Read our interview with Millú here: https://www.patternsofperception.com/post/a-chat-with-mill%C3%BA

Melbourne-based DJ and radio host @milluu has firmly established herself as a vital contributor to the city’s buoyant music scene in recent years. As a true drawcard for the local and global online scenes, and the host of two beloved radio shows, her sunny, groove-laden sound has seen her quickly gain recognition as a deeply skilled selector with an ear (and record bag) perfectly suited to any mood or dancefloor.

Both of her shows - Full Circle on independent station RRR and Dischord on Skylab - are renowned for their perfectly-curated oddities, and give Millú a platform to share her love for both musical diversity and the local scene, with guests and co-hosts joining her to explore genres as far-flung as kraut, downtempo and balearic, through to breaks, acid and IDM.

Taking these same foundational loves into the world with her as a DJ, Millú has graced the stage at numerous key Australian events, including Inner Varnika, Golden Plains, Pitch and Strawberry Fields, delivering stirring, memorable sets either solo, or alongside regular collaborator and partner-in-crime, @pjenne.
Recently, the pair have started work on their latest project, a record label called Companion (@companionmelb), which will delve into downtempo and atmospheric iterations of the electronic underground, bringing the language of ethereal 90s electronica, psychedelic IDM and ambient trance and techno to the present day.  

With Patterns of Perception 81, we find Millú's distinctively warm, dreamy, soulful and adventurous sound in full flight. In this vision, natural soundscapes melt into lush, patient melodies, which in turn rise effortlessly into urgent, liquid rhythms. A seeming disregard for categorisation is betrayed by her careful, well-considered selections and programming, and although countless sounds, feelings and moods pass in the course of this mix, Millú’s uplifting, life-affirming spirit is compellingly present throughout.

Links:
https://soundcloud.com/milluu
https://www.facebook.com/milludj
https://www.instagram.com/mil_llu/
https://ra.co/dj/millu

@companionmelb
https://www.rrr.org.au/explore/programs/full-circle
https://skylab-radio.com/artist-shows/milly-davison

Patterns of Perception 81 - Millú

Interactive Visuals from 3D-Animation
Self-generated 3D animation and self-developed sound combine to form an interactive event. The realtime modulation enables a live experience in a virtual cyber cosmos. The invasion of a machine world is aggression and an escape event.

INVASION

Invasion 21

Invasion21

Little Wladi P. played with the colourful buttons. He found the red one the most beautiful.

"Has our world already been dancing with itself in a feaver?
Does our happiness only lie in a play of neutrons?
Will this kiss and the word, which I gave you yesterday, be the last ones?
Will we be only burned out dust and rock on earth for all times?

No God will help us to preserve our world!
Do only a curse and a cry fly through the darkness tomorrow morning at half past two?

Will this kiss and the word, which I gave you yesterday, be the last ones?
Shall our child, who doesn't know the world yet, be unborn for all times?
No God will help us to preserve our world."
(Ulrich Swillms / Norbert Kaiser) 

#nowar #peaceforukraine #puckfutin

1 // Akanke// Mantis 06 - EP Dino Sabatini
2// Listen (Closet Yi Remix)// Listen & Nisida (Remixed), Vol. 3 Anfisa Letyago
3 // Maypole Theme (Looming Giant // Step Ball Chain - EP Roza Terenzi, D. Tiffany & Tapestr
4// Eclipse (Flug Remix) // FLASH Back 13 Black Lotus (GER)
5 // Atalactite Cave // Klaftertief Glaskin
6// Secrets // I'm Not like Other PPL Tred
7 // Gravity (Boston 168 Remix)// Listen & Nisida, Vol. 1 (Remixed) Anfisa Letyago

MR. EXPLOSION

8 // Trek Drop// Trek Drop - Single Reinier Zonneveld & Theodor Nab
9 // Nova // Nova - EP Regent
10 // String Theory // String Theory - Single HI-LO, Reinier Zonneveld & Oliver
11 I// Ansidia // Nisida Anfisa Letyago
12 // The Call // Ostgut Ton Fünfzehn + 1 Marcel Dettmann & Norman Nodge
13 // Shepherd's Brine // Merchant of Salt - Single Rrose
14  // Are Yourself (Oprofessionell Rem // Quantum States (Deluxe Edition) Mr. Free
15 // Nisida (Michael Mayer Remix) // Listen & Nisida (Remixed) Vol. 2 - Anfisa Letyago
16  // Secret Area // Submit X Gesloten Cirkel
17  // Push U Away //  In2me - EP Tom Place
18  // So U Kno  // BMW Track / So U Kno - Single Overmono

LOST IN FROG VOL 3

Unstoppable - Rerelease

ChatGPT: 
"TRK91 is a dynamic and energetic track that pays homage to the spirit of Tarek, a beloved friend born in 1991. The track features a pulsing beat and intricate melodies that capture the essence of Tarek's vibrant personality and zest for life. From the opening notes, the listener is transported to a world of excitement and adventure, where anything is possible.

As the track builds, layers of sound intertwine to create a lush sonic landscape. The driving rhythm section is anchored by thumping bass and crisp drums, while soaring synth lines add a sense of drama and tension. Throughout the track, subtle nuances and unexpected twists keep the listener engaged and on the edge of their seat.

At its heart, TRK91 is a celebration of friendship and the power of human connection. It is a testament to the enduring bonds that tie us together and the joy that can be found in shared experiences. Whether blasting from a car stereo on a road trip or pumping through a club's sound system, this track is sure to get hearts racing and feet moving. So turn up the volume and let the music take you away to a place of pure excitement and possibility."

TRK91

Fockmasters Leckfrosch sets in its 10th edition. Let's celebrate the vibrating leaky bass on its way back to the weird 80s. 

1 Code Zero/Joshua French 79
2 I Don't Know How (French 79 Re / With Julia (Bonus Edition) Kid Francescoli & French 79
3 The Player / Play Me Again Kid Francescoli & Julia Minkin
4 Dans Ta Face / Potochkine Potochkine
5 Poème/ Souvenirs - EP New World
6 Immersion / Ten Idols 4 Adana Twins & WhoMadeWho
7 Der Abend Birgt Keine Ruh / Synchronicity WhoMadeWho & Perel
8 Money Machine (HOSH Remix) / Money Machine (HOSH Remix) Joplyn & HOSH
9 Silver Machine - The Hacker Rem / Silver Machine - The Hacker Rem Desire & The Hacker
10 Connect / Connect - Single Kinky Sound & Modbit
11 Neuromancer (Krystal Klear Rem / Neuromancer - Single Terr
12 Cruise / Cruise - Single Rhode & Brown
13 Mauro Picasso / 1983 - EP Adana Twins & Phunkadelica
14 Don't / Chapter Two: Damon Jee & Fam Damon Jee & Bonnie Spacey
15 Children of the 80s 5:19 Children of the 80s - Single Le Rubrique
16 Lady Cherry / Discreet Moment Thing Pt. 2 - Si Whitesquare
17 Cheri, Cheri Lady Extended Vers. / Dieter feat. Bohlen (Das Mega Modern Talking

NEUES VOM LECKFROSCH VOL. X

New Release 2023
Suite Encore - Original Mix
Genre: Dance/Club , 126 BPM

Vocal Samples: 
*Back & Forth (feat. Mr. V) - EP by Fedde Le Grand
*ATFC Feat Inaya Day - Mine
*All Rights Reserved by below Artists/Owners:
https://soundcloud.com/feddelegrand
https://soundcloud.com/atfc
https://soundcloud.com/inaya-day

P-line:
℗ clouDNine Recordings - C Line - 2023 All Rights Reserved

World on File

Suite Encore - Original Mix

Welcome to the electrifying second instalment of my DJ mix series Lost In The Sauce, where pulsating beats and seamless transitions converge to take you on an exhilarating sonic journey. This chapter is a sonic exploration that transcends boundaries, blending vibrant rhythms and eclectic melodies that will captivate your senses. Get ready to be immersed in a symphony of music crafted to elevate your spirits and ignite your passion for the dance floor. Embrace the rhythm, feel the energy, and let the music transport you to another dimension in this dynamic and electrifying mix series

(Tracklist)

1. RJW - ID
2. Bleu Clair - Jack Rabbit Slims (Original Mix) 
3. Freqish - Pump That (Extended Mix)
4. ToMix - Wakanda (Original Mix)
5. Taylor Pierce - Need Some More (feat. Fubu Q) (Original Mix)
6. Deefo - Hallucinations (Original Mix)
7. Audio Bullys, Michael Bibi, KinAhau - Different Side (Original Mix)
8. Antss - Tweny (Original Mix)
9. Joanna Magik - Kick Out (Original Mix)
10. MAGNVM! - Clap (Original Mix)
11. Kevin Knapp - Nonchalance (Original Mix)
12. Jaksan - Melon (Original Mix)
13. Maximono - So Real (Original Mix)
14. Latmun - Just Play (Original Mix)
15. NUZB, Carola - Groovemasta (Extended Mix)
16. DJ Minx, Ardalan - A Walk In The Park (Ardalan’s It’s A Mirage Remix)
17. Novodor, Sunday Scaries - Living (Extended Mix)
18. Sunday Scaries - Pick N Choose (Original Mix)
19. Walker & Royce, Nala - Not About You (Extended Mix)
20. Kyle Watson - See Your Truth (Extended Mix)

Lost In The Sauce #002 with RJW

Enjoy the music as you watch the sun rise over the Palomar horizon

B Breeze - Palomar Sunrise

07 Ranaji

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

I am a media artist and have been dealing with interactive systems, music visualization, develop interactive systems and also write music and paint pictures for many years. I am also a lecturer for 3D animation and video design in a media college in Berlin.

Invasion21

Jo Siamon Salich

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