Howdy Annie, how you be? Haven't been on here for a while but I am now! Very cool track! I'm diggin' it! "Like sands through the hourglass, so are the days of our lives!" that just popped into my brain listening to your awesome track! Great job!👍😎✌🏼

The reverse sound parts add very supportive elements to that haunting track.

I didn't know about the singing sands, very interesting, and great work too :)

love that melody, wildly addictive piece, magical and poignant, the bass is awesome

Captures it beautifully, and with a sad undertone for what we've lost.

Epic track‼️ The composition is awesome‼️

Stunning works.  I love the reverse envelope effects, too.

another amazing sonic journey through sounds and atmosphere of another time and place

Tot's Lonely night https://soundcloud.com/user-288513022/aaa556c0-7505-4e30-9f6e-187b384902e516 with Moongirl and other elements from Wildsilences https://soundcloud.com/wildsilences_music combined and altered by Arma Ig with additional elements of my own creation.

As She Falls   Tot's Lonely Night with Indi Moon and Arma

This instrumental track, crafted using an emulator of the legendary ARP 2600 synthesizer, delves into the unsettling notion of a world where machines gradually take over human skills, leaving our consciousness as the final remnant of what truly belongs to us.
In this sonic landscape—where analog layers merge with retro-futuristic textures—humanity quietly resists through its sensitivity, memory, and inner contradictions. While artificial intelligence may learn, simulate, and optimize... it does not feel. A machine cannot dream, doubt, or fall in love. Human consciousness is born from experience, shaped by memory and rooted in the body. And this elusive nuance lies at the heart of everything.
Inspired by the visions in 1999, Brave New World, THX1138, and 2001: A Space Odyssey, the track reflects an age where fiction slips into reality. But instead of sounding an alarm, "Conscience 2600" whispers a lucid realization: within the circuitry and the algorithms, there remains something that cannot be programmed—the intimate pulse of being

Conscience 2600

2600

August 2025 . The residency has just finished, heading home soon to start work on developing a couple of long format works from all the sound captures. 
These are the 3rd batch of 3 short sketches using field recordings captured around Montegiovi, Tuscany. With these little works I am experimenting freely with what can be produced from each days sounds - manipulating them and stitching them back together with the aim of producing a long format work at the end of the residency. I have done maybe 20 or so  since the beginning of August. The idea is to have them done by the end of the day (or night) then move on to something fresh the next day.
I am truly thankful for this opportunity that has been provided for me by the Salamanca Arts Centre in Tasmania and Cultivate Projects/La Baldi residency in Italy and The USA.
And of course the wonderful people of Montegiovi !

Tuscany Experiments  8 - 10

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – beats, acoustic and electric guitar, vocals, composition, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five string fretless bass, organ, composition, and production editing
TexMex Shaman– @texmex-shaman –Stephen– sitar, composition, and production

This was a seed that Chris came up with on his acoustic guitar, adding beats, and some subtle vocals, then shared with Josh and Stephen. They are always excited to work on Chris' songs, because he always comes up with magical tunes.
  Josh was first in line, adding his five string fretless bass, then the organ part. Stephen used Josh's chord structure to come up with his awe-inspiring, monster electric sitar part. After they both laid down their parts, Chris added the electric guitar you hear at the beginning, too. 
  The song was about twice the current length when Chris made it, but Josh chopped off the second half, as the crescendo fits right into the 2/3 slot now. This was mixed as a team effort in BandLab, too, which is a rarity, given both Stephen and Chris are expert producers. 
  This is an example of a song Chris came up with, that was taken to the next level by Josh and Stephen. We hope you enjoy listening to this as much as we enjoyed creating it.

Juxtaposed They Went (Eclectic Collective)

As confirmed by witnesses, a few remote places in the world have had ”singing sands”. Grains of sand have made a singing sound when moving and slowly rolling down dune slopes.

This phenomenon does not exist anymore. Due to worldwide pollution no dunes today contain sand which is pure enough to bring forth this kind of sound. 

Another of mankind´s achievements.

IN MEMORY OF THE SINGING SANDS

We can spend a lifetime waiting for a sign not realising that it is within us.

Waiting for a sign

Sands of Tensor

'Just before dawn'....tenor sax, flute and oboe  - supported by Moog and beats.

War:  - what is it good for....? ......

Pic: c/o Pinterest.

Darkest Hour

Executive producer BotNikStudio2, Bottna, Sweden.

CALLIOPE ON THE BEACH CRYING

85_ Lost Art Inspirations from Brüder Selke - released on 14 September 2025

I was at the Lost Art Festival Vol. 3 in Berlin on 13 September 2025. Light and sound installations and performances were shown in a soon-to-be-abandoned industrial facility. Music acts were also there, of course. 
The first gig I attended by "Brüder Selke" blew me away. The mix of classical & pulsating sounds is exactly my thing! #ambient #modernclassic #trance #nodrums #onlypercs #liverecording

(produced with BlocsWave & LaunchPad)

Lost Art Inspirations from Brüder Selke

Nine Neon Nouns

All Ambient Annie tracks are PRODUCED BY BotNikStudio2.
Tracks from the Studio available on all major streaming & downloading sites.
Spotify:
https://open.spotify.com/artist/0NkqmjUucou8M961K898C5?si=8FNxou9zR5qdlppFrE5pcg
Tracks with videos:
BotNikStudio2 - YouTube
UCyHd9j9itlCD92qasu2OYIw

IN MEMORY OF THE SINGING SANDS

Ambient Annie

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