Spotify's The Pulse of Outsider House 5th Week 9/21

Axis

Repellent

Trifecta

Rodex

@leegamble concludes his Flush Real Pharynx release trilogy for @hyperdub with 'A Million Pieces Of You'. Hear ‘Newtown Got Folded’ now

More info: https://djmag.com/music/premiere-lee-gamble-newtown-got-folded

A Million Pieces Of You

Premiere: Lee Gamble ‘Newtown Got Folded’

Artist: Jan Jelinek
Album: The Raw and  The Cooked
Label#: faitiche 24
Format: LP/DL
Release: Sept 17th 2021

Faitiche is delighted to release an album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2. The album The Raw and The Cooked brings together five sound collages that deal with the consistency of material and its mutability.    

Solid, raw, boiling, powdery, liquid, broken and folded - categories which describe the nature of material. They can also be read in a chronological sequence: solid becomes broken becomes liquid becomes powdery... Material tells of its essence as it drifts through its states, always in correspondence with external energies. The Raw and The Cooked observes the artists Thomas & Renée Rapedius as they design their paper and metal objects and the artist Peter Granser as he ritually prepares Japanese tea, it shatters glass, bends metal and burns wood. The resulting audio documents capture processes of material transformation as sound.


The Raw and The Cooked was created with the help of ITO Raum Stuttgart and Thomas & Renée Rapedius. Originally produced for radio broadcast on Südwestrundfunk in 2020 it contains a variation of the collage Zwischen/Raum that was made with funding from Musikfonds. Many thanks to Eckhart Holzboog and Beatrice Theil, as well as Frank Halbig/SWR.

Written and produced by Jan Jelinek
Mastering by Rashad Becker
Graphic design by Tim Tetzner
Copyright Control, faitiche 2021

Jan Jelinek: The Raw And The Cooked (Zwischen Raum)

Unequal cycles in search of synchronous experiences: On his new album »Pounding«, Frank Bretschneider tells of distance, convergence and congruence in a continuous, ever-changing flow of events. What is often regarded as an unquestionable dogma in club music (for which Bretschneider has provided significant impetus since the 1990s) – the groove – appears precarious, unstable, and in motion. Pulse and accent are volatile encounters and have to be found again and again for short, delightful moments. Music becomes a constant process of negotiation.
In search of new sound spaces, Bretschneider has recently worked a lot with modular synthesizers, both solo (for example on »abtasten_halten«, 2020) and in collaborations, including the project Beispiel together with Jan Jelinek. »Pounding« was created using similar means - conceived in 2020 for the Pochen Biennale in Chemnitz, subsequently developed further and recorded in March and April 2023 on a sample-based modular system. And in fact, Bretschneider is once again exemplarily scanning his own sound material, such as dub effects that listen to themselves disintegrate; but also the human voice, or more precisely: the stuttering of fragments of speech, far in the distance but omnipresent, like a mysterious narration. Aesthetically, the eleven pieces form part of a series of works with a focus on percussion. Bretschneider has already perfected this approach with albums like »Rhythm« (2007) and has been shifting the perspective ever since, for ever new results.
Shifting is the basic principle of »Pounding«. Bretschneider combines elements that are in different aggregate states, changing their relationship to each other and thus ensuring the complex overall movement. He lets one to two-bar loops run against each other and through small manipulations, develops a network of rhythms that creates a hypnotic state in the counterplay of repetition and mutation, between clearly recognizable meter and disorientation. There are comparable approaches in aleatoric music. Bretschneider combines them with sounds and patterns that are reminiscent of step sequencer logic and at the same time go far beyond it. The result is relational techno. Never obvious, always restless and exciting.

Pounding

Frank Bretschneider »Evening News« taken from »Pounding«

We jump in a Chevy convertible at high noon and tune the radio into the storm clouds rolling on the horizon. Then we set off for the border town on the edge of the desert, peyote and dreamcatchers in the trunk, slide guitar and spring tank on the back seat.

But as the highway stretches out to the vanishing point, and the radio relays a steady motorik pulse amid the cosmic noise, the tumbleweeds begin to roll upwards and the cacti at the side of the road bend to the sky. Radio static gives way to an interplanetary narration, all detuned notes and swirling codes. It was then that we realised the receiver was wide open, and the signal was set to solar broadcast on wavelength infinity.

All music written, performed & recorded by Ernestas Kausylas, except bass on A3 by Vainius Indriūnas, bass on B2 by Vilius Lengvinas, drums on B3 by Martynas Stoškus & Saxophone on B3 by Danielius Pancerovas

Mastered by The Cologne Wizard 
Text by Fizzy Veins 
Cover photo by Mija Kembrė
Design by Ryan Dougan & Dominik Rodemann 
Distributed by Rush Hour

Pre-order

SONLP-015 - Brokenchord - Stone Island Tracks (snippets)

digital: https://boomkat.com/labels/80793
vinyl: 
http://www.redeyerecords.co.uk/vinyl/68184-bh022-marco-bernardi
http://honestjons.com/shop/label/Berceuse_Heroique
https://boomkat.com/labels/80793
http://www.juno.co.uk/labels/Berceuse+Heroique
http://www.piccadillyrecords.com/counter/search.php?search=Berceuse+Heroique&label=1
http://www.rushhour.nl/store_master.php?search=berceuse+h%E9roique&idxGroup=&SearchMode=&Submit=Searchhttp://www.deejay.de/BH021_-_Dont_Dj_-_Hexentrix_-_12-Vinyl__201751


BH21 Don't DJ - Hexentrix

August 2025 . The residency has just finished, heading home soon to start work on developing a couple of long format works from all the sound captures. 
These are the 3rd batch of 3 short sketches using field recordings captured around Montegiovi, Tuscany. With these little works I am experimenting freely with what can be produced from each days sounds - manipulating them and stitching them back together with the aim of producing a long format work at the end of the residency. I have done maybe 20 or so  since the beginning of August. The idea is to have them done by the end of the day (or night) then move on to something fresh the next day.
I am truly thankful for this opportunity that has been provided for me by the Salamanca Arts Centre in Tasmania and Cultivate Projects/La Baldi residency in Italy and The USA.
And of course the wonderful people of Montegiovi !

Tuscany Experiments - Final batch for now : )

When the Virginia Creeper flowers in early September all honey bees in the neighborhood come visit our garden.

September 5, 2025. Håga by, Uppland
Zoom F3 + Clippy EM272

Virginia Creeper Honey Bees

Into One

Disintegration Loops 1.1
A tribute, not an edit.

<a href="http://seinanmusic.tumblr.com">http://seinanmusic.tumblr.com</a>/



William Basinski - Sei A's Disintegration Tribute Mix

Lucrecia Dalt - Tar (Jan Jelinek Remix)

From the 2011 album "Sentimental Favourites" – originally released on Dekorder. Available digitally on Bandcamp at the nice price of pay what you want.
https://andrewpekler.bandcamp.com/album/sentimental-favourites

Sentimental Favourites

Name your price

The Twilight Of Your Smile

Freedom

Factish (french / german faitiche) "(...) is a combination of facts and fetishes, and makes it obvious that the two have a common element of fabrication." Bruno Latour, 1999.

Faitiche is a label by Jan Jelinek.

Profile art from Pixabay artist Hey-Juda and is ai generated.
I am a novice musician and programmer, these people are good musicians:
@clastvibel
@revolution-peak
@prodempathy
@nightshroudlofi
@tomkillsjerry
@xalamusic
@lochhaven
@xref
@avum1
@qualitydubs
@dethkiller
@zyvix
@aesaph
@harrison-leece
@berserkecrux
I read my messages on Soundcloud.
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Jan Jelinek: The Raw And The Cooked (Zwischen Raum)

faitiche

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