On ne trouve pas tes podcasts 1 à 3 et d'autres tel que le 8 et certains autres ; est-ce normal ?

Merci pour tes partages ❤️❤️❤️

Com a minha gang

The British war poet Wilfred Owen, who died in 1918 during World War I, in this poem discusses the pointlessness of war and the helplessness of soldiers, a theme very much relevant today with war in Ukraine raging at Europe’s doorstep.

Wilfred Owen’s poem set to music by Antonio Cipolla 2003. Recorded on 10/9/2022. 

FUTILITY
Move him into the sun— 
Gently its touch awoke him once, 
At home, whispering of fields half-sown. 
Always it woke him, even in France, 
Until this morning and this snow. 
If anything might rouse him now 
The kind old sun will know. 

Think how it wakes the seeds— 
Woke once the clays of a cold star.
Are limbs, so dear-achieved, are sides 
Full-nerved, still warm, too hard to stir? 
Was it for this the clay grew tall? 
—O what made fatuous sunbeams toil 
To break earth's sleep at all?
(Wilfred Owen)

FUTILITY

a track by Marco Lucchi reworked by Walter Fini

ottobre 2022

Walter Fini & Marco Lucchi - Regenbogenekstase (Teil 1)

I took a drive by the riverside to find a place to hide for awhile
I parked the car, heard a waterfall, never saw the waterfall at all

- How did you know what I didn't know? 
- When did you see what I didn't see?

In my dreams we have soft wings, float over everything below
We come to land on the warm sand, we are holding hands once more

Sheet music https://drive.google.com/file/d/1Fn5CuGiSRc-2DdA8LS1V4WdPEm5ZROM2/view?usp=share_link
5.6

WATERFALL

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not fair

Ymdrech

This was my contribution for Disquiet Junto Project 0618: Burying the Lede

Here’s a copy of my post on the Disquiet Junto 0618 discussion thread:

Having lived and worked most of my life in the San Francisco Bay Area, I selected a descriptive New York Times article from March 1, 1970, about the colorful salt evaporation ponds located in South San Francisco Bay "Coast Salt Flats: New Ecological Battlefield". The article examines the battle between industry, developers, and conservationists. 50+ years after the article was published, some of the wetlands have been restored, but the conflict still continues.

I recorded from Chrome's Read Aloud text-to-speech reader to a Tascam DR-100MKIII. I then processed the audio four times using Calsynth Monsoon (Clouds clone) with different settings, and placed them on four tracks in Ableton Live. From there, I added reverb/delay effects, as well as a track with sliced samples of the original unprocessed audio using Ableton's Simpler. Created additional tracks using Slate+Ash Choreographs, Sugar Bytes Aparillo, Jogging House Sonic Beds Vol. 1, PaulXStretch, and AudioThing Noises.

Although I no longer live in Northern California, it was cool to create a piece that links to an area that’s part of my history. This turned out to have more of a darker vibe than I would have liked, but in the end, I enjoyed putting this together and am good with the result. 
 
More on this 618th weekly Disquiet Junto project, Burying the Lede (The Assignment: Turn old news into new music), at: Disquiet Junto Project 0618: Burying the Lede – Disquiet
About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet 1
Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)
Project discussion takes place on llllllll.co 2: https://llllllll.co/t/disquiet-junto-project-0618-burying-the-lede/

Even On Clear Days [disquiet0618]

Tried to keep this evenings recording Au Naturel. So, all tracks done with one take, no punch-ins, no effects on any track, and then volumes were set and a simple natural acoustic mastering setting using Klevgrand Grand Finale. Thank you Brian Funk for putting forth the challenge. Halloween couple dressed as...?

Au Naturel

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#1 - Devenir son propre coach

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#3 - Pensées / Émotions / Actions

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#4 - Se sentir bien par la pensée

Se Sentir Bien

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