. 🌿🌀

Unlock the frequencies of your innermost desires, fears, and aspirations as you surrender to the captivating allure of Mahtuta's compositions. Let go of all preconceived notions and allow the music to lead you on a voyage of self-exploration and discovery, where every moment is a revelation waiting to unfold. 🌟🚀

Mahtuta's music transcends the boundaries of time and space, weaving a tapestry of sound that resonates with the deepest chambers of your heart. With each harmonic progression, you'll feel a sense of expansion and liberation, as though the very essence of your being is being set free from the shackles of limitation. 🌅💖

At the core of Mahtuta's compositions lies the sacred frequency of 528Hz, known for its transformative properties and ability to facilitate healing on all levels. As you bask in its radiant glow, you'll feel a sense of peace wash over you, soothing away the accumulated stresses and tensions of daily life. 🌊🕊️

Through the power of 528Hz, Mahtuta's music acts as a catalyst for profound change, awakening dormant potentials and igniting the flames of inspiration within you. Allow yourself to be swept away by its ethereal beauty, and embrace the limitless possibilities that await in the realm of pure potentiality. 🌟🌿

In the sacred space of Mahtuta's 528Hz music, miracles abound, and the boundaries between the seen and the unseen begin to blur. Allow yourself to surrender to the flow of the music, trusting in its inherent wisdom to guide you towards your highest expression of self. 🎵✨

With each passing moment, you'll feel a deepening sense of connection to the universal pulse of life, as though you are being woven into the very fabric of existence itself. Let go of all resistance and allow the music to carry you to places unknown, where the mysteries of the universe unfold in all their splendor. 🌌🌸

As you journey deeper into the heart of Mahtuta's 528Hz music, you'll discover a newfound sense of wholeness and completeness, as though you have finally come home to yourself. Let its healing frequencies wash over you, bathing you in a sea of love and light, and know that you are forever held in the embrace of the divine. 🌟💖

Unlock the frequencies of your soul with Mahtuta's transformative music today, and embark on a journey of self-discovery and empowerment unlike any other. Your path to enlightenment awaits, guided by the timeless melodies of love and liberation. 🎶✨

528Hz Healing Haven: Music for Wellness and Restoration

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Flaw

This track is quoted from EP "
the vanishing point".
Listening to all tracks of EP and purchasing are available on a link below.

https://gallerysix.bandcamp.com/album/the-vanishing-point

written, mixed, mastered by Hidekazu Imashige 
cover photo, design by Hidekazu Imashige

Tidal Shift

A beautifully mysterious track from the upcoming collaborative beauty from Porya Hatami & Uwe Zahn (Arovane). Available in Late July 2016...

Porya Hatami & Arovane..."Kaziwa"   iaan

https://hshirptsubaki.bandcamp.com/album/hanakuma-kenchomae

Kenchomae

Track taken from the upcoming album 'And His Many Seas' by Moss Covered Technology...

Audio: Moss Covered Technology
Mastering: James Plotkin
Design: Daniel Crossley
Label: Fluid Audio
Release date: 30.04.18

www.fluidaudio.bigcartel.com

And His Many Seas

Moss Covered Technology - Sea #4

Composed, Played & Recorded By Madeleine Cocolas + Monolyth & Cobalt

Mixed by Monolyth & Cobalt.

Month Eight Project (Madeleine Cocolas + Monolyth & Cobalt)

Taken from the album 'Enfolding'.
Release date: October 16, 2018 on Hidden Vibes.

Hidden Vibes on web:
hiddenvibes.bandcamp.com
www.facebook.com/hidevibes

offthesky - longior aura (obeisance i)

Halftribe - 'Backwater Revisited'
Label; Dronarivm 
Cat #.: DR-61
Format: CD (ltd. 150)/ CS (ltd. 50) / DL
Release date: July 19th, 2019
Pre-order: July 5th 

Melancholia laid bare, stripped back, then dissipating into thin air.

Mastered by Tobias Lorsbach

Backwater Revisited

Buy CD / CS / DL

Maybe

Edit of Julia Gjertsen's track for the DRIVE subscription series. https://thesisproject.us/projects/THESIS_DRIVE_SERIES_2

One lengthy composition a month for a year.
60 spots available (only those 60 subscribers will have access to the tracks for a year.)

Physical Drive will be mailed to you.

(if you are a previous subscriber there is a discount. Please contact me at geuclide (at) gmail.com)

Artists include:

M. Grig

Benîot Pioulard

R Beny

Light Sleeper

The Gentlemen Losers

Pepo Galán

Simeon Walker

Elskavon

THESIS DRIVE2 - JANUARY - Julia Gjertsen - Skog (edit)

I first encountered Ben Chatwin's music as Talvihorros sometime in 2011 through his release on hibernate imprint. We become more acquainted when he contributed a beautiful track towards my ...and darkness came benefit compilation appearing in 2012. A few years later, Chatwin moved from London to Edinburgh and began recording under his real name. This new beginning also gave his music a refreshed and upgraded sound and with newly found confidence he moved on to the independent Village Green imprint - see Sleeper Awakes appearing on Headphone Commute's Best of 2015 lists. We've seen his follow-up, Heat & Entropy, grace the 'best of' lists a year later, but in 2018, I must admit, I was completely blown away with the Staccato Signals. Something changed entirely. Chatwin's music became cinematic, darker, edgier, blending synthetic and the acoustic, pushing the boundaries of intense sonics and textures, and totally gripping my mind. Needless to say, the album grabbed the top spot in the coveted Music For The Film Behind Closed Eyelids list of best cinematic music of 2018. This year, Ben Chatwin is back to unleash The Hum for Village Green, his sixth studio album under his own name, and today I've got an exclusive premiere from the release dropping tomorrow.

The title of the album, and indeed the title of this track, hint at something lurking behind the lights, the pipes, and concrete. That something is a sound, a drone, a purr, of lifeless objects generating life. When electricity is cut, the house fills with silence, and only then are you aware of all that constant whir you've been surrounded all time. This sonic ghost becomes the bloodstream of the dwelling, and with The Hum, Ben Chatwin amplifies its voice. This rumble is electric, growling, at times it's suffocating with the bass, its place expanded, frequencies increased, dynamics magnified. But at the center of this multi-dimensional chant lies a song, alone in space, alone in beauty. This is the song of Chatwin's music, and I've been mesmerized with all it has to say.

"When electronic artist Ben Chatwin plugged his Moog synthesiser into the mains at home one day, he was surprised to find the electrics of his home faintly singing. His house was built in the nineteenth century, and what he was listening to was the building’s natural hum. He boosted the volume, and in doing so, found the inspiration for his next release, The Hum, out on Village Green on November 6th"

THESIS DRIVE2 - JANUARY - Julia Gjertsen - Skog (edit)

THESIS PROJECT

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