slowed and reverb

Calm

:) raum hörend :)

Peaceful Music

Frédéric Chopin – III. Marche Funebre (Sonata No.2, Op.35)

- 主播的話 -
這是一期特別的節目，也是我們節目開播以來第一次在最短的時間內，嘗試用聲音紀錄片的方式來呈現和理解這次災難。
節目分爲五個章節——我們分別聯系了奔赴前線採訪的記者韓茹雪，在後方進行城市管網研究的媒體人孫凌宇，倫敦大學學院的氣候科學教授克裏斯·雷普利、城市規劃專家，城市信息化服務平臺城市象限的創始人茅明睿，試圖還原災難發生時的狀況，同時也希望盡可能提供一些角度，來回答這場災難爲何發生？在未來我們又該如何杜絕極端天氣造成的悲劇再度上演。
- 本期主播 -
若含（微博@_若含）
王磬 （微博 @王磬）
- 本期嘉賓 -
韓茹雪，《南方人物周刊》記者
孫凌宇，《南方人物周刊》記者
克裏斯·雷普利（Chris Rapley），倫敦大學學院氣候科學教授城市規劃專家
茅明睿，城市信息化服務平臺城市象限創始人
- 本期劇透 -
Chapter 1 一線記者口述
1:39  記者小韓口述河南鄭州及衛輝等地的現場情況
Chapter 2 救災信息如何更有效地進行流通？
34:17 城市信息系統專家對於社交網絡救援信息有效轉發的觀點與建議
48:00 關於衆包救援信息服務設想
Chapter 3 如何更合理的進行城市設計，爲下一次受災做更充足的準備
51:00  鄭州市的“海綿城市”計劃以及落實現狀
Chapter 4 全球氣候變化與極端天氣的關聯
1:00:00 科學界如何看待極端天氣頻發的現狀
1:03:00  王磬在從事國際報道中，對全球媒體報道氣候變化議題的觀察-——在過去，不管是公衆還是媒體給到的重視都不足夠
Chapter 5 悼念每一位逝者
1:07:00 結尾
- 相關資料 -
- 本期音樂 -
Ólafur Arnalds - Saudade (When We Are Born) 
Ólafur Arnalds - brot
菅野よう子 - petal
阪本龍一 - ZURE
Ólafur Arnalds - ypsilon
Ólafur Arnalds - Epilogue
菅野よう子 - wilma
菅野よう子 - sayonaraba
Ólafur Arnalds - zero
Ólafur Arnalds - 20:17
- 制作團隊 -
logo設計：劉劉（ins: imjanuary)
後期制作：方改則 若含
- 收聽方式 -
推薦您使用蘋果播客、Spotify、小宇宙App、汽水兒或任意泛用型播客客戶端訂閱收聽《不合時宜》，也可通過收聽。
- 互動方式 -
微博@不合時宜TheWeirdo


洪災教會了我們什麼：一份關於河南的聲音檔案

Luke Howard:  A Collective Destiny

This GENIUS died way too soon and for his time!! he was such an inspiration and of the greatest! R.I.P.

Jóhann Jóhannsson - "A Sparrow Alighted Upon Our Shoulder" ( Cat Friendly Remix )

'Invisible Forces', out now on Ahead Of Our Time: https://jamesheather.lnk.to/invisibleSo

Follow James Heather -
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#piano #classical #ambient #JamesHeather #music

Invisible Forces

Ultraviolet

Eclipses

Big Sleep

Ludovico Einaudi - Wind Song

from 'Thawlines' [CD|LP|DIGITAL]
Denovali Records · den372
available on all formats at https://denovali.com/johnlemke

Unfamiliar landscapes, dampened by snow and fog, frozen waterways, ghostly forests: in equal parts unsettling and rich with possibility - such is the world of ‘Thawlines’, the third solo album by John Lemke. Carved out at a glacial pace over six years, it distills the memories of a deeply impactful journey to Finland in 2011 into John’s most personal album to date.

During a time of inner turmoil, John’s first encounter with the harsh Finnish winter while visiting an old friend in Helsinki, served as the backdrop and catalyst for pivotal change. Inspired to write an album based on the experience some years later, a second trip with a residency near the Arctic Circle followed. Gathering field recordings and reflecting the original voyage, John experimented with first sketches in the solitude of the icy woodlands, before beginning to flesh out tracks in his Glasgow studio.

The practice of turning memories of places, situations and atmospheres into music, slowly evolved into a complex mosaic of textures and tones, sparking near endless permutations of each piece. About the process John says, ‘I always liked the idea of time as my main collaborator. Or put differently, collaborating with slightly different versions of myself over time. Most of the pieces on ‘Thawlines’ were crafted over a number of years, with long gaps in between recording, letting the ideas ferment somewhat in the meantime, or at least my notion of where they could go. The process let me look at each track from a multitude of angles and come at it with contrasting frames of mind, before understanding what the pieces truly needed to be. It was just a very natural way to work and let ideas grow. In many ways the album turned out as a celebration of the art of getting lost.’

The increasingly slow progression, partly due to John’s many soundtrack commitments, meant that more and more current experiences started seeping into the work as well. As John explains, ‘A lot of life has been digested in this record. From losses of loved ones to becoming a parent and everything in between.’ From a production point of view, John kept feeling drawn to sounds that evoked a certain childhood nostalgia in him such as the mellotron, unruly synths, reverb drenched vocals and era specific recordings of cello, drums and guitars.

Abandoning the rather electronic feel of People Do (2013) and Nomad Frequencies (2015) for a more band oriented sound, John enlisted the help of some of his favourite musicians in the form of Pete Harvey (Modern Studies) on cello, Clive Deamer (Portishead, Radiohead, Robert Plant) on drums and harpist Urška Preis (rouge-ah) to realise his vision. As John says, ‘The music somehow needed to run through the hands of others, which gave a sense of catharsis after such a drawn out, solitary process. It was exactly what was needed to bring the journey full circle’.

As a long odyssey comes to its conclusion, the yield can finally begin a life of its own.

Thawlines

Apparition

John Lemke - Apparition

i do not own this content
I only slowed and reverb 
bye

Lambert - Otis (Slow)

Piano Night Pieces

Claude Debussy Rêverie L. 68

Lil Peep- Looking For U (Slowed)

i do not own the original content
I just slowed the song
enjoy

The First Disciple- Tamino (Slowed Reverb)

tu vas me manquer (slowed added reverb)

absolute in doubt (slowed added reverb)

Auburn - Lomepal (Slowed Reverb)

Painting : Niyadbakyr by Kentaro Kanamoto

The Cinematic Orchestra - Arrival Of The Birds & Transformation (Edited)

amour - Jean-Michel Blais (piano cover)

Ala - Joep Beving

Composed by Joep Beving
Performed by Phelian

@joep-beving
Original - https://www.youtube.com/watch?v=r3gXdYJwrOw

Video

Joep Beving - Sleeping Lotus (Cover)

Ludovico Einaudi - Temple White

Listen to Jean-Michel Blais' new 2018 single "roses": https://soundcloud.com/artsandcrafts/jean-michel-blais-roses

'Il', the debut record from Montreal pianist Jean-Michel Blais, is available April 8, 2016. Pre-order: bit.ly/JMB_Il

Jean-Michel Blais - il

Joep Beving - Ab Ovo

the last time i saw you

re:member

saman

Extrait de la Bande Originale du film "Vous Avez un Nouveau Message" réalisé par Maxime Tourrant

The Sad Machine

Ludovico Einaudi - Experience, played by me

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My channel: https://www.youtube.com/theflamingpiano

Ludovico Einaudi - Experience, piano cover

Composer and Italian classical piano superstar Ludovico Einaudi teamed up with Greenpeace for a concert in the Arctic Circle in 2016 in support of a campaign for a marine sanctuary in the North Pole’s international waters and to raise awareness about melting glaciers and rising sea levels.

Elegy for the Arctic

(send me songs to slow @anngellle)

La "toska" (тоска) est un concept insaisissable – elle peut être traduite de différentes manières, selon le contexte. C'est une mélancolie apathique, une tristesse sans cause précise, ou une pointe d'angoisse. Elle peut aussi signifier le désir ou le mal du pays, un peu comme la "saudade" en portugais ou la "nostalgia" en grec : un malaise intérieur pour un endroit lointain ou un temps passé. 
Il pourrait être intéressant de comprendre si le mot "toska" a un lien étymologique avec le verbe russe "taskat" [traîner, trimballer], comme porter ou traîner un fardeau très lourd, qui fait que les gens se sentent tristes, mélancoliques et mornes.  C'est un désir ardent d'une sorte de satisfaction intérieure insaisissable. La toska est une chose qui va au-delà de la simple dépression, de l'ennui ou de la simple tristesse. 
C'est une sorte d'état d'être où l'on ressent profondément le vide total du cosmos et où, en même temps, on est profondément conscient de la terrible acuité et de l'intensité d'un seul moment de la vie. Nous ressentons tout ce que c'est que d'être humain, d'être transpercé par la perte, la tristesse, la trahison et toute la myriade de choses qui peuvent se produire au cours d'une courte vie humaine, mais nous les ressentons aussi sur le fond du vide nihiliste et criant qui priverait toute action et toute pensée de tout poids, comme dénuées de sens dans un univers infini et finalement irrationnel. Et pourtant, cette même toska nous relie intrinsèquement à la lueur même qui nous donne la vie en tant qu'humains et nous permet de tenir une petite étincelle lumineuse contre le poids de ce vide sans fin qui s'abattrait sur nous et s'écraserait dans l'oubli.

Lambert - Otis (Slow)

gєgэlє