A feature of this piece is dual scales in contrary motion, it starts right out with them. This track is mostly alternating chords in both hands with the melody on the 16 foot wooden trombone in the feet.  The reprise has the same.  The middle section is counterpoint in the hands only. My favorite part is all the scales in the pedals under the big chords leading to the reprise out of the middle section(2:01). Leading to the end, after the reprise, are massive chords in the hands out to 9ths with the feet going on like a pulping mill churning out Alberti bass(2:40). The end has chords out to the 13th.

My CSUN years

Toccata from Doppelbauer Suite Breve

The last variation is with both feet playing in parallel octaves on the pedals against both hands together playing full chords in parallel octaves.  The hands lift away from the keyboard for the pedal solo(0:53), which is both feet heels and toes only, on the 16 foot trombone with full organ coupled to it, doing alternating scales, 4 note chords with multi-part cadences, double scales in 3rds and trills.  The hands come back on the keyboard in big chords for the cadenza(1:55) which leads to arpeggiated trills. The finale(2:22) features arpeggios up and down the keyboard in the hands with the melody on the trombone in the feet.  The picture above is this instrument.

Le Tambeau de Messiaen

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